The Avengers: Leviathan vs Hulk , Aaron McBride. Dan Milligan. Rodney Fuentebella. Josh Herman. Captain America : Civil War - Bucky's apartment assault, Maciej Kuciara. Thor Ragnarok The Grandmaster Costume Concept Design, Constantine Sekeris. Search. Avengers Infinity War Concept Art, Andrew Reeder. Ant-Man, Saby Menyhei. Thor the dark world concept, richard anderson. flaptraps art. Thor - Avenvers Age of ultron , ricardo luiz mariano. Spider-Man: Homecoming, Alexander Mandradjiev. Captain America : Civil War - Nairobi, Marek Okon. Ryan lang. Aleksi Briclot (@aleksibriclot) Aleksi Briclot. Concept Art From Every Movie Thus Far (Over 900 Images) : marvelstudios reddit.
Io9.gizmodo. Adi Granov. Instagram photos and videos. Andy Park Art - HOMEPAGE. Instagram photos and videos. 'Avengers: Infinity War' Concept Artist Reveals How to Build a Universe. Charlie Wen - Profile - CTN Expo. Charlie Wen Talks In Detail About Loki's Costume In MARVEL'S THE AVENGERS. Interview with Charlie Wen: Importance of the Visual Storytelling Process. Interview with Charlie Wen: Finding the Core of Iconic Comic Book Characters. Interview with Charlie Wen: Exploring the Depths of Characters through Visual Development. Interview with Charlie Wen: Visual Development of Story and Characters.
Thompsonconceptart. Pete Thompson (@petethompsonart) Ryan Woodward Art and Animation. Ryan Woodward (@ryanwoodwardart) Ryan Meinerding. Ryan Meinerding (@ryan_meinerding_art) Showcase. Thor: The Dark World™ Guardians of the Galaxy™ Designing Spacecraft for Guardians of the Galaxy. The inspiration and key art behind Guardians of the Galaxy. Atomhawk worked on Guardians of the Galaxy for over a year, with a core team of four artists, creating key images, action shots, spacecraft and locations.
Here, we give an insight in to the inspiration behind the movie and how we went about visualising key moments, action shots and locations, helping to set the artistic direction of the film. Avengers: Age of Ultron™ Interview with Atomhawk Principal Artist, Stuart Ellis on designing Hawkeye's farmhouse What was the brief for Hawkeye's farmhouse?
There wasn't really a brief per se but rather a selection of images that Production Director, Charles Wood, had collected as a point of reference. He explained that what he was trying to achieve was a homely American style farmhouse situated in a hidden valley somewhere in the US. Atomhawk Showreel 2018. Atomhawk Design. Marvel: The off-screen heroes bringing fantasy worlds to life.
Media playback is unsupported on your device With Avengers: Infinity War having taken $2bn (£1.5bn) at the box office, Marvel's superhero films continue to dominate the cinema landscape.
Luma Pictures. Raising the VFX Hammer for 'Thor' WikiFX - Visual Effects of Thor. Luma Pictures. Luma Pictures. THOR: THE DARK WORLD. Luma Pictures. GUARDIANS OF THE GALAXY. CAPTAIN AMERICA: THE WINTER SOLDIER. AVENGERS: AGE OF ULTRON. DOCTOR STRANGE. Dark Dimension and Dormammu Luma drew inspiration for the Dark Dimension directly from Steve Ditko’s 1971 “Third Eye” blacklight poster, which meant it had to be heavily art directed.
Luma was tasked with translating the amorphous 2D graphic into a believable three dimensional photorealistic world, with almost every shot in this sequence done entirely in 3D. Luma developed the look with a lot of neon color; as a result, the crew had a limited palette to draw from and had to invent new rules to create the visually stunning and vibrant environment. The look was highly stylized, so the team had to create elements that would allow for flexibility and a vast array of color and value variation at the shot level.
Creating Dormammu provided its own challenge in that the team had to translate his look from the comic book illustrations to a photoreal living and physical being, which required each shot to go through look/dev first. Captain America: Civil War. GUARDIANS OF THE GALAXY VOL. 2. SPIDER-MAN: HOMECOMING. Crime Fighting A rookie Spider-Man goes out and about in the neighbourhood on his first adventure trying to stop petty crime: he’s clumsy, slightly awkward and flies from location to location leaving situations worse off than he found them.
Luma created and animated a full CG Spider-Man, keeping in line with the comedic undertone. The lighting team created eight different light rigs to match all the different environments that Spider-Man swings through: the team utilized on set lidar, location captured HDRIs, plate photography and on set reference photography as the foundation. Lighters had to refine on a shot-by-shot basis to craft ‘beauty lighting’ to further enhance and integrate the digital elements into the plates.
