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Memento mori

Memento mori
Earthly Vanity and Divine Salvation by Hans Memling. This triptych contrasts earthly beauty and luxury with the prospect of death and hell. The outer panels of Rogier van der Weyden's Braque Triptych shows the skull of the patron displayed in the inner panels. Memento mori (Latin: "remember (that you have) to die"[2]) is the medieval Latin theory and practice of reflection on mortality, especially as a means of considering the vanity of earthly life and the transient nature of all earthly goods and pursuits. In art, memento mori are artistic or symbolic reminders of mortality.[2] In the European Christian art context, "the expression... developed with the growth of Christianity, which emphasized Heaven, Hell, and salvation of the soul in the afterlife Historic usage[edit] Classical[edit] Plato's Phaedo, where the death of Socrates is recounted, introduces the idea that the proper practice of philosophy is "about nothing else but dying and being dead Europe — Medieval through Victorian[edit]

Mottainai Mottainai (もったいない?, [mottainai]) is a Japanese term conveying a sense of regret concerning waste.[1] The expression "Mottainai!" can be uttered alone as an exclamation when something useful, such as food or time, is wasted, meaning roughly "what a waste!" or "Don't waste."[2] In addition to its primary sense of "wasteful", the word is also used to mean "impious; irreverent" or "more than one deserves".[3] Mottainai is an old Buddhist word, which has ties "with the Shinto idea that objects have souls Usage and translation[edit] Mottainai in Japanese refers to more than just physical waste (resources). As an exclamation ("mottainai!") History[edit] Origins[edit] In ancient Japanese, mottainai had various meanings, including a sense of gratitude mixed with shame for receiving greater favor from a superior than is properly merited by one's station in life.[1] One of the earliest appearances of the word mottainai is in the book Genpei Jōsuiki (A Record of the Genpei War, ca. 1247).[8]

Wabi-sabi A Japanese tea house which reflects the wabi-sabi aesthetic in Kenroku-en (兼六園) Garden Wabi-sabi (侘寂?) represents a comprehensive Japanese world view or aesthetic centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is "imperfect, impermanent, and incomplete".[1] It is a concept derived from the Buddhist teaching of the three marks of existence (三法印, sanbōin?), specifically impermanence (無常, mujō?) Description[edit] "Wabi-sabi is the most conspicuous and characteristic feature of traditional Japanese beauty and it occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West".[1] "If an object or expression can bring about, within us, a sense of serene melancholy and a spiritual longing, then that object could be said to be wabi-sabi The words wabi and sabi do not translate easily. Modern tea vessel made in the wabi-sabi style Western use[edit]

Agoge The agōgē (Greek: ἀγωγή in Attic Greek, or ἀγωγά, agōgá in Doric Greek) was the rigorous education and training regimen mandated for all male Spartan citizens, except for the firstborn son in the ruling houses, Eurypontid and Agiad. The training involved learning stealth, cultivating loyalty to the Spartan group, military training (e.g. pain tolerance), hunting, dancing, singing and social (communicating) preparation.[1] The word "agoge" meant in ancient Greek, rearing, but in this context generally meant leading, guidance or training.[2] The agoge was prestigious throughout the Greek world, and many aristocratic families from other cities vied to send their sons to Sparta to participate in the agoge for varying periods of time. The Spartans were very selective in which young men they would permit to enroll. Structure[edit] When a boy was born, it was washed with wine in the belief that this would make it strong. The boys lived in groups (agélai, "herds") under an older man. References

Kabaddi Kabaddi Kabaddi is a wrestling sport originating from very early Indian civilization. The word Kabaddi is derived from a Tamil word Kai-pidi, literally meaning "(let's) Hold Hands", which is indeed the crucial aspect of play. It is the national game of Bangladesh, and the state game of Tamil Nadu, Punjab and Andhra Pradesh in India. In the international team version of kabaddi, two teams of seven members each occupy opposite halves of a field of 10 m × 13 m in case of men and 8 m × 12 m in case of women.[1] Each has three supplementary players held in reserve. The rules of the game are as follows. The raider is sent off the field if: the raider crosses a boundary line.a part of the raider's body touches the ground outside the boundary (except during a struggle with an opposing team member). Each time when a player is "out", the opposing team earns a point. Matches are categorised based on age and weight. Types of Kabaddi[edit] Sanjeevani[edit] Gaminee[edit] History and development[edit] Asia

6 Death-Defying Stunts That Are Secretly Easy to Do Few things are as cringe-inducing as watching someone shove pieces of metal into his face. The human blockhead is essentially just that. The performer puts a long piece of metal, like a nail or a screw driver, into his nose and then pushes it deep into his skull, presumably to dazzle prospective employers at a job interview. The drill counts as a personal reference. But for a well-practiced professional, this trick isn't very painful or even all that dangerous (again, FOR A WELL-PRACTICED PROFESSIONAL). Pic unrelated. Your nasal cavity, for instance, is a large empty space that extends pretty far back into your head. ... who figured this out? Your nasal cavity is ribbed with small grooves called conchae that hold mucus, which allows a smooth, lubricated insertion for whatever lucky object you've decided to ram into your face. "It's hammer time! If American cinema is to be believed, there is a bed of nails on every Turkish street corner, with a dude in a loincloth lounging on it. Pussy.

