Tutoriel Max-MSP : Test Cycling'74 Max/MSP
Conçu par l'IRCAM et Cycling'74 pour les musiciens, les designers sonores et les enseignants, Max/MSP est un environnement de programmation visuel qui fait figure de référence pour la création d'installations sonores interactives. En partenariat avec www.idecibel.com, AudioFanzine vous propose de vous initier en douceur à son fonctionnement via le didacticiel que voici. Principe de Max-MSP Avant de commencer à créer quelque chose, il est préférable de comprendre un peu le fonctionnement du programme. Le principe de Max/MSP est de générer, de transformer et de gérer des sons, sans aucune limite (à part peut-être le temps que vous passerez dessus...) Ce soft est construit sur le fait de poser au milieu d'une page blanche, des boîtes que l'on va connecter entres elles, chacune ayant un rôle différent, possédant des entrées et des sorties. Ouvrez le programme, allez dans le menu file/new/patch. La barre d'icônes comporte toutes les boîtes dont nous pouvons nous servir : Le premier son
MIDIsense
This photo has notes. Move your mouse over the photo to see them. MIDIsense is a simple, yet extensible sensor interface system for artists, musicians and others interested in experimenting with sensors. The MIDIsense boards provide a simple way to integrate various common sensors with existing software such as Max/MSP, Ableton Live, etc. or directly to a synthesizer/sequencer with a MIDI in jack. While there are other projects with similar functionality, this one is the most technically advanced, flexible & inexpensive. This project is still in "beta" that means that it works well and has been tested but there are still bugs that pop up and the documentation may be incomplete. This project is supported by EYEBEAM (thanks!) If you have any questions/comments, feel free to ask on the Forum Instead of having one generic board that handles all kinds of sensors, with extensive configuration required, there are 3-4 different boards. Why am I doing it this way?
NIME 2010 : International Conference on New Interfaces for Musical Expression, Sydney Australia, 15-18th June 2010
New Interfaces for Musical Expression++ Sydney, Australia, 15-18th June 2010 Expression is a central notion of humankind. It is what we do - when we have an idea, we write, draw, sculpt, speak, type, dance, touch - we want to express. We need to express. It is through expression that we make a change in the world, from the most modest little concept to deep and profound structures. A broad program of events is envisioned. UTS is a Technology University whose practice, research and teaching occurs at the cutting edge of creativity and technology. 2010 heralds the commencement of our new Bachelor of Sound and Music Design degree and Bachelor of Design (Photography & Situated Media) so the NIME conference occurs amidst a lot of excitement and interest in music, sound, interaction design, situated media and interdisciplinary conversation in Sydney.
Emmanuel FLETY - IRCAM Development Blog - The WiSe Box Project
Wednesday, March 9, 2005, 14:48 The WiSe Box is a Multi-performer Wireless Sensors Digitizer. It is a pocket-sized CV to OpenSoundControl (OSC) digitizer that converts up to 16 continuous controllers on 16 bits into OSC. Download the WiSe Box Product Sheet The WiSe Box project started in early 2004. The WiSe Box is a research project that aims to solve the following aspects : - Multiple digitizers active on stage simulaneously - Easy sharing of the radio media - No dedicated receiver - High resolution and high data rate We oriented the design toward 802.11 (WiFi) technology since it solves intrinsically the sharing of the radio media by collision avoidance.
Emmanuel FLETY - IRCAM Development Blog - AtoMIC Pro : Analog to MIDI Interface
Thursday, March 31, 2005, 15:51 When I was a student back in 1998, and after some free lance works dealing with sensors and MIDI, I soon felt exhausted by re-building each time a new-but-not-so-different hardware. I decided to propose Ircam to build a new Analog to MIDI converter that could handle several situations and contexts when using sensors. I therefore spent 4 months of my graduation year designing an CV to MIDI interface with on-board configuration facility. At that time, I really disliked the idea that a computer was needed to configure a MIDI device. The result of this study work is a vintage game-boy like hardware that handles 32 analog inputs sampled on 10 bits. We then started working on a new and faster hardware which ended as the Ethersense platform.
MIDI Solutions Pedal Controller; Continuous MIDI Data Generator
MIDI Solutions Pedal Controller The Pedal Controller accepts an expression pedal (such as the Yamaha FC7 or Roland EV-5 or any potentiometer connected to a 1/4" stereo phone plug) as an input and generates continuous MIDI data based on its position. The Pedal Controller may be inserted inline at any point in the MIDI data stream, allowing you to send continuous controller information to any device in your MIDI setup. The Pedal Controller's factory default settings are for it to send CC#7 (volume) on MIDI channel 1, so if this is what you need the Pedal Controller to do then no programming is necessary - just insert the Pedal Controller in your setup and it's ready to use. The Pedal Controller can also be programmed to send other types of MIDI messages, for more info read on... The Pedal Controller can be programmed to send: The Pedal Controller has a MIDI Echo parameter that is selectable on/off.
