Spice Up Your Writing With Dialogue by Judy Cullins Does your chapter sound like a report? Does it go on and on with past tense sentences that tell, rather than show? To spice up your self help, non-fiction or fiction book and even promotional writing, you need to use much more dialogue. Why? If your aim your book at agents and publishers, the first action acquisition editors make is to find a section of dialogue. It is difficult to put just the right words into dialogue--to convey character and emotion. Tips: 1. "You can't be serious, she said in astonishment." So, show how astonished through dialogue or beat. 2. Stop using -ly verbs such as "I'm afraid it's not going well," he said grimly." Examples: Percy burst into the zoo keeper's office. "Is something wrong, sir?" "Don't you realize you're killing those poor innocent creatures, you heartless fascist? 3. You have heard about show, don't tell and all -ly forms tell. Condescending example: "I'm afraid it's not going very well, "he said grimly. 4. 5. 6. 7. 8.
How to Write a Character Sketch: Learning More About Your Characters’ Motivations and Personalities Regardless of the type of writing you are doing, knowing who your characters are and knowing them well will add greatly to your work. Understanding your characters’ personalities through a character sketch helps you to understand where they are coming from and what motivates them. This, in turn, helps you understand what drives all of the action in your work, and the clearer this is, the easier your audiences will be able to connect with your writing. But how do you go about writing a character sketch? Interview Your Characters Perhaps the most straightforward way of getting to know who your characters are and what drives them is by asking them outright in an interview. It may seem like a very obvious or banal exercise, but even minor details will help you understand who your character is. Write a Character Monologue Another fantastic and highly effective way of getting to know your character is by writing a monologue as your character. Write a Day-in-the-Life Character Sketch
Seven Keys to Writing Good Dialogue | Nathan Bransford - Blog It goes without saying (but watch me say it) that dialogue is one of the very most crucial elements in a novel. Great dialogue can make a novel sing. Bad dialogue can sink it like a stone. Here are a few ideas on what makes good dialogue work: 1. Good dialogue is not weighed down by exposition When the dialogue is carrying exposition and trying to tell the reader too much, characters end up saying a lot of very unnatural and unwieldy things. "Remember that time we stole the frog from Miss Jenkins and she ended up giving us two hours of detention and that's how we met?" So much of this dialogue would already be already apparent to the characters. Exposition and dialogue only really mesh when one character genuinely doesn't know what the other character is telling them and it's natural for them to explain at the moment they're explaining it. 2. Sometimes you'll see characters in novels bantering back and forth in a way that is meant to reveal character or fill space. 3. 4. 5. 6. 7.
3 Types of Character Arcs: Choose the Best for Your Novel How Does Your Character Change? You know your character must change somehow over the course of your novel. But how? And more than that, how do you sync the changes with the external plot? I’ve found three approaches to the inner arc, each trying to laying out how the character changes. Hero’s Journey: Quest for Inner Change In the Hero’s Journey, laid out so well in Christopher Vogler’s book, The Writer’s Journey, a character receives a Call to Adventure that takes him/her out of the normal and ordinary world into a world where they must quest for something. Melanie as an Example So, we’ve got Melanie who wants more than anything else to get her mother’s approval, but can’t because her mom’s a chef and Melanie can’t cook worth a flip. In the Hero’s Journey, Melanie might get a Call to Adventure: a challenge to create the world’s largest hot fudge sundae. Iron Sharpens Iron – Friendships As iron sharpens iron, so one man sharpens another. Back to Melanie: Flawed Way of Coping Key moments:
Characters with Character: Random Personality Generator If you're enjoying the content here, check out our new site, Thoughtcrime Games. Thanks for visiting! If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting! I don’t know about you but when I sit down for a one-shot game with a pregen character, I can’t always come up with a unique and interesting personality on the fly. Sometimes the class, race and skill combo strikes a chord, but usually it’s just numbers. Using the Generator is a snap. Motivation: What is it that really gets your character’s motor running? Instinct: What is your character’s first reaction to a threat (physical or otherwise)? Approach: What archetype is your character best known for being? Now just because every character in D&D is combat-capable does not necessarily make them all warrior-type personalities. Raven, Revenant Tempest FighterMotivation 8 (Intense Experience); Instinct 10 (Invoke Tradition); Approach 12 (Ethereal Mystic) Most living beings fear death. Serious Skills Similar Posts:
How to Create Good Personalities for Your Characters Edit Article Sample Character DescriptionsCreating Personalities for Your Own Characters Edited by Secretive, Julia Maureen, Flickety, Ben Rubenstein and 19 others You're on a plane to a distant country to visit some weird old relatives you are somehow related to. Ad Steps Sample Character Descriptions Creating Personalities for Your Own Characters 1Start with a simple profile including these categories: Name, Age, Gender, and Occupation. 6Continue developing characters until your story is finished. Tips Keep the characters true to themselves. Warnings Don't copy off other characters in different, already well known books, such as Harry Potter.
