KRURSA.1. Percy Bysshe Shelley. Percy Bysshe Shelley (/ˈpɜrsi ˈbɪʃ ˈʃɛli/;[2] 4 August 1792 – 8 July 1822) was one of the major English Romantic poets, and is regarded by some critics as amongst the finest lyric poets in the English language.
A radical in his poetry as well as his political and social views, Shelley did not achieve fame during his lifetime, but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron; Leigh Hunt; Thomas Love Peacock; and his own second wife, Mary Shelley, the author of Frankenstein. His close circle of admirers, however, included some progressive thinkers of the day, including his future father-in-law, the philosopher William Godwin. Though Shelley's poetry and prose output remained steady throughout his life, most publishers and journals declined to publish his work for fear of being arrested themselves for blasphemy or sedition. Life[edit] Education[edit] Marriage[edit] Byron[edit] Albert Einstein- How I See the World.
Albert Einstein- How I See the World. TUP Online. Welcome to TUP Online's resources on theosophy, including books by Blavatsky, Judge, Tingley, Purucker, and others; introductory manuals on theosophy; theosophical magazines and glossaries; material on the world's sacred traditions; and more.
Copyrighted material in this site may be downloaded free of charge for personal use; except for brief excerpts it may not be reproduced or transmitted in whole or in part for commercial or other use in any form without prior permission from Theosophical University Press. For ease in searching, accents have been removed from most English-language html editions of these texts. PDF files retain accents and searches do not require them. Print editions of most of the titles listed below may be ordered from the online Theosophical University Press Catalog. Theosophical University Press, publishing and distributing quality theosophical literature since 1886: PO Box C, Pasadena, CA 91109-7107 USA; e-mail: tupress@theosociety.org; voice: (626) 798-3378. H. Theophany. Theophany (from Ancient Greek (ἡ) θεοφάνεια theophaneia,[1] meaning "appearance of a god") refers to the appearance of a deity to a human or other being.[2][3][4] This term has been used to refer to appearances of the gods in the ancient Greek and Near Eastern religions.
While the Iliad is the earliest source for descriptions of theophanies in the Classical tradition/era (and they occur throughout Greek mythology), probably the earliest description of a theophany is in the Epic of Gilgamesh.[5] Sacred Sexuality and the Psychedelic Experience - Shroomery News Service - Shroomery Message Board. Transcending Boundaries: Identity and Oppression Within Psychedelic Culture - The Nexian. By VTSeeker48 on Wednesday, 26 November 2014, hits: 2001 “Psychedelics are illegal not because a loving government is concerned that you may jump out of a third story window.
Psychedelics are illegal because they dissolve opinion structures and culturally laid down models of behaviour and information processing. They open you up to the possibility that everything you know is wrong.” … “Part of what psychedelics do is they decondition you from cultural values. --Terence Mckenna. How Extroverted Introverts Interact Differently With The World - 702K Shares — annabashedly. You need constant mental stimulation.
You hate first dates. “Please anything but small talk” you think to yourself. Unlike a real extrovert, small talk stresses you out like crazy - you need deeper conversations to make you feel alive. At times you physically can't stand talking on the phone. You’ll screen your phone calls - even from your closest friends. Maintaining friendships is a constant struggle for you.
Alphabets & Symbols on Pinterest. Zapotec Language. Xenolinguists. Myan. Videos W.A.F. Aspirations. Pale Fire – The Floating Library. By John Shade I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff—and I Lived on, flew on, in the reflected sky.
And from the inside, too, I’d duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I’d let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land! Retake the falling snow: each drifting flake Shapeless and slow, unsteady and opaque, A dull dark white against the day’s pale white And abstract larches in the neutral light. And then the gradual and dual blue As night unites the viewer and the view, And in the morning, diamonds of frost Express amazement: Whose spurred feet have crossed From left to right the blank page of the road? Reading from left to right in winter’s code: A dot, an arrow pointing back; repeat: Dot, arrow pointing back . . .