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Film Terms Glossary - Dictionary

Film Terms Glossary - Dictionary
Film Terms Glossary: Oftentimes, film-making terms are not clearly defined for the average person. In order to be knowledgeable about the movie-making art form and the techniques of cinema, one must understand the fundamental vocabulary and language of film studies. Therefore, some of the most basic and common terms are defined in this compendium for reference. Simple definitions are provided for often complex terms as a baseline for media literacy. Illustrations and examples from films are provided with many of the terms, to help describe them more fully. Tips for Critically Viewing Films is also provided by this site. This is not a complete collection of all film-making terms, because so many of them are too obscure or technical to be included. The multiple areas of film-making included within this fairly comprehensive glossary are: Related:  CinemaWriting

The Cinematography of 10 Great Filmmakers Captured in Cinemagraphs In recent years, graphic interchange format, once a throwback to the awkward early years of web design, has come into its own as an art form. Leading the way is the ever-popular cinemagraph, an enhancement on photography that typically adds subtle moving elements to the scene — wisps of blowing hair, blinking eyes, rising smoke, etc. Although cinemagraphs first gained popularity for their use in advertising, it seems only natural that the meme has taken hold of cinema as well, capturing memorable movie stills in infinite loops of movement. If We Don’t, Remember Me has been busy amassing quite the collection of these cinematic cinemagraphs, adding a new dimension to the way in which images can convey the aesthetic of a certain directorial style. Wes Anderson Moonrise Kingdom (2012) [via Tech Noir] The Royal Tenenbaums (2001) [via Demi Adejuyigbe]

Tips on Film Viewing Choose an Appropriate Film to View: Usually, watch a film that is worth your while. If you are in a film studies class, you will probably be studying some of the classics of cinema, rather than watching the latest popcorn film, action film or blockbuster. This exhaustive list of various steps is not intended for fluffy, entertaining films that are to be watched for pure enjoyment's sake. However, make sure to choose a film from any of the wide selection of genre films available so that you can experience the entire spectrum of different types of films. Know The Basics: Note the following basic facts (see some of these factors further below): film's title (and alternate titles or production titles, if any) year of release main stars/performers director studio rating running time genre classification brief summary tagline(s) awards Identify Studio: Know the studio responsible for the film. Why was the film made? Note Film's Rating: Was there any controversy surrounding the film's rating?

The Grammar of TV and Film Zoom. In zooming in the camera does not move; the lens is focussed down from a long-shot to a close-up whilst the picture is still being shown. The subject is magnified, and attention is concentrated on details previously invisible as the shot tightens (contrast tracking). It may be used to surprise the viewer. Zooming out reveals more of the scene (perhaps where a character is, or to whom he or she is speaking) as the shot widens. Following pan. Surveying pan. Tilt. Crab. Tracking (dollying). Hand-held camera. Process shot. Editing Techniques Cut. There is always a reason for a cut, and you should ask yourself what the reason is. Matched cut. continuity of direction; completed action;* a similar centre of attention in the frame; a one-step change of shot size (e.g. long to medium); a change of angle (conventionally at least 30 degrees). Jump cut. Motivated cut. Cutting rate. Cutting rhythm. Cross-cut. Cutaway/cutaway shot (CA). Reaction shot. Insert/insert shot. Fade, dissolve (mix).

Verso Presents: J. Hoberman's Defining Films of the 21st Century | Watch It Is it possible to speak of a twenty-first century cinema barely a decade into the millennium? Acclaimed film critic J. Hoberman’s new book, Film After Film (Verso, 2012) is a timely and provocative collection of writings that chronicle how the advent of digital technology has led to the displacement of the medium of film—and the very relationship between movies and reality. In his book, Hoberman presents considerations of the defining movies of the twenty-first century, collected here. Join the Discussion - Add Your Comments

5 Of The Best Movie Scripts To Learn From In Each Genre 5 of the Best Movie Scripts to Learn From in Each Major Genre Professional film scripts are one of the best tools screenwriters have at their disposal. There is nothing else that gives you the practical experience of how it all comes together than reading a produced screenplay. But what are the best movie scripts to read, and why? In this post, we break down five of the best screenplays to read in each major genre—drama, comedy, action/adventure, thriller and horror. And why you need to read them. It’s by not only reading scripts, but really breaking them down, getting inside them and figuring out why they work, that you’ll get the most out of them as a screenwriter. Let’s dive on in and take a look at the top movie scripts in each genre you should read. One of the Best Drama Film Scripts You Should Read: American Beauty Alan Ball graduated from Florida State University with a degree in theater arts. There are some truly terrific examples of how to write a scene in this script.

