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Mapping Emotions On The Body: Love Makes Us Warm All Over : Shots - Health News

Mapping Emotions On The Body: Love Makes Us Warm All Over : Shots - Health News
People drew maps of body locations where they feel basic emotions (top row) and more complex ones (bottom row). Hot colors show regions that people say are stimulated during the emotion. Cool colors indicate deactivated areas. Image courtesy of Lauri Nummenmaa, Enrico Glerean, Riitta Hari, and Jari Hietanen. toggle caption Image courtesy of Lauri Nummenmaa, Enrico Glerean, Riitta Hari, and Jari Hietanen. People drew maps of body locations where they feel basic emotions (top row) and more complex ones (bottom row). Image courtesy of Lauri Nummenmaa, Enrico Glerean, Riitta Hari, and Jari Hietanen. Close your eyes and imagine the last time you fell in love. Where did you feel the love? When a team of scientists in Finland asked people to map out where they felt different emotions on their bodies, they found that the results were surprisingly consistent, even across cultures. The scientists hope these body emoticons may one day help psychologists diagnose or treat mood disorders.

The Ten Most Revealing Psych Experiments Psychology is the study of the human mind and mental processes in relation to human behaviors - human nature. Due to its subject matter, psychology is not considered a 'hard' science, even though psychologists do experiment and publish their findings in respected journals. Some of the experiments psychologists have conducted over the years reveal things about the way we humans think and behave that we might not want to embrace, but which can at least help keep us humble. That's something. 1. The Robbers Cave Experiment is a classic social psychology experiment conducted with two groups of 11-year old boys at a state park in Oklahoma, and demonstrates just how easily an exclusive group identity is adopted and how quickly the group can degenerate into prejudice and antagonism toward outsiders. Researcher Muzafer Sherif actually conducted a series of 3 experiments. 2. The prisoners rebelled on the second day, and the reaction of the guards was swift and brutal. 3. 4. 5. 6. 7. 8. 9. 10.

Top 10 Queer and Feminist Books of 2013 2013 has been truly awesome for new queer and/or feminist things to read. Here are some of the best ones. 10. How Poetry Saved My Life, by Amber Dawn Amber Dawn combines memoir and poetry into something that is both at once as she discusses her experiences as a writer, sex worker, survivor and queer-identified person. In her interview with Ali, Dawn says: “Many memoirs cover a chronological time frame—travelling from the author’s “inciting moment,” through a sort of character or personal arch, to an ending resolution. 9. The Summer We Got Free is a fearless, semi-magical-realist queer coming-of-age story that also won the 2013 Lambda Literary Award for debut fiction. In a review at Lambda Literary, Dawn Robinson writes: “I will not give you all of the salient details of this layered, complex, and absorbing novel in this brief review—no spoilers here. 8. In an interview with Dan Fishback on Emily Books, Binnie says: 7. A.J. 6. In an interview with the Rumpus, Corin says: 5. 4. 3. 2. 1.

FREE color personality test, mood test, love test. Habits of Mind THE INDIAN MEDIA IS LIKE pliable dough. It can be kneaded, punched, stretched and rolled in all directions. If overworked, it turns rubbery, dense and inert. And if the hands that knead it are dirty, it becomes impossible to separate the grime from the good. External pressures and internal pollutants jointly compromise the loaf. In the past two years, there have been a number of examples of our institutions and politicians overworking the press. Within the media industry, there was plenty of grime. Having thought through some of the specific instances of the external punches on the media and the ugly impairments inside the media, large questions bog my mind. We don’t have—like a few democracies do, and like all democracies ought to—a well-articulated philosophical framework by which to think about the media, that would define to all—politicians, judges, bureaucrats, police, academics, media owners, editors and reporters—what the rules of the game are. “I don’t know,” Hutchins replied.

