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How to make DIY noise with feedback loops. DIY Noise With Feedback Loops You're interested in noise. Noise as an experimental music genre (if we can loosely call it that). With experimental music, time limits, radio edits, record company agendas, and expectations are not a factor. It's more important to try new things. Or nothing except effects to feed the effects, as in a "no input" source where a mixer's AUX sends are used to create a feedback loop with effects processing the loop. WARNING: This stuff gets loud so be careful or you'll blow your speakers or destroy your (or someone elses) ears! A simple feedback loop like the one above will give you an almost instant "screeching" sound. EQ's are good for bringing up feedback frequencies outside of the original "screech" range. Distortions will sustain the feedback and further mold it depending on the response of the pedal. Delays can cancel out certain frequencies and accent others depending on the delay "time" setting and feedback (repeats). This is a very basic example.
An Ableton Live Tutorial Blog | Ableton Life URL Link in Flash CS3 (ActionScript 3.0) In ActionScript 2.0, we used to click on the button and give it onclick properties. In ActionScript 3.0 all the ActionScript is specified in the actions panel for the frame not for the button itself. We need to click the frame on the timeline and open the actions panel. We should NOT click the button instance and give the actions. Creating a URL Link in Flash CS3 (ActionScript 3.0) Click on the keyframe in the ‘logo’ layer. Below is the explanation of the customizable portions of the code to create a URL link in Flash CS3: Test the movie, you will see that the website opens when the logo is clicked. Go to Step 6 >>
Museum of Soviet synthesizers. Polivoks Photo Description Polivoks is the portable electronic musical synthesizer which is designed for playing different musical compositions of any genre. There are 4 octaves on the keyboard. There are 3 internal audible signal sources in the instrument: to broad-ranged of the Generators with changed form of oscillations and a noise generator for creating a non-musical sounds such as wind, surf, whine, etc. Possibility to connect an external audible signal sources to the synthesizer is provided for (e.g. guitars, electropianos and electroorgans). Engineer: Vladimir Kuzmin, designer: Olympiada Kuzmina, hardware engineer: Yuriy Pheophilov, produced by Urals Vector Company. Specifications: Sounds Polivoks | Manuals | Schemes | Tuning of the pitch
L i v e l a b . d k - Products - LiveSlice This beat slicer can do much more than just slice your beats and export the results. You can load up to 64 wave files at a time, slice them up and combine the slices in the multitrack arranger. Each slice is coloured based on the content so you can easily tell them apart - this makes manual rearranging a lot faster, and more inspirational, since you are working with direct representations of the audio and not just abstract midi notes. If you find arranging beats in a piano roll / drum map a bit awkward at times, LiveSlice will definately change the way you make music. With support for wav, aif, REX, mp3 and ACIDized wav files, as well as fast drag'n'drop import of multiple files, you can easily access your entire collection of loops. With up to 256 slices on each loop liveslice is as much a granular synthesizer as a beat slicer. The real fun begins when you start using the graphical parameter sequencer. From v.1.3 LiveSlice has been able to record incoming audio. Features Demo 1.5(current)
7 breakbeat production problems solved - Tutorials | musicradar. The practice of lifting drum beats from other people's records could've been seen as something of a necessity back in the early days of the digital home studio. After all, as a DIY recording artist in the '70s or '80s, the only other ways you were going to get professional-quality drums on your recordings were if you hired a studio and a session drummer for a few days, or you used a drum machine. However, despite a proliferation of cheap and affordable drum plug-ins, sampling existing breaks is still popular today. Getting these to 'work' in the context of a track isn't always easy though – we're going to address some of the most common concerns. 1. A late (or 'lazy') snare will always give your beats a laidback, dubby feel, whereas a snare cut right on the attack will push a beat forward and add a sense of urgency. 2. A high-pass filtered breakbeat or percussion loop with a lot of top end can add just the movement you need. 3. 4. 5. 6. 7. Now read 24 unmissable breakbeat tips
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