180-degree rule This schematic shows the axis between two characters and the 180° arc on which cameras may be positioned (green). When cutting from the green arc to the red arc, the characters switch places on the screen. In film making, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene, the first character is always frame right of the second character, who is then always frame left of the first. The camera passing over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. The object that is being filmed must always remain in the center, while the camera must always face towards the object. Example[edit] Common usage, pitfalls and solutions[edit] Usage[edit] Pitfalls[edit]

VersoBooks.com Is it possible to speak of a twenty-first century cinema barely a decade into the millennium? Acclaimed film critic J. Hoberman’s new book, Film After Film, is a timely and provocative collection of writings that chronicle how the advent of digital technology has led to the displacement of the medium of film—and the very relationship between movies and reality. This sea change in filmmaking also spanned the 2000 American presidential election and the trauma of 9/11, events that reshaped world politics and left an indelible imprint on the emerging aesthetic of the new century’s cinema. In his book, Hoberman presents considerations of the defining movies of the twenty-first century. GoWatchIt—a new platform and social network that allows users to track where they can watch movies online and share their picks with other users—has assembled a channel where viewers can browse and watch Hoberman's 21 selections. View Hoberman's list below, or skip right to the channel to watch online: 1. 2. 3.

word choice - Difference between Yell / Shout / Scream / Cry with use cases - English Language Learners Stack Exchange So this question gives an answer to the difference between yell and scream, but I'd also like clarification about shout and cry, which have to be linked with the other two. Whatever the case when I use one of them I feel like I used the wrong one. Also, the top answer used "to cry" in the definition of "to scream" and "to shout" in the definition of "to yell". Most dictionaries also give other words as definitions, which doesn't help. I have a bunch of related question which I think makes sense to be asked and answer together. When I ask for difference about words, it's mostly for edge cases. Of course, I mean cry in other ways that "to shed tears". What's the word for when a metal vocalist "sings" very loudly in the mic ? To describe someone cursing really loud, what do you use ?

Continuity editing Continuity editing is the predominant style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs. The purpose of continuity editing is to smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots. Common techniques of continuity editing[edit] Continuity editing can be divided into two categories: temporal continuity and spatial continuity. An ellipsis is an apparent break in natural time continuity as it is implied in the film's story. Diegetic sound is that which is to have actually occurred within the story during the action being viewed. Match on action technique can preserve temporal continuity where there is a uniform, unrepeated physical motion or change within a passage. The montage technique is one that implies no real temporal continuity whatsoever. Just as important as temporal continuity to overall continuity of a film is spatial continuity.

Science Fiction Films and American Society in the Fifties. Chapter One: Science fiction films and the political climate | Bob Mitchell in the 21st Century WHEN the Cold War began in 1947 only two science fiction films were made in the United States that year. The fact that the genre became an effective political tool in the Fifties is illustrated in part by the fact over 200 features would be released throughout the decade. The film makers realised that the ineptness disguised the subversive. Science fiction is connected both to man’s senses of wonder and of fear;and the films of the period exploited both. This occurs in When Worlds Collide as a sleek rocket becomes a 20th century Noah’s Ark propelling a small group of people off to the Eden-like planet Syra just before Earth is destroyed in a collision with the star Bellus. In contrast, low budget science fiction often dealt in pessimism, revealing a visual moment which surrenders to and then destroys the ordinary. Earth became the unknown in the low budget. It is broadly acceptable to divide the genre into conservative and radical camps. Conservative science fiction films Like this:

Screenwriter and author John August

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