Of course, throughout execution it was absolutely necessary to achieve a photo-real look. Spider-Man suits up and heads into the city looking to fight crime, where he spots four robbers wearing Avengers masks breaking into an ATM using alien technology weapons. THOR: RAGNAROK. Miek and Biff Luma also created and animated Korg’s excitable sidekick, Miek, in-house.
After receiving Marvel’s brief on the character, we shot high-energy punching, kicking, jumping and flipping in our motion capture studio so that animators had a more specific type of motion to use in their shots. Miek’s movements are essentially driven by joysticks in his tiny hands, which also controls his exoskeleton. Ian Joyner.
Phil Saunders. The Avengers Concept Art by Phil Saunders. Concept artist Phil Saunders has released some great concept he created for Marvel’s The Avengers.
Phil worked early on to create sketches and develop designs for the Leviathan, Quinjet, Helicarrier and Iron Man’s MK7 suit. Avengers: Age of Ultron (2013) - Alternate final battle keyframe, Phil Saunders. Visual Effects Making Of. Thor. Thor is an American superhero film based on the comic book character of the same name published by Marvel Comics.
Released by Paramount Pictures in May 2011, Thor is the fourth film released as part of the Marvel Cinematic Universe. The film was directed by Kenneth Branagh, and stars Chris Hemsworth, Natalie Portman, Tom Hiddleston, and Anthony Hopkins. The film tells the story of Thor, a god who is exiled from his homeland of Asgard to Earth. While there, he builds a relationship with scientist Jane Foster. However, Thor must stop his brother Loki, who intends to become the new king of Asgard. Guardians of the Galaxy Knowhere. Guardians of the Galaxy: Rocket. Doctor Strange. Guardians of the Galaxy Vol. 2. Thor: Ragnarok. The Avengers (2012) VFX & SFX. Aaron Sims Concept Design & Visual Effects Studio. Aaron Sims Concept Design & Visual Effects Studio. Digital Domain Visual Effects. Digital Domain Visual Effects. Whiskytree Inc, Visual Effects and Content Creation. Assistant Tools Developer Born on the high grounds of the Pacific Northwest, Emerald was a quiet child, taking apart electronics and drawing comics.
In college, she studied acting, stage lighting, and majored in TV/Radio with a focus to work in the film industry. In her spare time, she taught herself how to build computers and write software. After college, Emerald moved to New York City and tried bartending. Still flying half a ship, she happily landed a gig a few years later in San Francisco as a software developer. Now at Whiskytree, Emerald assists with monitoring and managing the render farm, updates software tools for artists, deploys OS updates, archives footage, assists with plate loading, and more. In her free time, she is probably editing videos, learning new programming languages and computer software, re-enacting Star Wars duels at conventions, or trooping with her non-profit charitable group, Rebel Legion.
[/fusion_testimonial][/fusion_testimonials] Iron Man – Rock Solid. Realms, robots & rainbow bridges: crafting Thor. Captain America: super soldier effects. Case study: how to make a Captain America wimp. Art of Stereo Conversion: 2D to 3D – 2012. VFX roll call for The Avengers (updated) Iron Man 3: more suits to play with. The dark side: behind the VFX of Thor: The Dark World. The Winter Soldier: ILM’s Helicarrier crash: Exclusive. Captain America: The Winter Soldier – reaching new heights. VFX in TV, A to V: Agents of S.H.I.E.L.D to Vikings & More. The VFX of Guardians of the Galaxy. Breaking down Agent Carter’s VFX. Casting the vendors on Avengers. Joss Whedon’s Avengers: Age of Ultron not only reunites and introduces a formidable and popular cast of Marvel characters – it also saw the re-assembling of several formidable visual effects studios to create characters, environments and numerous effects for the film.
Guiding the Age of Ultron effects effort was VFX supervisor Chris Townsend and VFX producer Ron Ames, who both oversaw a huge slate of digital work by a vast array of vendors. “It is incredibly important to get the casting of your VFX vendors right,” suggests Townsend. “Just like you would cast your actors, you cast your visual effects team too. We’ve built up relationships with these companies and we know their strengths and where their creativity lies and what their skilset is, so we’ve been very fortunate that we can build on that.” Above: watch our break down of ILM’s incredible VFX for Hulk, in this video made in conjunction with our media partners at WIRED. VFX in TV: S.H.I.E.L.D + Flash + Black Sails. The Daredevil details. Ever since Netflix premiered all episodes of the first season of Marvel’s Daredevil, many have wondered at the show’s striking title sequence in which a distinctive blood-like substance drips over several key objects.
Ant-Man: Marvel’s heist film. The secrets of Daredevil’s seamless effects. Behind Marvel’s marvelous trailer titles. Behind the Scenes: Agent Carter’s Zero Matter. Captain America: a very civil war. Guardians of Kurt. Spider-Man: by Sea and by Air. Building character with Thor (part2)