Lomography Feature Shoot The National Gallery, London: Western European painting 1250–1900 Terry Richardson's Diary April 10, 2014 Lady Gaga getting ready to go onstage #1 s by Ernst Landgrebe All photos are copyright the photographer, and may not be used without written permission. Chuck Watkins , March 10, 2004; 11:09 A.M. Rating You recently gave one of my images a low rating, "Woman on a Chair" - 3/3. Would you leave a comment as to what you didn't like? Rafal Suder , March 18, 2004; 03:04 A.M. As above The same case. Howard Dion , March 19, 2004; 06:31 A.M. Excellent work. PS: Didn't check if you gave any of my images low ratings. Jack Blake , March 21, 2004; 10:49 A.M. ... and I wanted to thank you for your kind rating on one of mine. love your work... thanks!! jb John Falkenstine , March 21, 2004; 04:33 P.M. Your Havana folder is excellent, brings across the suffering of the Cuban People. Maria Conversano , March 22, 2004; 01:29 P.M. Ernst thanks a lot for your comment and your rating. Loft Portugal , March 26, 2004; 11:55 A.M. Berlin & Havanna are very very special. ( Are you German or Dutch? Kind regards,Loft Jonny Johanson , April 17, 2004; 11:13 A.M. Thank you for rating my picture. Hi!
Flak Photo The Longest Photographic Exposures in History - The Latest - itchy i The tremendous popularity of this article with more than half a million (!) clicks in one month inspired me to contact the artist Michael Wesely himself. I felt there were questions by readers which I couldn't answer correctly without talking to Michael. And I also wanted to tell him how much his worked was loved and how many people saw it as an inspiration for their own works and lives. From the many comments I learned, that many of you were astonished by the beauty of the images but also by the technical aspects of their making. The fact that the light fell for up to 3 years onto the same negative strip without over-exposing seemed just too unbelievable. But Michael confirmed that he indeed created continuous, uninterrupted exposures over those long periods of time. Michael Wesely, Palast der Republik, Berlin (28.6.2006 - 19.12.2008), © Michael Wesely, Michael wanted to highlight that he also sees those lines as an indicator for something else. And this is what he was after - details.