15 Ways to Get Paid to Write | Common Sense Marketing There’s a really great scene in Sister Act 2 (don’t judge me – that movie’s freaking awesome) where Whoopi Goldberg’s character is telling a very young Lauryn Hill to follow her dreams, quoting a book by poet Rainer Maria Rilke that says “Don’t ask me if you’re a writer. Because I say, ‘If all you can think of in the morning when you get up is writing, then you’re a writer.’” So whether you feel called to writing because of some deep-seated, internal need to communicate with the world and share ideas, or because you simply have the skills to write and want to get paid to do it – you’re a writer! Of course, writing for the sake of writing isn’t what we’re after here. So consider the following ways to get paid to write. Low Hanging Fruit Maybe you don’t want to be a full-time writer. 1. To get started: Go sign up for an account and get started writing. 2. To get started: Sign up for a professional profile on one or more of the sites listed above. 3. 4. 5. Makin’ a Living 1. 2. 3. 4. 5. 1.
Existence (Stanford Encyclopedia of Philosophy) - StumbleUpon First published Wed Oct 10, 2012 Existence raises deep and important problems in metaphysics, philosophy of language, and philosophical logic. Many of the issues can be organized around the following two questions: Is existence a property of individuals? and Assuming that existence is a property of individuals, are there individuals that lack it? What does it mean to ask if existence is a property? A full answer to this question requires a general theory of properties, which is well beyond the scope of this article. There is a debate in the literature on properties between the abundant conception of properties, according to which there is a property corresponding to every natural language predicate and, more generally, every class of individuals, and the sparse conception of properties, according to which a predicate expresses a property only if the objects that predicate is true of resemble one another in an intrinsic way. 1. Russell's strategy depends on two claims.
Truth Philosophers are interested in a constellation of issues involving the concept of truth. A preliminary issue, although somewhat subsidiary, is to decide what sorts of things can be true. Is truth a property of sentences (which are linguistic entities in some language or other), or is truth a property of propositions (nonlinguistic, abstract and timeless entities)? The principal issue is: What is truth? Can claims about the future be true now? Table of Contents 1. The principal problem is to offer a viable theory as to what truth itself consists in, or, to put it another way, “What is the nature of truth?” This philosophical problem of truth has been with us for a long time. The three most widely accepted contemporary theories of truth are [i] the Correspondence Theory ; [ii] the Semantic Theory of Tarski and Davidson; and [iii] the Deflationary Theory of Frege and Ramsey. 2. The term “truth-value” has been coined by logicians as a generic term for “truth or falsehood”. a. b. c. d.
"Realmente, ¿a quién le importa?" por Anjo Nava Allegory of the Cave - StumbleUpon Plato realizes that the general run of humankind can think, and speak, etc., without (so far as they acknowledge) any awareness of his realm of Forms. The allegory of the cave is supposed to explain this. In the allegory, Plato likens people untutored in the Theory of Forms to prisoners chained in a cave, unable to turn their heads. All they can see is the wall of the cave. Behind them burns a fire. Between the fire and the prisoners there is a parapet, along which puppeteers can walk. From Great Dialogues of Plato (Warmington and Rouse, eds.) Here are some students’ illustrations of Plato’s Cave Go back to lecture on the Phaedo Go back to lecture on the “One Over Many” Argument Go to next lecture on Criticism of Forms Need a quick review of the Theory of Forms? Return to the PHIL 320 Home Page Copyright © 2006, S.
Why I Write - Essay by George Orwell Why I Write by George OrwellGangrel, [No. 4, Summer] 1946 From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. I was the middle child of three, but there was a gap of five years on either side, and I barely saw my father before I was eight. However, throughout this time I did in a sense engage in literary activities. When I was about sixteen I suddenly discovered the joy of mere words, i.e. the sounds and associations of words. So hee with difficulty and labour hard Moved on: with difficulty and labour hee. which do not now seem to me so very wonderful, sent shivers down my backbone; and the spelling 'hee' for 'he' was an added pleasure. (i) Sheer egoism. (ii) Aesthetic enthusiasm. (iii) Historical impulse.
