Good Ear - Online Ear Training Site Production Tip 5 : The Sub-kick Trick A good kick drum sound can often make or break a track. It’s probably going to be one of the few bass-end elements in your mix and so key to providing that low-end energy. While kick sounds can vary massively there are two basic elements that will probably be common to most. If you’re using samples then it’s often possible to combine two sounds containing these elements to get the one perfect kick. All you need is a noise-gate with a sidechain input and something which can generate a continuous sine wave like an oscillator or a synth. Thesaurus.com | Free Online Thesaurus of Synonyms and Antonyms 47 Sites Musician Should Visit In a recent “Open Mic” we asked you, “Which music-related sites do you visit regularly?” This article is a summary of the great suggestions given in the comments to that article. You can make the list even longer by commenting on this article. As you’re reading this article, Audiotuts+ needs no introduction. Several commenters mentioned Audiotuts+ - thanks for the support! This is a great Flash site with many resources to help you learn music theory. The site content is split up as follows: Lessons, including topics that cover notation, chords and scalesTrainers, that teach you notes, keys, intervals, triads, keyboard, guitar and brass. Michael comments: “I have found very helpful. This is a site that helps you with scales and chords. The charts are guitar-based, and there are options for various alternate tunings and other stringed instruments. A website that helps you learn musical scales and chords. Joe comments: “Great Ableton/sound design videos.”
What does a corporate web video cost? 25 Factors (with prices) that affect corporate video production costs. - Marketing with Video and Rich Media Blog - Marketing with Video and Rich Media Blog - One Market Media Corporate Video production can cost as much or as little or as your budget allows. You can borrow an iphone , shoot some video and upload it to YouTube – all for free. Or you could hire James Cameron to write, produce and direct your video where you’d be looking at a budget just shy of half a billion dollars when you include marketing costs and Hollywood accounting. Both options would result in a finished video but you’d probably need special glasses to watch the the more expensive option. The good news for businesses looking to engage a corporate video production company is that many of the factors that affect the price of a video have been going down over the last few years. Bottom Line? Taking all of the above into consideration there are reasonable ballpark figures that you can use as a guidepost for budget purposes. Budgeting Tip # 1: A reference video is a great place to start. The best way to get a quick estimate is to have a reference video to compare to. Did I miss something?
Georg Solti Sir Georg Solti, KBE (/ˈdʒɔrdʒ ˈʃɒlti/; 21 October 1912 – 5 September 1997) was an orchestral and operatic conductor, best known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leo Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. After the war, Solti was appointed musical director of the Bavarian State Opera in Munich in 1946. In 1969 Solti was appointed music director of the Chicago Symphony Orchestra, a post he held for 22 years. Life and career[edit] Early years[edit] Solti described his father as "a kind, sweet man who trusted everyone. The faculty of the Franz Liszt Academy included some of the most eminent Hungarian musicians, including Béla Bartók, Leo Weiner, Ernő Dohnányi and Zoltán Kodály. Pianist and conductor[edit]
Daft Punk | Random Access Memories Maps Screen reader users: click here for plain HTML +You Search Images Maps Play YouTube News Gmail Documents Calendar More Translate Books Blogger Reader Finance Photos Videos Even more Account Options Sign in Get directions My places Satellite Traffic Weather Terrain English Exit Map data ©2012 Google - 500 km 200 mi Canada Not your current location? Google Maps offered in: français Put your business on Google Maps Maps Labs - Help Google Maps - ©2012 Google - Terms of Use - Privacy To see all the details that are visible on the screen, use the Print link next to the map. Otomata 16 Jul 2011 Click on the grid below to add cells, click on cells to change their direction, and press play to listen to your music. Update: Click here to get Otomata for your iPhone / iPod / iPad! Official facebook page: Also this reddit page has many examples: And there is a subreddit for Otomata: Otomata is a generative sequencer. Each alive cell has 4 states: Up, right, down, left. at each cycle, the cells move themselves in the direction of their internal states. This set of rules produces chaotic results in some settings, therefore you can end up with never repeating, gradually evolving sequences. If you encounter something you like, just press “Copy Piece Link” and save it somewhere, or better, share it! Here is something from me to start with: And here is an action video: Here are replies to some common questions: Q: MIDI Output?
