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50 Free Animation Tools And Resources For Digital Learners

50 Free Animation Tools And Resources For Digital Learners
50 Animation Tools & Resources For Digital Learners by Lisa Chesser, opencolleges.edu.au A purple monster with wild curls spiraling out of control explains the economics of oil production in the Sudan to students in Los Angeles, Sydney, Berlin, Jerusalem, and Riyadh. That is education and animation working together to teach students everywhere, everything they ever wanted to know. Some of the animation links catalogued here will give educators very basic tools and histories of animation while others have the animation already created and set in motion, it’s just a matter of sharing it with students. Educators need to decide which tool is best for them. One of the easiest ways to animate, however, isn’t with your own camera and modeling clay, it’s with your links to sites that hand you everything within their own forums. Use the first part of this list for creating original animation or using animation tools to create lessons. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. Related:  Scrittura creativainfographie dessins

Il racconto fantasy - fantascrivendo jimdo page di Cristiana Pivetta Nel racconto fantasy la fantasia e la realtà tendono a confondersi dando vita a storie misteriose e allo stesso tempo inquietanti. Ma quando si afferma il genere? Si potrebbe credere che sia frutto della letteratura contemporanea, in realtà ha una storia molto antica. L'elemento fantastico è già presente nell'epica sumerica (il poema di Gigalmesh) e in quella greca (Odissea). In età medioevale si ricordano il poema di Beowulf e le storie di re Artù e dei cavalieri della Tavola Rotonda. Il genere fantasy propriamente detto nasce nell'ambito della cultura anglosassone verso la fine dell'Ottocento. Le vicende sono ambientate in passati remoti o in lontanissimi futuri ed anche talvolta in universi paralleli. Non è un genere di pura evasione, ma esalta valori come l'onestà e la lealtà, il senso di giustizia, l'affermarsi del bene sul male. Ne volete sapere di più cliccate sull'immagine e consultate la mappa mentale a grandezza reale.

Podcasting Guide | PoducateMe The entire PoducateMe guide is available to view online free-of-charge. Fully printable PDF copies of the PoducateMe Podcasting Guide may be purchased and immediately downloaded for $19.95 ($17.95 for students and educators). PoducateMe.com and the PoducateMe Podcasting Guide ©2007-2010 by Micah Ovadia Printable copies of the PoducateMe Podcasting Guide are available for purchase and immediate download from the printed guide purchase page Site hosted by IXWebHosting Micah Ovadia University of Cincinnati 151 McMicken Hall Cincinnati,OH45221

Free Tools For Teachers Websites compiled by Sue LeBeau Quiz Generators| Worksheets & Flashcards | Games & Puzzles | Certificates & Charts | Forms, Surveys, & Calendars | Miscellaneous Tools | Templates for the Classroom | Places to Post Homework |WebPage Building | Bookmarks and Documents On-Line | Free E-Mail Accounts DocentEDU example lessons Poetry Creator | Verses - Poetry, Poems & Poets on the App Store 7 Ways Teachers Can Create Videos without Installing any Software 1- Wevideo WeVideo is a collaborative, cloud-based online video editor that is free to use, with affordable options to export in HD and store additional videos 2- Google Story Builder This Story Builder allows you to create mini-movies or video stories with the feel of Google Docs. You can also personalize the videos you create using the characters, story, and even music of your choosing and when you finish you can share your final product with others. 3- Pixorial Rather than spending valuable classroom time learning a complicated video editing program, you and your students can now get straight to the project. 4- Powtoon Here is what you can do with PowToon :Create Engaging and Captivating ContentAnimate Your Flipped ClassroomInspire Reluctant Students to be CreativeLet Your Students Express Themselves 4- Intervue Intervue is a quick and easy tool for publishers who are looking to gather short video responses online from anyone with a webcam. 5- Web of Stories 6- Flixtime

Viewer - Learning Designer 120 minutes) 1 Was previously asked the children to take to school materials about dinosaurs. collected material will be available to all. 2 warm –up You make a brainstorm children's knowledge about dinosaurs. 3 Guided conversation: It asks questions which are answered by consulting the various materials (books. Video, Web) Ask some questions about the dinosaurs to involve the learners in describing them: IT IS BIG/SMALL …? HOW MANY LEGS..? LOOK ITS TAIL. Notes: The Teacher Takes Note of pupils’ confidence in using the Language Resources attached: 0 90 minutes) Guided conversation: It asks questions which are answered by consulting the various materials (books. Notes: The teacher checks the skills acquired individually Within the class students will be grouped according to the characteristics of the dinosaur they choose. Notes: After the exhibition the teacher will evaluate what has been learned and what has not yet been established by the individual pupil