CALLIHOO Writing Helps--Feelings Table Character Feelings You can describe your character's feelings in more exact terms than just "happy" or "sad." Check these lists for the exact nuance to describe your character's intensity of feelings. SF Characters | SF Items | SF Descriptors | SF Places | SF EventsSF Jobs/Occupations | Random Emotions | Emotions List | Intensity of Feelings How to Write a Character From Start to Finish The best fiction is about a character who changes in some significant way. The selfish brute learns to put others first. The woman marrying for money decides to marry for love. We love to see characters transformed. —by Jeff Gerke Most of the time, main characters in fiction are changing for the better. But there’s also room for characters who change for the worse. Perhaps most intriguing of all is a “bad” character who flirts for a while with the idea of being good, but then decides that his true self is on the dark side of the street. Of course, not every story has to be about a character who changes. Whether your protagonist ultimately turns toward or away from the light will be up to you, but we’ll look at ways to send her on a journey in which she’s transformed. The Inner Journey In fiction terms, a character’s transformation is called his inner journey or character arc. The heart of this system is your main character’s inner journey. The Nexus The Seeds of Change The Role of Change
25 Ways To Fuck With Your Characters - StumbleUpon As storyteller, you are god. And to be frank, you’re not a particularly nice god — at least, not if you want your story to resonate with readers. A good storyteller is a crass and callous deity who treats the characters under his watchful eye like a series of troubled butt-puppets. Put differently, as a storyteller it’s your job to be a dick. It’s your job to fuck endlessly with the characters twisting beneath your thumb. And here’s 25 ways for you to do just that. 1. Gods have avatars, mortal or semi-mortal beings that exist on earth to embody the deity’s agenda. 2. The audience and the character must know the stakes on the table — “If you don’t win this poker game, your grandmother will lose her beloved pet orangutan, Orange Julius.” 3. Impossible odds are a powerful way to fuck with a character. 4. Drop the character smack dab between two diametrically opposed choices. 5. Give the character an untenable secret life: a forbidden romance, a taboo, a transgression. 6. This one? 7. 8. 9.
Character Trait Chart Character Trait Chart and Personality Components It can sometimes be helpful to make a Trait Chart for each character. This is especially helpful during the early stages of character development, before the character becomes as real to you as your mother. There are several charts of this sort available, some extremely detailed and some containing only facts and figures. To use this chart, print it out and make a copy for each of your characters. Full name - a character's name is very important. Besides the character's official name, we also need to know what he is called (and, perhaps, what he prefers to be called). Date of Birth/Age - we should carefully consider assigning our character a birthday. Address - this can be as detailed or as vague as you wish, but it should answer a few questions: does the character live in a large city, the suburbs, a small town or deep in the country? Height - this doesn't need to be specific. Smell - everyone has a smell. Questions? Custom Graphics by:
Top 10 Tricks to Make your Villain Stand Out Welcome back to the column that breaks down gaming into what’s really important, ten things at a time! Any story arc needs a good villain. The best big bads are more than just another devil or vampire or dragon. These ten suggestions can help take your villain above and beyond the ordinary and give your players a more memorable game. 1. Means to Power. Why do people follow this villain? 2. The villain should have a single overriding goal that drives all his or her actions. 3. Along with the goal, place concrete steps the villain needs to take to reach the goal. 4. The villain should be making progress if nobody is stopping him or her. 5. Give your villain a weakness the adventurers can figure out and exploit. 6. Avoid faceless or generic threats. 7. Make the villain’s presence known in every corner of the campaign. 8. One of the best ways to make the villain’s presence known is by reusing symbols and calling cards. 9. 10. Powered By DT Author Box Written by loganbonner