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Fluid Sculpture

List of tallest buildings in the world The Burj Khalifa in Dubai is the tallest building in the world since 2010. With a height of 829.8m, it is classified as a Megatall.[1] This article lists the world's tallest buildings, ranked by structural height (vertical elevation from the base to the highest architectural or integral structural element of the building);highest point on the building. The lists only include buildings that are completed or topped-out, andhave continuous occupiable floors. For lists that include non-building structures, see Ranking criteria and alternatives The non-profit international organization Council on Tall Buildings and Urban Habitat (CTBUH) was formed in 1969 and announces the title of "The World's Tallest Building" and sets the standards by which buildings are measured. In 1996, as a response to the dispute as to whether the Petronas Towers or the Sears Tower was taller, the council listed and ranked buildings in four categories: Tallest skyscrapers in the world Photo gallery Alternative measurements

#sxaesthetic Report from Austin, Texas, on the New Aesthetic panel at SXSW. At SXSW this year, I asked four people to comment on the New Aesthetic, which if you don’t know is an investigation / project / tumblr looking at technologically-enabled novelty in the world. (Previously: the original blog post, the main tumblr, my talk at Web Directions South.) I opened the panel by talking about the origins of NA, in a frustration at retro-ness (the belief that authenticity can only be located in the past)—best encapsulated by Russell’s post here: Every hep shop seems to be full of tweeds and leather and carefully authentic bits of restrained artisinal fashion. —as well as a real sense that there were new and extraordinary things and experiences in the world, like the ability to see through satellites, which we should wonder at and explore, but instead reduce to the mundane, like GPS driving directions… But what has also been brilliant is that other people have pitched in. You do not need to leave your room.

Philips Lumiblade Philips Lumiblade Creative Lab brings together professionals from a wide range of creative backgrounds, inviting them to experience – and experiment with – Lumiblade for themselves in a fully-equipped workshop. It is a journey of discovery, a meeting of creative and technical minds, to explore the wide-reaching potential of OLED lighting in design and construction. The Creative Lab team offers advice and guidance as well as practical support, helping projects to progress beyond the design stage into a prototype or even entering production as a small series. The products contained on the following pages are prime examples of how Creative Lab has already succeeded in turning ideas into reality. Below you can see some of the successful products that have been created with these partnerships. Tom Dixon ‘Flat Lamp’, a unique collection of OLED light bulbs. Modular Form follows technology – in this case, the design of the fixture required to take OLED technology to the next level.

ShadowPlay by Kyle McDonald (@kcimc) - Experimental interaction paradigm at YCAM ‘Shadowplay’ shows an experimental interaction paradigm built with the Projector Camera Toolkit, developed during Guest Research Project v.1 at YCAM Interlab by Kyle McDonald. The videos below demonstrate ‘shadowplay’ experiments, built around the idea of using two projectors that are perfectly aligned. The projectors display the inverse images of each other, so that without interference the screen appears white. When an object enters the space, the structure hidden in the projection is revealed in the shadows. The technical challenge of aligning the projections and calibrating the colors of the projection is solved with the Projector Camera Toolkit, using structured light scanning and some novel feedback-based calibration techniques. ProCamToolkit is a collection software and code for openFrameworksaimed at making high level projector-camera calibration moreaccessible. Built with openFrameworks. Project Page | Kyle McDonald

An Essay on the New Aesthetic | Beyond The Beyond An Essay on the New Aesthetic Bruce Sterling I witnessed the New Aesthetic panel at South by Southwest 2012. It was a significant event and a good thing to see. If you know nothing of the “New Aesthetic,” or if you have no idea what “SXSW” is, you should repair your ignorance right away. Now, I know full well that many people never returned from that link I placed up there. You people are either exceedingly determined blog-readers, or else you already know something about the New Aesthetic. You people already know who you are. Joanne McNeil of Rhizome was right when she said at SXSW that things like the New Aesthetic often happen. The New Aesthetic is image-processing for British media designers. This is one of those moments when the art world sidles over toward a visual technology and tries to get all metaphysical. The New Aesthetic concerns itself with “an eruption of the digital into the physical.” I admired the way that panel behaved. So.

Do Not Touch corpsenimmersion.overblog.com

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