How I Wish the Homosexuality Debate Would Go Just once, I’d like to see a TV interview go more like this: Host: You are a Christian pastor, and you say you believe the Bible, which means you are supposed to love all people. Pastor: That’s right. Host: But it appears to me that you and your church take a rather unloving position when it comes to gay people. Pastor: Of course. Host: But you said there, “We’re a place for sinners.” Pastor: Yes, I do. Host: So how do you reconcile the command to love all people with a position on homosexuality that some would say is radically intolerant? Pastor: (smiling) If you think my position on homosexuality is radical, just wait until you hear what else I believe! Host: But Jesus didn’t condemn homosexuality outright, did He? Pastor: He didn’t have to. Host: You say he condemned adultery, but he chose not to condemn the woman caught in adultery. Pastor: That’s right, but He did tell her to “go and sin no more.” Pastor: Who am I? Host: But you are judging. Pastor: I’m not singling out gay people.

India’s Post-Ideological Politician The catch-all populism of Arvind Kejriwal and the Aam Aadmi Party has proven politically expedient in India. Arvind Kejriwal is not a socialist. He’ll be the first one to say this. Yet the website arvindkejriwal.net.in (clearly run by a fan of Kejriwal, not the man himself) proudly proclaims that Kejriwal is a “popular socialist.” This manifesto was prepared for the Delhi Assembly elections, the first big test for the fledgling Aam Aadmi Party (commonly known as the AAP). Delhi’s ruling party — the dynastic, dithering Congress — got walloped, winning a measly 8 seats, as voters expressed their discontent with rising food prices and a series of embarrassing political scandals. But Kejriwal himself scored the most telling victory, soundly defeating Congress’s Sheila Dikshit, who has served as Delhi’s Chief Minister (the state-level equivalent of Prime Minister) for the past fifteen years. With this kind of support base, why does Kejriwal eschew the leftist label?

16 things I know are true but haven’t quite learned yet There’s a difference between knowing something and living as if it were true. At the end of 2013, these truths are all lingering on that awkward threshold, for me anyway. 1) The sooner you do something, the more of your life you get to spend with that thing done — even though it takes less effort (or at least no more) than it will later. It’s the ultimate sure-thing investment and I pass it up all the time. 2) I never regret working out. I can’t count the number of times I’ve negotiated with myself to work out the next day instead of today because I’m worried it will be a “bad workout.” 3) Whenever I’m playing with my phone I am only shortening my life. 4) Nothing makes me more productive and in-the-moment than a clean house. 5) Minute-for-minute, nothing I do is more rewarding than meditation. 6) Creative work is something that can be done at any time. 7) Acting the way you want to feel usually works. 9) Our minds are geared to manage much less than we typically end up managing.

The Problem With BeyHive Bottom Bitch Feminism | Real Colored Girls In Pimp Theory, a “bottom bitch” is the one in the whores’ hierarchy who rides hardest for her man. She’s the rock of every hustler economy and her primary occupation is keeping other ho’s in check and gettin’ that money. She isn’t trying to elevate the status of her sister ho’s. She isn’t looking to transform pimp culture. The bottom bitch is a token who is allowed symbolic power, which she uses to discipline, advocate for, represent and advance the domain of the stable. In pop culture, she represents the trope of the chosen black female, loyal to her man and complicit in her own commodification. In hip hop vernacular she has emerged as the “Boss Bitch” or “Bawse”, titles you’ll hear used liberally across urban/pop discourses – from the streets to rappers to the hip hop, basketball and ATL housewives. Catch a charge, I might, beat the box up like Mike…I’m like Ike TurnerBaby know I don’t play, now eat the cake Annie MaeSaid, eat the cake, Annie Mae you leave us no choice. Like this:

X-TRA Zarina, Delhi, 2000 The 1990s will be remembered in India as the decade of liberalization, when the Indian society and economy were opened to the world after fifty years of political non- alignment and economic protectionism. For Indian art, this was a period of self-criticism and reassessment, during which many artists, especially the younger and more globally aware among them, realized that their peculiar inheritance of nationalist sentiment and modernist aspiration had limited their practice in fundamental ways. As images and information poured across the now-opened borders from the global metropolitan centers, the biennales and triennales, and from other post-colonial societies, Indian artists, critics and curators began to subject their work to closer scrutiny in the light of these parallel histories and alternative lines of development. Indian artists gradually realized that the history of their practice had not prepared them to confront such provoca- tions.

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