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NEWS : simonprades.com

NEWS : simonprades.com

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Simon Stålenhag Art Gallery Somefield The Studio | Andrew Zuckerman WESTERN EDITION SKATEBOARDING spongiculture Midio: Game Art & Illustration Salon Alpin » MUCH BETTER NOW In “Much Better Now”, the main character is a bookmark, stuck in a forgotten book, caught in a life marked by standstill in a deserted room. One day wind knocks over the book and blows the bookmark onto the table, separating them. Unfolding hands and feet, the bookmark is swept back into the pages that turn into ocean waves and the two are reunited for a journey. With a surfboard it experiences its environment in a new way – wipe-outs, washouts and nosedives connect the hero to the ocean. Official Selection: ECU Paris 2012, Vilnius Shorts 2012, Taafi 2012, RIFF Awards 2012, Leeds International Short film Festival, Cockatoo Island Film Festival 2012, Nord Nordwest Hamburg, British Animation Film Festival, Brazilian Kids Film Festival, Supertoon Zagreb, Leuven Short film Festival, Tyrolean indeoendant film festival, Amplitude Film Festival, Anchorage Film Festival 2012, Whitney Film Festival, San Diego Short Film Festival, Surf at Lisbon, Mo & Friese, Athens Film Festival,…

2012 : Greg Eason Block universe at 18 Hewett Street Metamorphosis 2012 Pencil on paper 12 x 16'' Knee 5 2012 Pencil on paper. 33 x 45'' The Beginning Of The End 2012 Pencil on paper 15.4 x 22.2 Knee - White Skull II 2012 Screen print & varnish / Plastic 18 x 24'' Knee - White Skull II (detail) Knee - Black Skull Screen print & varnish / Plastic 18 x 24'' Knee - Black Skull (detail) Untitled II 2012 Pencil on paper 8.1 x 4.8" Rhinoderma Darwinii 2012 Pencil on paper 20.3 x 48'' Heaven and Hell 2 x Acrylic on canvas 11.6 x 15.7''

Goni Montes CAN Special: Quadrotors at the Saatchi & Saatchi New Directors Showcase 2012 by MLF / @marshmallowlf @saatchilondon Now in its 22nd year, the Saatchi & Saatchi New Directors’ Showcase hit Cannes again, unveiling another presentation of the new directorial talent. Marshmallow Laser Feast (Robin McNicholas, Memo Akten and Barnaby Steel) were the creative and technical directors of the production which included a theatrical performance by 16 flying robots reflecting light beams on the stage. CAN got the all the details on how this mesmerising performance came into being. Memo describes the goal as to create something simple, beautiful and mysterious: “to push the experience to that of watching an abstract virtuoso being made of light, playing a bizarre, imaginary musical instrument.” The most fascinating / educational / unexpected aspect of the project for me (probably due to my naivety and inexperience in working with robotics) – is how the outcome ended up being a definite collaboration between the team (us humans), and the hardware (the vehicles themselves and the moving head lights).

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