Someone bring it on home, already :: Sam Cooke gets covered “Bring It On Home To Me” is probably my favorite song that Sam Cooke ever penned and recorded. Even though it’s self-flagellating sad sap fare, it always sounds to me like slow dancing barefoot on a dusty front porch somewhere. I am not alone in my love. Spurred on by the recent cover that Britt Daniel (of Austin band Spoon) contributed to the Bridging The Distance album, I decided to borrow a page from Dodge and started investigating the high points and travesties in the history of covers of “Bring It On Home To Me.” The versions are legion. . . . Bring It On Home To Me – Sam Cooke After screening all these cover versions, all I really want is Sam.
Rob Papen ConcreteFX Blue 1.7.0 VSTi RTAS AU MAC OSX UB (PC -MAC) BEAT & DYNAMICS | 2007 | VSTi RTAS AU MAC OSX UB | 22,2 MB This exciting synth delivers FM Synthesis, Phase Distortion Synthesis, Wave Shaping Synthesis and Subtractive Synthesis is one creative combination! We call it “Crossfusion synthesis”. BLUE has six oscillators which can be connected in various ways, two analogue style modelled stereo filters, an enormous range of processing and modulation options, sequencer and an incredibly powerful arpeggiator. Despite these heavy features, BLUE is so easy-to-use thanks to its user interface and the innovative ‘easy edit’ page for quick sound changes!. Features: * Six Oscillators modules which include Analogue, Additive and Spectral type waveforms. Rob.Papen.ConcreteFX.Blue.v1.7.0.VSTi.RTAS.AU.MAC.OSX.UB.Incl.KeyGen-DYNAMiCSPC WIN (6,59 MB) @EasyShare.com: DownloadMAC OSX UB (15,6 MB) @EasyShare.com: Download Category(s): AU, Rob Papen, RTAS, UB, VSTi ► Tags: AU, Blue, ConcreteFX, MAC, OSX, Rob Papen, RTAS, UB, VSTi
The Problem With Music Whenever I talk to a band who are about to sign with a major label, I always end up thinking of them in a particular context. I imagine a trench, about four feet wide and five feet deep, maybe sixty yards long, filled with runny, decaying shit. I imagine these people, some of them good friends, some of them barely acquaintances, at one end of this trench. I also imagine a faceless industry lackey at the other end holding a fountain pen and a contract waiting to be signed. Nobody can see what's printed on the contract. It's too far away, and besides, the shit stench is making everybody's eyes water. Every major label involved in the hunt for new bands now has on staff a high-profile point man, an "A&R" rep who can present a comfortable face to any prospective band. Lyle Preslar, former guitarist for Minor Threat, is one of them. These A&R guys are not allowed to write contracts. There's this band... There's this band. Back to Action Park
Up-front Garage Still one of our most requested genres, this instalment of Beat Dissected focusses on a future garage beat constructed from drum machine hits, live samples and energetic percussion hits. Beat Dissected is a regular series in which we deconstruct drum patterns, showing you how to recreate them in any DAW. Just copy our grid in your own software to recreate the loop. Here’s the beat we’re building today: Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. To download the samples for this beat, click here. You must register for a free Attack account and sign up to receive our newsletter in order to download the samples. SPEC tempo 125—135bpm swing 55—65% sounds A mix of acoustic drum samples and drum machine hits. Step 1 Start with the kick, a layered sound with a nice rounded low-end but also some high-end presence supplied by blending in a clicky hi-hat sample. Step 2 Step 3 Step 4 Time for the details.
Harmony Explained: Progress Towards A Scientific Theory of Music The Major Scale, The Standard Chord Dictionary, and The Difference of Feeling Between The Major and Minor Triads Explained from the First Principles of Physics and Computation; The Theory of Helmholtz Shown To Be Incomplete and The Theory of Terhardt and Some Others Considered Daniel Shawcross Wilkerson Begun 23 September 2006; this version 19 February 2012. Abstract and Introduction Most music theory books are like medieval medical textbooks: they contain unjustified superstition, non-reasoning, and funny symbols glorified by Latin phrases. In particular we derive from first principles of Physics and Computation the following three fundamental phenomena of music: the Major Scale, the Standard Chord Dictionary, and the difference in feeling between the Major and Minor Triads. Table of Contents 1 The Problem of Music1.1 Modern "Music Theory" Reads Like a Medieval Medical Textbook 1.2 What is a Satisfactory, Scientific Theory? ... wbwbw wbwbwbw wbwbw wbwbwbw ... What is a "scale"? Really?!