Seven Common Character Types
Seven Common Character Types by Terry W. Ervin II Fiction writers employ a variety of characters while weaving their tales. Beyond the standard definitions of protagonist (the main character in a literary work) and antagonist (the main character or force that opposes the protagonist in a literary work), recognizing the types of characters and the parts they play while reading an interesting story can add to the experience. In addition, a fuller understanding of the character types and their uses can increase a writer’s effectiveness in weaving his own fictional tales. Confidante- someone in whom the central character confides, thus revealing the main character’s personality, thoughts, and intentions. Example: In a story, Melvin Sanders is a detective on the trail of a serial killer. In this example Chops is a confidante. Dynamic Character - a character which changes during the course of a story or novel. In this example Ebenezer Scrooge is a dynamic character. Copyright © Terry W.
How do you keep your readers reading? - Pro Writing Tips
Mar 2nd, 2009 | By John Roach | Category: Big Picture I’m going to fail you today. I don’t have the answers. I’ve got some ideas. I’ve got techniques for making sure your readers make it all the way to your last sentence, but not the end-all, be-all. Without further ado, here are 10 tricks you can use to keep your readers engaged. Structure A good hook. Style Use the active voice and short, simple sentences. Substance Don’t make statements; ask questions and then answer them later.Let your passion for the topic shine through. What techniques do you use to ensure reader engagement? Related Posts Tags: active, lists, tips, verbs
Where Should a Second Chapter Start?
on October 12th, 2010 by Fiction Editor Beth Hill and last modified on October 12, 2010 We’ve all read advice about the first chapter—how and where to begin a story; what makes for strong openings, depending on the genre; what not to include in the first paragraph or page of chapter one; what to include in a novel’s opening. We understand that a good opening chapter sets the tone and introduces lead characters and gets the plot rolling. We know almost as much about the final chapter, the final paragraph, and the final words. About how to finish a story so that it’s complete and satisfying and induces the reader to want more. Yet, where’s the advice for chapter two? What do we do to move from that compelling first chapter—the one that’s seen more rewrites than all other pages combined and multiplied by 10—and into the meat of the story? We certainly want to continue the tone we’ve established. Sure there are. Where should a second chapter start? 1. 2.
Fiction Writer's Character Chart - EpiGuide.com
If you're a fiction writer -- whether you're working on a novel, short story, screenplay, television series, play, web series, webserial, or blog-based fiction -- your characters should come alive for your reader or audience. The highly detailed chart below will help writers develop fictional characters who are believable, captivating, and unique. Print this page to complete the form for each main character you create. IMPORTANT: Note that all fields are optional and should be used simply as a guide; character charts should inspire you to think about your character in new ways, rather than constrain your writing. If this character chart is helpful, please let us know! Looking for more character questionnaires / charts?
The 7 worst ways to start your novel - Pro Writing Tips
Aspiring novelists are always intimidated by the classics, especially when it comes to writing the opening of the novel. Look at what we have to live up to: “It was the best of times, it was the worst of times.” — A Tale of Two Cities, Charles Dickens“Mother died today. Or maybe, yesterday; I can’t be sure.” — The Stranger, Albert Camus“It was a bright cold day in April, and the clocks were striking thirteen.” — 1984, George Orwell Who wouldn’t be shaking in their boots at the thought of having to measure up to such greatness? While I can’t tell you how to start your novel to get your name on that list, I can give you some tips on what not to do, so that your manuscript won’t end up in the trash can of agents and publishing houses around the country. 7. 6. 5. 4. 3. 2. 1. If you’re still struggling with your opening, check out the for inspiration. Related Posts
Show, Don't (Just) Tell (Dennis G. Jerz, Seton Hill University)
How to Structure A Story: The Eight-Point Arc
By Ali Hale - 3 minute read One of my favourite “how to write” books is Nigel Watts’ Writing A Novel and Getting Published. My battered, torn and heavily-pencil-marked copy is a testament to how useful I’ve found it over the years. Although the cover appears to be on the verge of falling off altogether, I’ve risked opening the book once more to bring you Watts’ very useful “Eight-Point Story Arc” – a fool-proof, fail-safe and time-honoured way to structure a story. (Even if you’re a short story writer or flash fiction writer rather than a novelist, this structure still applies, so don’t be put off by the title of Watts’ book.) The eight points which Watts lists are, in order: StasisTriggerThe questSurpriseCritical choiceClimaxReversalResolution He explains that every classic plot passes through these stages and that he doesn’t tend to use them to plan a story, but instead uses the points during the writing process: So, what do the eight points mean? Stasis Trigger The quest Surprise Climax Reversal
Understanding Narrative Mode - Pro Writing Tips
Good storytelling deals as much with how a story is told as it does with what a story is. The dramatic moments and insight into the characters and their conflicts all come from information gathered about those characters. One of the easiest ways to build that drama is through an understanding of narrative voice. Each narrative mode has its own strengths and weaknesses, and thus each will benefit different types of stories. First Person Though the First Person narrative mode has been used throughout the literary ages, the particular style has recently come back into vogue, perhaps spurred by the rise of two particular genres—blogs and memoirs. With regards to informational limits, the First Person mode is exceptionally restricted. This narrative voice is exceptionally flexible and can go very far to illustrate the personality of whoever is telling the story. Third Person The vast majority of stories are narrated from the third person. Limited Selective Omniscient Objective Second Person
Hook Readers With Tension
Hook Your Readers With Tension By Laura Backes, Write4Kids.com Tension. Without it, life would be—let's face it—boring. So would fiction. Tension works with conflict to raise the emotional level of the text to a boiling point. "Tension" is a loaded word, and can be misleading. Tension is what hooks readers of any age and keeps them turning the pages. * The ticking clock. * Dialogue. * Pacing. * Sentence structure. Each story requires a different kind of tension. Laura Backes is the author of Best Books for Kids Who (Think They) Hate to Read from Prima/Random House. Copyright © 2002, Children's Book Insider, LLC
