Sans titre. ROB SILVER: Blues scales, mapped out in all positions... I'm feeling a bit down, so here's some diagrams of the Minor and Major Blues Scales for you all to amuse yourselves with.
I'm getting really fond of the Major Blues Scale, so that's how I'm going to be filling up my evenings this week. It's really cold out side still, but the snow seems to have gone for now. I really should be demoing guitars at a sunny music show somewhere instead of trudging through the snow every morning this week on my way to a tedious trade show, but hey, what can you do... All this historical angst is great and all, but I've just got some awesome guitar diagram software so I'm updating all the older stuff to sexy new diagrams. I'm editing things at the old urls like this because I've linked to the resources in loads of places. You can now support the blog by buying this content and MUCH MORE on amazon. ROB SILVER: THE DIMINISHED SCALE (WHOLE/HALF) THE DIMINISHED SCALE (Whole/Half) is a very interesting sound.
It contains the intervals 1,2,b3,4,b5,b6,6,7, If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. One of the interesting results of this is that if you look at the diagrams below you will see that while it does have eight positions as would any eight note scale, you will see that it is just the same two shapes repeated over and over again. Despite have eight notes in it THE DIMINISHED SCALE (Also Known as the Octatonic Scale) only has 2 modes. WHOLE/HALF DIMINISHED shown on this page and HALF/WHOLE DIMINISHED which you can find HERE. ROB SILVER: THE DIMINISHED SCALE (HALF/WHOLE) THE DIMINISHED SCALE (Half/Whole) is the only mode of the DIMINISHED SCALE.
It contains the intervals 1,b2,b3,3,#4,5,6,b7. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. Osons la guitare Jazz. Voicing Cet anglicisme désigne, avant tout, un accord élaboré en fonction des autres accords de sa progression.
En effet les accords ne sont pas choisis sur leur structure mais plutôt en fonction de leur sonorité qui doit évoluer harmonieusement tout au long de la progression. Les notes de chacun des accords, pour chacun de leurs registres (aigu, médium, basse), doivent subtilement s’harmoniser pour que le rendu musical soit agréable. Limitations. Guitar Cheat Sheet Vol. 2 : des gammes pour voyager. Cet article fait écho à ma première Guitar Cheat Sheet qui synthétisait l’harmonisation et les modes issus des gammes courantes (majeure, mineure naturelle, mineure harmonique et mineure mélodique). L’idée avec ce deuxième volume est de rassembler quelques gammes du monde à 5, 6, 7 et 8 notes. Certaines d’entre elles sont parfois regroupées sous le terme “exotic scales”, par opposition aux gammes plus familières à l’oreille occidentale.
J’ai volontairement omis les gammes listées dans le premier volume, sauf indication contraire. Les différentes gammes sont classées en fonction du nombre de notes qui les composent. J’ai préféré garder les dénominations anglaises rencontrées dans les différentes sources pour éviter toute traduction hasardeuse. Vous pouvez évidemment télécharger cette Guitar Cheat Sheet Vol. 2 (archive zip (2 pdf) – 110 ko environ).
Gammes pentatoniques (5 notes)
Guitar Cheat Sheet Vol. 2 : des gammes pour voyager. 2394 Unique Musical Scales. This table lists many scales in ScaleCoding order, which can be used in 12 note equal temperament or LucyTuning.
It may contain some typos, but the FileMaker files which are linked from this page are later, more detailled and accurate. The objective of this project is to produce a searchable database of all the 2048 possible scales of 12 edo, and to describe each of these scales in at least one LucyTuned scalecoding, which will serve as a vocabulary or thesaurus of scales, and the triads which can be produced from each scale.
