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The Sacred Geometry Of Music The Sacred Geometry Of Music by Andrew Lorimer Music uses the laws of vibration to manifest aurally what exists at the center of everything. Into our reality springs a non-visual harmonic law that is universal. The notes and intervals of music speak directly to the chakra centers and causes them to vibrate in harmony to the vibration of a string or vocal chords, speakers moving through the air, or the sound of someone’s lips making a farting noise through a metal tube. Clock Harmonisphere The mathematics of the harmonisphere are amazing. When we measure the same chords on the harmonisphere, the seven chords have the same mirrored combinations as the piano:

conception des enceintes HI-FI, Sono, Home cinéma et Car Audio, ampli filtrag... AFFECTIVE KEY CHARACTERISTICS Affective Musical Key Characteristics The association of musical keys with specific emotional or qualitative characteristic was fairly common prior to the 20th century. It was part of the shared cultural experience of those who made, performed and listened to music. C Major Completely Pure. C Minor Declaration of love and at the same time the lament of unhappy love. D♭ Major A leering key, degenerating into grief and rapture. C# Minor Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius. D Major The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. D Minor Melancholy womanliness, the spleen and humours brood. E♭ Major The key of love, of devotion, of intimate conversation with God. D# Minor Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. A♭ Major Key of the grave. code@wmich.edu

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