Mark Jenkins // Street Installations Kristiansand, Norway London, England Montreal, Canada Cologne, Germany Besançon Rome Rio de Janeiro Tudela London Dublin Moscow Winston-Salem Seoul Royan Bordeaux Puerto del Rosario Barcelona Malmö Washington DC Washington, DC 5-Second Films &183; Late For Work Last FilmLast Film Embed Copy/paste the following text into your website to embed. From: Chaz Michaelson (boss@newsolutionscorp.com) RE: Job performance Hello Collin, Just wanted to let you know you're up for review. Thanks, Chaz The Battle for Your Mind: Brainwashing Techniques Being Used On The Public... Authoritarian followers Mind Control Subliminals By Dick Sutphen Summary of Contents The Birth of Conversion The Three Brain Phases How Revivalist Preachers Work Voice Roll Technique Six Conversion Techniques 1. keeping agreements 2.physical and mental fatigue 3. increase the tension 4. Uncertainty. 5. Jargon 6. No humor Stockholm SyndromeDecognition Process Step One is ALERTNESS REDUCTION Step Two is PROGRAMED CONFUSION Step Three is THOUGHT STOPPINGTrue Believers & Mass Movements Persuasion Techniques YES SET TRUISMS SUGGESTION Imbedded Commands INTERSPERSAL TECHNIQUE Visualisation SHOCK AND CONFUSIONSubliminal Programming Mass Misuse Vibrato Extra Low Frequencies The Neurophone Summary of Contents The Birth of Conversion/Brainwashing in Christian Revivalism in 1735. I'm Dick Sutphen and this tape is a studio-recorded, expanded version of a talk I delivered at the World Congress of Professional Hypnotists Convention in Las Vegas, Nevada. The Birth of Conversion Charles J. Alright.
Game Theory 101: Game Theory Made Easy When it drops | helping you keep track of the newest releases Yarn Bombing / Guerrilla Crochet - A Collection | STREET ART UTOPIA More info. More info. More info. More Yarn Bombing and Guerrilla Crochet: 1) B-Arbeiten 2) Agata Olek 3) Yarnbombing 4) Stickkontakt Leave a reply Related posts 12 beloved Street Art Photos - May 2013 Urban Art Biennial (BAU) - In Cochabamba, Bolivia By Alice for Urban Contest 2012 - In Rome, Italy Supercut Movie Clichés About Supercut videos (a.k.a pop culture megamixes) are video montages made of overused movie or TV platitudes. Very often, they are meant to highlight how certain hackneyed lines have lost all meaning due to their continuous employment by lazy screenwriters. Origin The term “supercut” was coined by blogger Andy Baio on April 11th 2008. (A) genre of video meme, where some obsessive-compulsive superfan collects every phrase/action/cliche from an episode (or entire series) of their favorite show/film/game into a single massive video montage. In the blog post, Baio cites a YouTube video titled “Previously on Lost : What?” In TV & Films Film critic Tom McCormack provides a comprehensive history of supercut aesthetics in his blog post “Compilation Nation.” Spread On YouTube, various compilation videos made by fans of TV shows and film actors foreshadowed the arrival of Supercuts, most notably the montage of David Carusoe’s cheesy one-liners in CSI. Supercut Database Notable Examples
The Infinity Room With this immersive installation, French artist Serge Salat invites visitors to take a journey through endless layers of space, decked out with cubic shapes, panels of mirrors, shifting lights and music. “Beyond Infinity” is a multi-sensory, multimedia experience that blends Eastern Chinese with Western Renaissance. Inspired by the Suzhou Gardens, a masterpiece of Chinese landscape, the three-lined trigram of I Ching is the main pattern that organizes the space of the work. Salat uses mirrors as optical illusions, exploding a single room into spatial infinity. via [Architizer] Views: 422998 Tags: Serge Salat, The Infinity Room, architecture, design
180 degree rule This schematic shows the axis between two characters and the 180° arc on which cameras may be positioned (green). When cutting from the green arc to the red arc, the characters switch places on the screen. In film making, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene, the first character is always frame right of the second character, who is then always frame left of the first. The camera passing over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. The object that is being filmed must always remain in the center, while the camera must always face towards the object. Example[edit] Common usage, pitfalls and solutions[edit] Usage[edit] Pitfalls[edit]