There are a possible total of 2048 different scales in 12edo; by LucyTuning your music the scale possibilities are increased infinitely. Details of how ScaleCoding works can be found here Thanks to Walter Zettel, who programmed the notation images and here has some comprehensive listings of scales and guitar patterns Walter is a German programmer has done a lot of scores, tabs and midifiles on the scale database. Downloads: Or here for FileMaker. E.g. Home. Music Theory: Exotic Scales<meta name="description" content="A scale is merely a series of tones that lie between octaves. That's not too much different than the definition of a chord."> <meta name="keywords" content="exotic scales major scales minor scal.
A scale is merely a series of tones that lie between octaves.
That's not too much different than the definition of a chord. Music Theory: Exotic Scales<meta name="description" content="A scale is merely a series of tones that lie between octaves. That's not too much different than the definition of a chord."> <meta name="keywords" content="exotic scales major scales minor scal. Music Theory: Exotic Scales<meta name="description" content="A scale is merely a series of tones that lie between octaves. That's not too much different than the definition of a chord."> <meta name="keywords" content="exotic scales major scales minor scal. Tonality and Harmonic Fields. Tonality (or harmonic field) is a group of chords created through a specific scale.
Take like example C major scale: C, D, E, F, G, A, B. For each note in the scale we will create a chord. We will have, then, seven chords, the will be the chords of the tonality of C. How will we create this tonality? For each note in the scale, the respective chord will be created using the first, the third and the fifth degree (starting to be counted in this note, in this same scale). The first chord in the tonality of C is created then by the notes C, E and G (pay attention that this is the C chord, because E is the major third of C). Now let’s create the chord of the next note, which is D. You should be realizing that until here we are creating the chords in the harmonic field thinking in triads and using only the notes that appear in the scale in question (C major). Song Tonality Very good, you learned how to create a harmonic field. Creating the complete table we will have: The Harmonic Functions. Harmonic Function is a title that represents the feeling (emotion) that certain chord transmits to the listener.
This concept will be clearer when we give you examples. First of all, you have to know that the three main harmonic functions are: Tonic Function Transmits a feeling of rest, stability and finalization. Promotes the idea of conclusion. Dominant Function Transmits instability and tension feeling. All About the Diminished Chord. Diminished chord is a chord made by the musical degrees: 1, 3b, 5b, 7bb.
Observation: 7bb is the same as diminished seventh. Learning the Diminished Scale. Diminished scale is a symmetric scale created by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.
In the same way that we studied in the diminished chord, diminished scale repeats itself each one and a half tone. ROB SILVER: HUNGARIAN MINOR. My LAG ROCKLINE Deluxe... Black shadow finish, gold hardware, birdseye maple neck. My Dad spent over a months pay on this for me for my 18th birthday present and even then it was half price because the was a chip in the finish! I probably played it 3-4 hours a day for the next 5 years!
ROB SILVER: THE DOUBLE HARMONIC SCALE. Phrygian Dominant Scale on Guitar - When & How to Use. Phrygian Dominant Theory - The Ingredients Like all scales, phrygian dominant has its own sequence of intervals that create its unique sound. Let's start by comparing it to the more common major scale. Exploring The Phrygian Dominant Scale on Guitar. Backing track phrygian, phrygian dominant & double harmonic in A. Mixing Metal Scales - The Egyptian Scale + Pentatonic Minor - Chusss. There are many music scales that are used when it comes to metal. Generally speaking about main genres and sub-genres, some of those widely used scales are listed here; Harmonic Minor Scale.Natural Minor ScalePentatonic MinorPhrygian Dominant (The Egyptian scale, 5th mode of harmonic minor)Byzantine ScaleOther modes like Phrygian - Dorian In this guitar lesson we have a new metal backing track with three sections, in 2 sections we will play the Phrygian Dominant in E and in the middle section we can play a mix of Dorian, Blues and Minor pentatonic.
{jrYouTube_embed} invalid value received for "youtube_id" parameter (modules/jrYouTube/templates/item_embed.tpl) The following is an improvised solo as a demo. Byzantine Scale. Double harmonic scale. Details[edit] The sequence of steps comprising the double harmonic scale is half, augmented second, half, whole, half, augmented second, half.