Hugh Glass Hugh Glass (c. 1780–1833) was an American fur trapper and frontiersman noted for his exploits in the American West during the first third of the 19th century. He was an explorer of the watershed of the Upper Missouri River in present day North Dakota, South Dakota and Montana. Glass was famed, most of all, as a frontier folk hero for his legendary cross-country trek after being mauled by a grizzly bear. The route of the 1823 odyssey by Hugh Glass General Ashley's Expedition[edit] Glass' most famous adventure began in 1822, when he responded to an advertisement in the Missouri Gazette and Public Adviser, placed by General William Ashley, which called for a corps of 100 men to "ascend the river Missouri" as part of a fur trading venture. The Wrestle[edit] Near the forks of the Grand River in present-day Perkins County, in August 1823, while scouting ahead of his trading partners for game for the expedition's larder, Glass surprised a grizzly bear mother with her two cubs. Later years[edit]

Egil Skallagrimsson and the Viking Ideal Egil Skallagrimsson and the Viking Ideal by Christina von Nolckenow did the Vikings want to be perceived--by other members of their own culture, and by posterity? It is not an altogether easy question to answer, for unlike many of the peoples they traumatized they were still pagan in the early stages of their story and therefore to all intents and purposes illiterate--in the Europe of the early Middle Ages writing was an accomplishment that came with Christianity. But the question is surely worth pondering, and it has the advantage of making us take a new look at our medieval sources.Our fullest information about how the Vikings wanted to be remembered probably comes from later medieval Scandinavian accounts that saw them as inhabiting a kind of heroic age. These are mainly contained in thirteenth- and early fourteenth-century prose sagas composed in Iceland. King Eirik sat bolt upright, his eyes fixed on Egil while he recited his poem.

5 Superpowers You Didn't Know Your Body Was Hiding From You Those motivational speakers are right: You are capable of amazing things. You wouldn't know it, because 99 percent of the time your body or brain hides these superpowers from you. Sure, they say there's a good reason, but we're not sure we're buying it. Dammit, we want our... You may have heard urban legends about "the lady who was able to lift a whole car in an emergency" but, believe it or not, it's not just a legend. Angela ran out to find her unconscious son pinned under the car. Artist's rendering. OK, maybe she didn't lift the thing over her head like She-Hulk, just the few inches it took to get it off her son for the several minutes he needed to drag his ass to safety. Then you've got guys like Sinjin Eberle, who was rock climbing in New Mexico when a 600-pound boulder came lose, smashed into him (crushing his hands in the process) and started pushing him, Wile E. "Next time I get panic muscles, I'm tossing boulders with my dick." Why Can't We Do This All of the Time? To fight crime.

The Thirty-Six Stratagems The thirty-six stratagems, used both in real warfare and by "corporate warriors", attributed to Sun Tsu (of The Art of War fame), though he probably never came up with such a list (especially since the names of several strategies reference events from long after his death). That said, quite a lot of these are either included in The Art of War or immediately deducible from it. Alternatively, and slightly more credibly, attributed to Zhuge Liang. Apparently he was such a great strategist that a book of strategies naturally had to have his name on it (he was also such a great strategist he got retconned to being a full-on sorcerer). Strategy 36 most likely came first as the advice of a strategist: "Of the thirty-six (i.e. various) schemes, a tactical retreatwould be the wisest course of action". open/close all folders Anime and Manga Light Yagami of Death Note fame has used AT LEAST #3 and #24. Bleach

Bolivia Gives Legal Rights To The Earth Law of Mother Earth sees Bolivia pilot new social and economic model based on protection of and respect for nature. Bolivia is to become the first country in the world to give nature comprehensive legal rights in an effort to halt climate change and the exploitation of the natural world, and to improve quality of life for the Bolivian people. Developed by grassroots social groups and agreed by politicians, the Law of Mother Earth recognises the rights of all living things, giving the natural world equal status to human beings. Once fully approved, the legislation will provide the Earth with rights to: life and regeneration; biodiversity and freedom from genetic modification; pure water; clean air; naturally balanced systems; restoration from the effects of human activity; and freedom from contamination. The legislation is based on broader principles of living in harmony with the Earth and prioritising the “collective good.” Bolivia Rain forest The Law of Mother Earth includes the following:

A Nation of Wimps Maybe it's the cyclist in the park, trim under his sleek metallic blue helmet, cruising along the dirt path... at three miles an hour. On his tricycle. Or perhaps it's today's playground, all-rubber-cushioned surface where kids used to skin their knees. And... wait a minute... those aren't little kids playing. Their mommies—and especially their daddies—are in there with them, coplaying or play-by-play coaching . Few take it half-easy on the perimeter benches, as parents used to do, letting the kids figure things out for themselves. Then there are the sanitizing gels, with which over a third of parents now send their kids to school, according to a recent survey. Consider the teacher new to an upscale suburban town. Behold the wholly sanitized childhood , without skinned knees or the occasional C in history. Messing up, however, even in the playground, is wildly out of style. "Life is planned out for us," says Elise Kramer, a Cornell University junior.

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