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7 Habits of Serious Writers — Aliventures - StumbleUpon

7 Habits of Serious Writers — Aliventures - StumbleUpon
Image credit: aless&ro With thanks to Michael Pollock for the article suggestion and title. I’ve been writing, on and off, since my early teens – but it’s only in the last three years that I’ve really taken my writing seriously. It’s made a dramatic difference. In the past few years, I’ve been lucky enough to work alongside all sorts of great writers, during my MA in Creative Writing, and in my freelancing. Habit #1: Writing To be a serious writer, you have to write. Yes, that’s obvious. Maybe you’re one of them. Unfortunately, you won’t get any better at writing unless you actually write. I know it’s tough. You can do it. Writing “regularly” is key here. Get Serious Write. Habit #2: Focus Maybe you’ve planned to write for two hours on a Saturday morning. Writing is hard work – and you’ll come up with all sorts of distractions to keep you from it. Serious writers, though, know how to help themselves focus. Habit #3: Reading By reading, you’ll see how other writers tackle similar problems.

25 Things Every Writer Should Know - StumbleUpon An alternate title for this post might be, “Things I Think About Writing,” which is to say, these are random snidbits (snippets + tidbits) of beliefs I hold about what it takes to be a writer. I hesitate to say that any of this is exactly Zen (oh how often we as a culture misuse the term “Zen” — like, “Whoa, that tapestry is so cool, it’s really Zen“), but it certainly favors a sharper, shorter style than the blathering wordsplosions I tend to rely on in my day-to-day writing posts. Anyway. Feel free to disagree with any of these; these are not immutable laws. Buckle up. 1. The Internet is 55% porn, and 45% writers. 2. A lot of writers try to skip over the basics and leap fully-formed out of their own head-wombs. 3. Some writers do what they do and are who they are because they were born with some magical storytelling gland that they can flex like their pubococcygeus, ejaculating brilliant storytelling and powerful linguistic voodoo with but a twitch of their taint. 4. 5. Luck matters.

Everything you ever needed to know about screenwriting (but were afraid to ask) The architecture of all stories is pretty much the same Take just one story: a dangerous monster threatens a community and one person takes it upon himself or herself to kill the beast and restore happiness to the kingdom. It's the story of Jaws. But it's also the story of Beowulf. Without empathy your work won't work A whole generation remembers how they flinched when they saw the fisherman's decapitated head fall out of the boat in Jaws. Studying screenwriting is older than screenwriting itself The rules that govern screenwriting are the fundamentals of narrative and there's a whole history of structural analysis preceeding the advent of film. Reality television is drama All reality TV – from The X Factor to Grand Designs – has an essentially dramatic structure built around a three-act core. Perfect structure doesn't give you perfect drama Notting Hill is a perfectly structured film, The White Ribbon isn't. Cause and effect is at the root of everything "What happened?" What happens next?

25 Things Writers Should Stop Doing I read this cool article last week — “30 Things To Stop Doing To Yourself” — and I thought, hey, heeeey, that’s interesting. Writers might could use their own version of that. So, I started to cobble one together. And, of course, as most of these writing-related posts become, it ended up that for the most part I’m sitting here in the blog yelling at myself first and foremost. That is, then, how you should read this: me, yelling at me. Then go forth and kick your writing year in the teeth. Onto the list. 1. Right here is your story. 2. Momentum is everything. 3. You have a voice. 4. Worry is some useless shit. 5. The rise of self-publishing has seen a comparative surge forward in quantity. 6. I said “stop hurrying,” not “stand still and fall asleep.” 7. It’s not going to get any easier, and why should it? 8. 9. The mind is the writer’s best weapon. 10. Complaining — like worry, like regret, like that little knob on the toaster that tells you it’ll make the toast darker — does nothing. 11.

75 Books Every Writer Should Read Whether you want to make writing your career or just want to know how to improve your writing so that you can pass your college courses, there is plenty of reading material out there to help you get inspired and hone your skills. Here’s a collection of titles that will instruct you on just about every aspect of writing, from the basics of grammar to marketing your completed novel, with some incredibly helpful tips from well-known writers themselves as well. Writing Basics These books address things like structure, plot, descriptions and other basic elements of any story. The Power of Myth by Joseph Campbell and Bill Moyers: You can improve the quality of your writing by adding a mythical quality to them with advice and insight from this book. Advice from Authors Who better to give advice on writing than those who have made a name for themselves doing it? On Writing: A Memoir of the Craft by Stephen King: This is widely regarded as one of the best books for any aspiring author to read.