Donalyn Miller How to Structure A Story: The Eight-Point Arc By Ali Hale - 3 minute read One of my favourite “how to write” books is Nigel Watts’ Writing A Novel and Getting Published. My battered, torn and heavily-pencil-marked copy is a testament to how useful I’ve found it over the years. Although the cover appears to be on the verge of falling off altogether, I’ve risked opening the book once more to bring you Watts’ very useful “Eight-Point Story Arc” – a fool-proof, fail-safe and time-honoured way to structure a story. (Even if you’re a short story writer or flash fiction writer rather than a novelist, this structure still applies, so don’t be put off by the title of Watts’ book.) The eight points which Watts lists are, in order: StasisTriggerThe questSurpriseCritical choiceClimaxReversalResolution He explains that every classic plot passes through these stages and that he doesn’t tend to use them to plan a story, but instead uses the points during the writing process: So, what do the eight points mean? Stasis Trigger The quest Surprise Climax Reversal

The Teacher’s Guide to Using YouTube in the Classroom YouTube is one of the most popular websites on the planet and a vast resource for educational content. The site is home to over 10 million videos tagged as educational, many of them submitted by your fellow teachers. A completely free resource this huge and varied has nearly endless potential for the classroom. Here are some ideas and suggestions to get you started. Ways to Use YouTube in the Classroom 1. Many lessons can be enhanced with the right video. Showing videos in the classroom doesn’t have to mean much work for you. 2. Some people learn better by watching than reading, so providing video alternatives to the reading homework you assign could really pay off for some students. 3. YouTube can become a repository for saving and sharing any lectures you record. 4. If you want to do a little more with the video assignments you give, you can use EdPuzzle to: Other Educational Video Resources 1. 2. 3. 4. 5. Zane Education is a great resource for subtitled videos. 6. 7. 8. In Short

Tecnologie Zainetto Se un corso si potesse giudicare dal numero di iscrizioni, questo avrebbe già passato l’esame. Settanta iscritti e un numero consistente di richieste rimaste inevase, purtroppo. Significa che c’è sete di formazione, soprattutto nel settore della didattica con l’utilizzo delle tecnologie. Un ambito che attrae, e allo stesso tempo spaventa , molti di noi che ci impegniamo nella scuola. “Tecnologie nello zainetto…e si parte” è nato dalla necessità di promuovere nella scuola del primo ciclo d’istruzione competenze vere, più didattiche che tecniche. E’ stato organizzato per confermare che non occorre essere degli informatici per lavorare seriamente con il digitale a scuola. Darà delle certezze, piccoline forse, ma basilari. E come vedete non uso il condizionale. La “squadra” dei formatori è un gruppo serio nelle competenze e vivace nelle proposte. Lori, Paola, Roberto e Samanta sono Maestri con la maiuscola. Non si preoccupino i docenti della secondaria: le proposte sono trasversali. Mancano

“That dog is going down…” – Korman | Reading (R)evolution Alright kiddos – buckle up… it’s #NCTE15 time… Captain’s Log – Minneapolis date 11/20/15 – FRIDAY SESSIONS A.29 – A Quartet of Acclaimed Authors on the Art of Language, the Richness of Creativity, Fun, and the Value of a Literate Life In this session, authors Alan Lawrence Sitomer, Andrew Smith, Gordon Korman, and Sonia Manzano presented about the things that inspired them to write, the observations they have about books that impacted them, and the importance of placing a book in the hands of children. There were so many great sound bites and moments that inspired me as a teacher… Here are some of the highlights in tweet bursts @alansitomer – The most powerful technology for delivering a story is a book! @gordonkorman – looking at the required books from 2nd grade through high school – what have a I learned – well, anytime there is a dog I say – “THAT DOG IS GOING DOWN.” HIP HOP – is to be in the know and act. Tracks March for Me Silence DE.01 – High School Matters – Roundtable Session!

Elements of Suspense in Writing: 6 Secret to Creating and Sustaining Suspense Thriller writing? Mystery writing? Literary fiction? It’s all the same: Building apprehension in the minds of your readers is one of the most effective keys to engaging them early in your novel and keeping them flipping pages late into the night. Simply put, if you don’t hook your readers, they won’t get into the story. If you don’t drive the story forward by making readers worry about your main character, they won’t have a reason to keep reading. Think: Worry equals suspense. The best part is, the secrets for ratcheting up the suspense are easy to implement. 1. Four factors are necessary for suspense—reader empathy, reader concern, impending danger and escalating tension. We create reader empathy by giving the character a desire, wound or internal struggle that readers can identify with. We want readers to worry about whether or not the character will get what he wants. Suspense builds as danger approaches. Then blow in more. And more. Until the reader can hardly stand it. 2. 3. 4. 5. 6.

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