How to Create Good Personalities for Your Characters Edit Article Sample Character DescriptionsCreating Personalities for Your Own Characters Edited by Secretive, Julia Maureen, Flickety, Ben Rubenstein and 19 others You're on a plane to a distant country to visit some weird old relatives you are somehow related to. Ad Steps Sample Character Descriptions Creating Personalities for Your Own Characters 1Start with a simple profile including these categories: Name, Age, Gender, and Occupation. 6Continue developing characters until your story is finished. Tips Keep the characters true to themselves. Warnings Don't copy off other characters in different, already well known books, such as Harry Potter.
23 Websites that Make Your Writing Stronger We are all apprentices in a craft where no one ever becomes a master. ~Ernest Hemingway How strong is your writing? No matter how good you think it is, there’s always room for improvement. (***By the way, have you seen this amazing online creative writing course, “Story Is a State of Mind,” created by Giller finalist Sarah Selecky? Want to strengthen your story, empower your performance, and beef up on the publishing business? Here are 23 sites (in no particular order) I look to for daily inspiration and advice: PS If you find this list useful, please share it on Twitter, Facebook or StumbleUpon – I’d really appreciate it! 4) Query Shark A query critique site you don’t want to miss. 5) Men with Pens Fantastic articles on copywriting and freelancing. 6) Ask Allison Writing and publishing Q&A by novelist Allison Winn Scotch. 10) Pub Rants Self-proclaimed “very nice literary agent,” Kristin Nelson, rants about writing and publishing. What sites help you make your writing stronger?
English 50 Exercises for Story Writers English 50 – Intro to Creative Writing: Exercises for Story Writers Basic Theory: What is a short story? As soon as someone delivers a definition, some good writer will write a story that proves the theory wrong. Short stories have a narrator; that is, someone tells the story; have at least one character in them; have some action occur (or perhaps fails to occur); take place somewhere; that is, there is a setting for the action; and someone either learns something or fails to learn something (theme).With these five characteristics in mind, we can create an almost endless supply of exercises to help sharpen our techniques of story telling. Narrative Voice Twenty or so years ago, voice was the "rite of passage" into a successful writing career. Nevertheless, a narrative voice that sounds like it could be anyone's voice or is bland and boring, or riddled with pointless clichés will fail to capture and hold the reader's attention. If you've written a story in third person, try it in first.
7 Habits of Serious Writers — Aliventures - StumbleUpon Image credit: aless&ro With thanks to Michael Pollock for the article suggestion and title. I’ve been writing, on and off, since my early teens – but it’s only in the last three years that I’ve really taken my writing seriously. It’s made a dramatic difference. I write far, far more. In the past few years, I’ve been lucky enough to work alongside all sorts of great writers, during my MA in Creative Writing, and in my freelancing. Habit #1: Writing To be a serious writer, you have to write. Yes, that’s obvious. Maybe you’re one of them. Unfortunately, you won’t get any better at writing unless you actually write. I know it’s tough. You can do it. Writing “regularly” is key here. Get Serious Write. Habit #2: Focus Maybe you’ve planned to write for two hours on a Saturday morning. Writing is hard work – and you’ll come up with all sorts of distractions to keep you from it. Serious writers, though, know how to help themselves focus. Habit #3: Reading Habit #4: Learning Habit #5: Redrafting
25 Things Every Writer Should Know - StumbleUpon An alternate title for this post might be, “Things I Think About Writing,” which is to say, these are random snidbits (snippets + tidbits) of beliefs I hold about what it takes to be a writer. I hesitate to say that any of this is exactly Zen (oh how often we as a culture misuse the term “Zen” — like, “Whoa, that tapestry is so cool, it’s really Zen“), but it certainly favors a sharper, shorter style than the blathering wordsplosions I tend to rely on in my day-to-day writing posts. Anyway. Peruse these. Feel free to disagree with any of these; these are not immutable laws. Buckle up. 1. The Internet is 55% porn, and 45% writers. 2. A lot of writers try to skip over the basics and leap fully-formed out of their own head-wombs. 3. Some writers do what they do and are who they are because they were born with some magical storytelling gland that they can flex like their pubococcygeus, ejaculating brilliant storytelling and powerful linguistic voodoo with but a twitch of their taint. 4. 5.
Read These Seven Books, and You'll be a Better Writer | Donald... - StumbleUpon Donald Miller I used to play golf but I wasn’t very good. I rented a DVD, though, that taught me a better way to swing, and after watching it a few times and spending an hour or so practicing, I knocked ten strokes off my game. I can’t believe how much time I wasted when a simple DVD saved me years of frustration. I’d say something similar is true in my writing career. • The War of Art by Steven Pressfield: This book is aimed at writers, but it’s also applicable to anybody who does creative work. Pressfield leaves out all the mushy romantic talk about the writing life, talk I don’t find helpful. • On Writing Well by William Zinsser: Zinsser may be the best practical writing coach out there. • Bird by Bird by Anne Lamott: Before becoming a literary superstar, Anne Lamott taught writing, and Bird by Bird is the best of her advice, broken up into chapters. Save the Cat by Blake Snyder: Plot and Structure by James Scott Bell: On Writing, by Stephen King: Zen in the Art of Writing by Ray Bradbury:
Questionnaires for Writing Character Profiles - Creative Writing Help - StumbleUpon Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "I was pleasantly surprised at the quality of the lessons and feel they were very helpful in introducing new ideas and perspectives to my writing.
Character Chart for Fiction Writers - EpiGuide.com - StumbleUpon If you're a fiction writer -- whether you're working on a novel, short story, screenplay, television series, play, web series, webserial, or blog-based fiction -- your characters should come alive for your reader or audience. The highly detailed chart below will help writers develop fictional characters who are believable, captivating, and unique. Print this page to complete the form for each main character you create. IMPORTANT: Note that all fields are optional and should be used simply as a guide; character charts should inspire you to think about your character in new ways, rather than constrain your writing. Fill in only as much info as you choose. If this character chart is helpful, please let us know! Looking for more character questionnaires / charts?
25 Things You Should Know About Character - StumbleUpon Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.