How to Write Movie Scenes Ever wondered how screenwriters do their thing? Lots of people have, and there's a whole genre of books out there devoted to helping up-and-comers understand the arcane art of movie-writing. Despite all the screenwriting panels and workshops and books and DVD commentaries in the world -- all the billions of words printed about screenwriting and how it's done -- when it comes down to it, most writers are relatively private about the nitty-gritty of their process. That's why I love reading John August's blog. So here's how to take a good scene and make it better. Writing better dialogue from John August on Vimeo. September 2, 2010 - 3:48am Filmmaker, photo hound, author of Miss Peregrine's Home for Peculiar Children.
An Essay by Einstein -- The World As I See It - StumbleUpon "How strange is the lot of us mortals! Each of us is here for a brief sojourn; for what purpose he knows not, though he sometimes thinks he senses it. But without deeper reflection one knows from daily life that one exists for other people -- first of all for those upon whose smiles and well-being our own happiness is wholly dependent, and then for the many, unknown to us, to whose destinies we are bound by the ties of sympathy. A hundred times every day I remind myself that my inner and outer life are based on the labors of other men, living and dead, and that I must exert myself in order to give in the same measure as I have received and am still receiving... "I have never looked upon ease and happiness as ends in themselves -- this critical basis I call the ideal of a pigsty. The ideals that have lighted my way, and time after time have given me new courage to face life cheerfully, have been Kindness, Beauty, and Truth. "My political ideal is democracy.
Scary Paranormal Stories » Locations & Sites Rating: 8.1/10 (263 votes cast) 1. It is the year 2037. Yeah, okay. Alright, I’m sorry for being so unclear about what happened exactly. Even though I like my work, my cat and my lifestyle, I haven’t felt at ease in my home for the past months. Perhaps you’re wondering what exactly happened to Jimmy? 25 years ago, while I was browsing the internet looking for some interesting things to write about, I stumbled upon a story about a house that had been empty for 135 years, but was never torn down. I questioned several archive workers, but none of them were able to tell me something I didn’t already know about the house. Jimmy was always up for some fun. 2. Jimmy’s facial expression changed. ‘Alright man, let’s do it! We drove to the building and after we arrived we immediately got out of the car. I took the photos of the house out of my pocket and held one of them next to the house to compare. Jimmy leaned in to take a look for himself. ‘Come on, let’s enter.’ 3. ‘You two are reporters? 4.
36 Writing Essays by Chuck Palahniuk 1: Establishing Your Authority Chuck teaches two principal methods for building a narrative voice your readers will believe in. Discover the Heart Method and the Head Method and how to employ each to greatest effect. 2: Developing a Theme At the core of Minimalism is focusing any piece of writing to support one or two major themes. 3: Using “On-The-Body” Physical Sensation Great writing must reach both the mind and the heart of your reader, but to effectively suspend reality in favor of the fictional world, you must communicate on a physical level, as well. 4: Submerging the “I” First-person narration, for all its immediacy and power, becomes a liability if your reader can't identify with your narrator. 5: Nuts and Bolts: Hiding a Gun Sometimes called "plants and payoffs" in the language of screenwriters, Hiding a Gun is an essential skill to the writer's arsenal that university writing courses almost never touch upon. 6: Nuts and Bolts: “Thought” Verbs 8: Nuts and Bolts: Using Choruses
The 48 Laws of Power - Wikipedia, the free encyclopedia - StumbleUpon Background[edit] Greene initially formulated some of the ideas in The 48 Laws of Power while working as a writer in Hollywood and concluding that today's power elite shared similar traits with powerful figures throughout history.[5] In 1995, Greene worked as a writer at Fabrica, an art and media school, and met a book packager named Joost Elffers.[4][8] Greene pitched a book about power to Elffers and six months later, Elffers requested that Greene write a treatment.[4] Although Greene was unhappy in his current job, he was comfortable and saw the time needed to write a proper book proposal as too risky.[10] However, at the time Greene was rereading his favorite biography about Julius Caesar and took inspiration from Caesar's decision to cross the Rubicon River and fight Pompey, thus inciting the Great Roman Civil War.[10] Greene would follow Caesar's example and write the treatment, which later became The 48 Laws of Power.[10] He would note this as the turning point of his life.[10]