Jackson Hole Photographer Taylor Glenn | The Blog » Imagery and Inspiration burn magazine - Mozilla Developer Preview 3.7 Alpha 4 (Build 201 FlakPhoto.com | Photography Online Features » 10 films of the last decade that every photographer should see This was not an easy list to make. Many considerations entered into my selections, and while my top 10 are not necessarily my favorite films of the decade (though a couple undoubtedly are) I have selected them for their relevance to the creation of images by photographers today. Movies are a photographic medium (motion pictures) and should be consumed by photographers for the same reasons we look at painting, sculpture, architecture, theatre, and the work of our colleagues; to be inspired, to be moved, to find something great to rip off (or, if you prefer, to dialogue with in our own work). But in recent years, the reasons to watch lots of films have been compounded by the fact that photographers, more and more, are being asked to make what the industry is now calling “motion content”, or what I call, movies. Multimedia storytelling, let’s not kid ourselves, is really just making movies, and the best examples are being made by photographers with a cinematic sensibility. 10. 9. 8. 7. 6.
BLUR MAGAZINE - Free PDF Photo Magazine Der Greif Visura Magazine » BOB BLACK | The Oxen of the Sun “We are made of time. We are its feet and its voice.” I And the years slip like breath along the edges of our skin, an abundance and a reckoning, the firmament spreads wide, like a gap-toothed space, dark and unending. Pitch and Pale above, all that which twined and coursed through you, comes forth like small accumulations. And then. II Words, like small billows under hull, tiller the jib of my meandering thoughts. III How does one see through the clouded time of unseeing, especially when they themselves tell stories with pictures while all along they have struggled with the nature of how to see. Faces gather time along their edges, sprockets of light pitched around thumb-bowed shadows, the way milk rims the lip and bottom-dip of a glass, the way bone sediments sentiment pitched from the age and voice of the earth, the way glass and stone color from exposure. All of which is simply about a stretch, a space that separates you from me. VII So, how do I begin to tell this particular story?
revue art contemporain - revue art contemporain A Photo Editor Giacomo Brunelli Source Photographic Review: Home