Demeter In ancient Greek religion and myth, Demeter (/diˈmiːtər/; Attic: Δημήτηρ Dēmḗtēr; Doric: Δαμάτηρ Dāmā́tēr) is the goddess of the harvest, who presided over grains and the fertility of the earth. Her cult titles include Sito (Σιτώ), "she of the Grain",[1] as the giver of food or grain[2] and Thesmophoros (θεσμός, thesmos: divine order, unwritten law; "phoros": bringer, bearer), "Law-Bringer," as a mark of the civilized existence of agricultural society.[3] Etymology[edit] Demeter's character as mother-goddess is identified in the second element of her name meter (μήτηρ) derived from Proto-Indo-European *méh₂tēr (mother).[11] In antiquity, different explanations were already proffered for the first element of her name. An alternative, Proto-Indo-European etymology comes through Potnia and Despoina; where Des- represents a derivative of PIE *dem (house, dome), and Demeter is "mother of the house" (from PIE *dems-méh₂tēr).[20] Agricultural deity[edit] Festivals and cults[edit] Myths[edit]
Tartarus Greek mythology[edit] In Greek mythology, Tartarus is both a deity and a place in the underworld. In ancient Orphic sources and in the mystery schools, Tartarus is also the unbounded first-existing entity from which the Light and the cosmos are born. As for the place, Hesiod asserts that a bronze anvil falling from heaven would fall nine days before it reached the earth. Originally, Tartarus was used only to confine dangers to the gods of Olympus. According to Plato (c. 427 BC), Rhadamanthus, Aeacus and Minos were the judges of the dead and chose who went to Tartarus. Plato also proposes the concept that sinners were cast under the ground to be punished in accordance with their sins in the Myth of Er. There were a number of entrances to Tartarus in Greek mythology. Roman mythology[edit] Biblical Pseudepigrapha[edit] Tartarus also appears in sections of the Jewish Sibylline Oracles. New Testament[edit] Footnotes [1] 2:4 Greek Tartarus See also[edit] Notes[edit] References[edit]
Goddess The Goddess of Hope by Bertel Thorvaldsen A goddess is a feminine or female deity with supernatural powers.[1][2] In some cultures goddesses are associated with Earth, motherhood, love, and vegetation. In other cultures, Goddesses also rule over war, death and destruction as well as creation, good, divinity, healing and life. In some religions, a sacred feminine archetype can occupy a very central place in prayer and worship. The primacy of a monotheistic or near-monotheistic "Great Goddess" is advocated by some modern matriarchists as a female version of, preceding, or analogue to, the Abrahamic God associated with the historical rise of monotheism in the Mediterranean Axis Age. Some currents of Neopaganism, in particular Wicca, have a bitheistic concept of a single Goddess and a single God, who in hieros gamos represent a united whole. Types[edit] Earth or mother Goddesses[edit] The head of an Egyptian goddess. Historical polytheism[edit] Ancient Near East[edit] Mesopotamia[edit]
Inanna Inanna (/ɪˈnænə/ or /ɪˈnɑːnə/; Cuneiform: 𒀭𒈹 DMUŠ3; Sumerian: Inanna; Akkadian: Ištar; Unicode: U+12239) is the Sumerian goddess of love, fertility, and warfare, and goddess of the E-Anna temple at the city of Uruk, her main centre. Part of the front of Inanna's temple from Uruk Origins[edit] Etymology[edit] Inanna's name derives from Lady of Heaven (Sumerian: nin-an-ak). Worship[edit] One version of the star symbol of Inanna/Ishtar Iconography[edit] Inanna's symbol is an eight-pointed star or a rosette.[10] She was associated with lions – even then a symbol of power – and was frequently depicted standing on the backs of two lionesses. Inanna as the star, Venus[edit] Inanna was associated with the celestial planet Venus. Inanna's Descent to the Underworld explains how Inanna is able to, unlike any other deity, descend into the netherworld and return to the heavens. Character[edit] Inanna is the goddess of love – but not marriage. Myths[edit] Enmerkar and the Lord of Aratta[edit]
Eros Eros (/ˈɪərɒs/ or US /ˈɛrɒs/; Ancient Greek: Ἔρως, "Desire"), in Greek mythology, was the Greek god of love. His Roman counterpart was Cupid[2] ("desire"). Some myths make him a primordial god, while in other myths, he is the son of Aphrodite. Cult and depiction[edit] Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. A cult of Eros existed in pre-classical Greece, but it was much less important than that of Aphrodite. Primordial god[edit] Homer does not mention Eros. Son of Aphrodite[edit] [Hera addresses Athena:] “We must have a word with Aphrodite. "Once, when Venus’ son [Cupid, aka Eros] was kissing her, his quiver dangling down, a jutting arrow, unbeknown, had grazed her breast. Eros and Psyche[edit] In Greek mythology, Psyche was the deification of the human soul. Sources
Sopdet In Egyptian mythology, Sopdet was the deification of Sothis, a star considered by almost all Egyptologists to be Sirius. The name Sopdet means (she who is) sharp in Egyptian, a reference to the brightness of Sirius, which is the brightest star in the night sky. In art she is depicted as a woman with a five-pointed star upon her head.[1] Just after Sirius appears in the July sky, the Nile River begins its annual flood, and so the ancient Egyptians connected the two. ^ Jump up to: a b c Wilkinson, Richard H. (2003).
