Cahiers du Cinéma

Artforum International list view May/June 2020, Vol. 58, No. 9 columns features reviews David Velasco DOMUS Industrial complex, Valvigna, Italy The most recent and largest factory designed by Guido Canali for Prada is laid out as something more complex and diversified than a mere manufacturing plant. It aspires to create a place that represents the most authentic spirit of the Italian brand in the context of a highly developed area lying along Italy’s longest motorway. Design Guido Canali. Photos Francesco Castagna

The Radioactive Boy Scout (part 4) Tales from the Nuclear Age: Copyright © 2010 by Charles Glassmire Jan. 13, 2010 The Radioactive Boy Scout (part 4)* David was fissioning Uranium and Thorium in the makeshift “reactor” core he built in his mother’s potting shed in the back yard. Donnie Darko A new theory to help the viewer unravel the cult classic. Erik A. Coburn n recent years, Donnie Darko, directed by Richard Kelly, has become a cult classic. While most people who watch this twisted film will love it, few will understand the intricate, multi-layered timeline residing within. But if you analyze the film, you will notice that every little detail, every single line, has significance in determining what really goes on in Middlesex.

The Drawer Vol.17Rose / PinkWinter 2019Order Avec / with Riccardo Baruzzi, Louise Bonnet, Mike Bourscheid, Anne Bourse, Brice Dellsperger, Florent Dubois, John Finneran, Pius Fox, Matthias Garcia, Studio GGSV, Stephan Goldrajch, My-Lan Hoang-Thuy, Ryung Kal, Jürgen Klauke, Jakob Lena Knebl, Lucile Littot, Sabine Moritz, Flora Mottini, Hannah Murgatroyd, Daisy Parris, Hugo Pernet, Olivier Pestiaux, Chloé Royer, Adrien Vescovi. Avec / with Sara Anstis, Lucas Arruda, Joseph Dadoune, Marc Desgrandchamps, Mimosa Echard, Vincent Gicquel, Karine Hoffman, Junya Ishigami, Paul Kindersley, Jérémy Liron, Rosilene Luduvico, Dora Maar, Flora Moscovici, Alexandre Benjamin Navet, Lisa Oppenheim, Kim L Pace, Gina Pane, Tere Recarens, Jérôme Robbe, Samuel Trenquier, Natsuko Uchino, Edouard Villemagne, Edouard Wolton, Janna Zhiri. Vol.15Blanc / WhiteWinter 2018Orderat Les presses du réel Vol.5Les ChosesWinter 2013Out of print Vol. 2La MétamorphoseWinter 2011 Out of print

FROG Frog 15 hits the newsstands in November 2015. Olympia Campbell is on the cover, photographed for Frog by Jüergen Teller at the Musée Picasso in Paris. This is a very special issue, as we celebrate Frog’s 10th anniversary! For this anniversary issue, Juergen Teller shot a 28-page super exclusive spread at the Musée Picasso in Paris especially for us, while Stéphanie Moisdon interviewed Bernard Picasso himself. Italian architect and designer Andrea Branzi, a member of Archizoon between 1964 and 1974, is featured in an exclusive interview for Frog with Chloé Valadie and Gaëtan Brunet –here he shares his provocative views on ecology, among many other things: “I am not interested in ecology.

Internet Archive: About IA The Internet Archive, a 501(c)(3) non-profit, is building a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, we provide free access to researchers, historians, scholars, the print disabled, and the general public. Our mission is to provide Universal Access to All Knowledge. We began in 1996 by archiving the Internet itself, a medium that was just beginning to grow in use. Like newspapers, the content published on the web was ephemeral - but unlike newspapers, no one was saving it. Today we have 20+ years of web history accessible through the Wayback Machine and we work with 625+ library and other partners through our Archive-It program to identify important web pages.

GritFX T-Shirts Magazine - StumbleUpon Personally, I thought the first year of the new decade to be rather lacklustre as far as cinema goes. The sheer volume of reckless, morally inept comedies and action films was overwhelming. Fellow author Adam Fay said it best last year when, in his piece on Christopher Nolan’s Inception stated, “While there is no doubt that this is a standout film, the over-the-top gushing of praise strikes me to be less about the strength of the actual film and more about the pitiful films it shares multiplex space with.” Such a statement could be applied to many preceding years, but never more pertinent in the light of 2010’s bucket of trash. The Best It’s a short list, this one. But at the very top is Darren Aronofsky’s Black Swan.

Frog Frog 10 was published in May 2011. A lot of people are on the cover of this issue, photographed by FRANCOIS DECOSTER & ASMA KHAWATMI in Singapore. This is a quite particular issue : we asked our authors to write either on something they saw and wanted to discuss, or on something they thought could happen in the future —a group show, a retrospective, in 2017 or 2034. So did French art critic BERNARD MARCADE, writing on GUY DEBORD at the “Centre Oscar Niemeyer in Paris” —which does not exist yet. BRUCE BENDERSON, once again contributing to Frog for our greatest pleasure, writes a rather cruel fiction he called “Pas loin du sublime” and chooses the as of yet non-existent “musée de l’art contemporain” in “Nome”.

MAY Preface — May καταστροφή: the End and the Beginning — Déborah Danowski Man in the Anthropocene (as portrayed by the film Gravity) — Stephanie Wakefield New research shows how brain-computer interaction is changing cinema Over the past few years, we have seen the extraordinary development of neural prosthetic technologies that can replace or enhance functions of our central nervous system. For example, devices like Brain-Computer Interfaces (BCIs) allow the direct communication of the brain with a computer. The most common technique applied in these devices, is Electroencephalography (EEG) – a recording of the electrical activity along the scalp.