Read These Seven Books, and You'll be a Better Writer | Donald... - StumbleUpon Donald Miller I used to play golf but I wasn’t very good. I rented a DVD, though, that taught me a better way to swing, and after watching it a few times and spending an hour or so practicing, I knocked ten strokes off my game. I can’t believe how much time I wasted when a simple DVD saved me years of frustration. • The War of Art by Steven Pressfield: This book is aimed at writers, but it’s also applicable to anybody who does creative work. Pressfield leaves out all the mushy romantic talk about the writing life, talk I don’t find helpful. • On Writing Well by William Zinsser: Zinsser may be the best practical writing coach out there. • Bird by Bird by Anne Lamott: Before becoming a literary superstar, Anne Lamott taught writing, and Bird by Bird is the best of her advice, broken up into chapters. Save the Cat by Blake Snyder: Snyder’s book is specifically for screenwriters, and yet I recommend the book for writers of any kind, and teachers and preachers as well.

How to use a semicolon DarkCopy - Simple, full screen text editing Learn How to Publish a Book: FREE Download from Writer's Digest 1. Write the best manuscript that you possibly can. Don’t just come up with a great idea—spend time executing that idea by writing, editing, rewriting, editing and rewriting again. Find a group to workshop your novel with, whether it be in person or online. 2. Whether you’re pitching to an agent or directly to a publisher, you can’t just write “publish my book because it’s awesome.” 3. Nearly all writers get rejected. 4. Get on Twitter and Facebook and Pinterest. 5. In this age of the Internet, it feels like everything flows at lightening speed. 6. After you submit your query letter out to agents and editors doesn’t mean you have to stop learning. 7. While you are waiting for that phone call from a book publishing company saying, “We want to publish your book!”

Questionnaires for Writing Character Profiles - Creative Writing Help - StumbleUpon Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing. "Thanks very much for this course. "Thank you so much!!

25 Ways To Fight Your Story’s Mushy Middle For me, the middle is the hardest part of writing. It’s easy to get the stallions moving in the beginning — a stun gun up their asses gets them stampeding right quick. I don’t have much of a problem with endings, either; you get to a certain point and the horses are worked up into a mighty lather and run wildly and ineluctably toward the cliff’s edge. Seems like it’s time for another “list of 25″ to the rescue, then. Hiyaa! 1. Fuck the three-act structure right in its crusty corn-cave. 2. Hey, when you fake an orgasm, you gotta commit. 3. The shape of a story — especially the shape of a story’s middle — is a lot of soft rises and doughy plateaus and zoftig falls. 4. When I was a kid, Christmas Eve was the most interminable time because, y’know, Christmas morning is everything. 5. Sometimes, a story needs a bit of new blood in the form of a new character — someone interesting. 6. Sometimes, a story just needs blood. 7. 8. Find approximate middle of book. 9. 10. 11. Fuck the map. 12. 13.

English 50 Exercises for Story Writers English 50 – Intro to Creative Writing: Exercises for Story Writers Basic Theory: What is a short story? Short stories have a narrator; that is, someone tells the story; have at least one character in them; have some action occur (or perhaps fails to occur); take place somewhere; that is, there is a setting for the action; and someone either learns something or fails to learn something (theme).With these five characteristics in mind, we can create an almost endless supply of exercises to help sharpen our techniques of story telling. Narrative Voice Twenty or so years ago, voice was the "rite of passage" into a successful writing career. Nevertheless, a narrative voice that sounds like it could be anyone's voice or is bland and boring, or riddled with pointless clichés will fail to capture and hold the reader's attention. NOTE: It is quite common for writers in the early stages of their careers to imitate the writers they are reading or admire most. The T.S. Go back to the previous page?

4 Tips on the Publishing Experience Readers: I’ve been around the publishing world. I’ve edited a couple dozen published or soon-to-be published books. And because I spent most of my career at a small press, I know the publishing process, from conception through editing through publication through marketing. So when it came time to launch my own book, The Listeners, I had a pretty good working knowledge of what had to be done, certainly more so than most first-time authors. Guest post by Harrison Demchick, an editor with more than eight years of experience in the publishing industry. Tip #1: Stick With It The Listeners was published on December 17, 2012. Finally, I adapted it into a novel. So: Stick with it. Tip #2: Be Prepared Being an author isn’t something that begins on the day your book is published. When the book does launch, there are certain things you want to have in place. But starting early isn’t just about getting your presentation in order. Reviewers and blurbers like to have their books months in advance.

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