Ishtar Ishtar (English pronunciation /ˈɪʃtɑːr/; Transliteration: DIŠTAR; Akkadian: 𒀭𒈹 ; Sumerian 𒀭𒌋𒁯) is the East Semitic Akkadian, Assyrian and Babylonian goddess of fertility, love, war, and sex.[1] She is the counterpart to the Sumerian Inanna, and is the cognate for the Northwest Semitic Aramean goddess Astarte. Characteristics[edit] Ishtar was the goddess of love, war, fertility, and sexuality. Ishtar was the daughter of Ninurta.[2] She was particularly worshipped in northern Mesopotamia, at the Assyrian cities of Nineveh, Ashur and Arbela (Erbil).[2] Besides the lions on her gate, her symbol is an eight-pointed star.[3] One type of depiction of Ishtar/Inanna Ishtar had many lovers; however, as Guirand notes, Descent into the underworld[edit] One of the most famous myths[5] about Ishtar describes her descent to the underworld. If thou openest not the gate to let me enter, I will break the door, I will wrench the lock, I will smash the door-posts, I will force the doors. In other media[edit]
Erebus In Greek literature the name Erebus is also used of a region of the Greek underworld where the dead pass immediately after dying, and is sometimes used interchangeably with Tartarus.[3][4][5][6][7] The perceived meaning of Erebus is "darkness"; the first recorded instance of it was "place of darkness between earth and Hades". Hebrew עֶרֶב (ˤerev) 'sunset, evening' is sometimes cited as a source.[3][8] However, an Indo-European origin, at least for the name Ἔρεβος itself, is more likely. The Roman writer Hyginus, in his Fabulae, described Erebus as the father of Geras, the god of old age.[10] References[edit] Notes Jump up ^ Ἔρεβος. Sources External links[edit] The Theoi Project, "Erebos"
Isis Temple of Isis in Philae, Egypt Isis (Ancient Greek: Ἶσις, original Egyptian pronunciation more likely "Aset" or "Iset") is a goddess in Ancient Egyptian religious beliefs, whose worship spread throughout the Greco-Roman world. She was worshipped as the ideal mother and wife as well as the patroness of nature and magic. This myth became very important during the Greco-Roman period. Etymology[edit] The name Isis is the Greek version of her name, with a final -s added to the original Egyptian form because of the grammatical requirements of the Greek language (-s often being a marker of the nominative case in ancient Greek). The Egyptian name was recorded as ỉs.t or ȝs.t and meant "She of the Throne". For convenience, Egyptologists arbitrarily choose to pronounce her name as "ee-set" or "ah-set". Principal features of the cult[edit] Origins[edit] Isis depicted with outstretched wings (wall painting, c. 1360 BCE) The first written references to Isis date back to the Fifth dynasty of Egypt.
Persephone Persephone as a vegetation goddess and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon and promised the initiated a more enjoyable prospect after death. Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus, usually in orphic tradition. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities. Name[edit] Etymology[edit] Persephone or "the deceased woman" holding a pomegranate. Persephatta (Περσεφάττα) is considered to mean "female thresher of corn," going by "perso-" relating to Sanskrit "parsa", "sheaf of corn" and the second constituent of the name originating in Proto-Indo European *-gʷʰn-t-ih, from the root *gʷʰen "to strike".[8] An alternative etymology is from φέρειν φόνον, pherein phonon, "to bring (or cause) death".[9] John Chadwick speculatively relates the name of Persephone with the name of Perse, daughter of Oceanus.[12] Italy.
Nyx Nyx (Greek: Νύξ, "Night")[1] – Roman (in Latin): Nox – is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and was the mother of other personified deities such as Hypnos (Sleep) and Thanatos (Death). Her appearances are sparse in surviving mythology, but reveal her as a figure of exceptional power and beauty. Mythology and literature[edit] Headline text[edit] Hesiod[edit] In his description of Tartarus, Hesiod locates there the home of Nyx,[5] and the homes of her children Hypnos and Thanatos.[6] Hesiod says further that Hemera (Day), who is Nyx's daughter, left Tartarus just as Nyx entered it; continuing cyclicly, when Hemera returned, Nyx left.[7] This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn). Homer[edit] Others[edit] Nyx in society[edit] Cults[edit] More often, Nyx lurks in the background of other cults. Astronomy[edit]
Linguistics In the early 20th century Ferdinand de Saussure distinguished between the notions of langue and parole in his formulation of structural linguistics. According to him, parole is the specific utterance of speech, whereas langue refers to an abstract phenomenon that theoretically defines the principles and system of rules that govern a language.[9] This distinction resembles the one made by Noam Chomsky between competence and performance, where competence is individual's ideal knowledge of a language, while performance is the specific way in which it is used.[10] In classical Indian philosophy of language, the Sanskrit philosophers like Patanjali and Katyayana had distinguished between sphota (light) and dhvani (sound). In the late 20th century, French philosopher Jacques Derrida distinguished between the notions of speech and writing.[11] Nomenclature[edit] Variation and Universality[edit] Lexicon[edit] The lexicon is a catalogue of words and terms that are stored in a speaker's mind.
Rhea (mythology) Rhea (or Cybele), after a marble, 1888. Then she hid Zeus in a cave on Mount Ida in Crete. According to varying versions of the story: Rhea only appears in Greek art from the fourth century BC, when her iconography draws on that of Cybele; the two therefore, often are indistinguishable;[10] both can be shown on a throne flanked by lions, riding a lion, or on a chariot drawn by two lions. In Roman religion, her counterpart Cybele was Magna Mater deorum Idaea, who was brought to Rome and was identified in Roman mythology as an ancestral Trojan deity. On a functional level, Rhea was thought equivalent to Roman Ops or Opis. Most often Rhea's symbol is a pair of lions, the ones that pulled her celestial chariot and were seen often, rampant, one on either side of the gateways through the walls to many cities in the ancient world. In Homer, Rhea is the mother of the gods, although not a universal mother like Cybele, the Phrygian Great Mother, with whom she was later identified.