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Bakounine et Dostoïevski Bien que contemporains, Bakounine (1814-1876) et Dostoïevski (1821-1881) semblent s’opposer sur à peu près tout: l’un est avant tout un praticien de la révolution, l’autre un écrivain qui, avec le temps, est devenu de plus en plus inquiet devant les progrès du parti révolutionnaire en Russie. Par ailleurs, ils n’appartiennent pas aux mêmes périodes de la vie intellectuelle russe : Bakounine a été membre du cercle de Stankevitch, par lequel la philosophie allemande a pénétré en Russie, entre 1837 et 1840, alors que Dostoïevski a fait son entrée dans les salons littéraires de Moscou après la publication de son premier roman, Les pauvres gens (publié en 1846). Trois éléments semblent toutefois devoir rapprocher les deux personnages. Tout d’abord, il a souvent été dit que Bakounine aurait inspiré à Dostoïevski le personnage de Stavroguine dans Les possédés (ou Les démons), roman écrit entre 1869 et 1871 et publié en 1872. Bakounine modèle de Stavroguine?

Civil and Uncivil Violence in Lebanon: A History of the Internationalization of Communal Conflict In this long-awaited work, Samir Khalaf analyzes the history of civil strife and political violence in Lebanon and reveals the inherent contradictions that have plagued that country and made it so vulnerable to both inter-Arab and superpower rivalries. How did a fairly peaceful and resourceful society, with an impressive history of viable pluralism, coexistence, and republicanism, become the site of so much barbarism and incivility? Khalaf argues that historically internal grievances have been magnified or deflected to become the source of international conflict.

A los idiotas nunca les gusta Hemingway, por Juan Gabriel Vásquez Como quizás lo sabrán ustedes, el pasado 2 de julio se cumplieron 50 años del día en que Hemingway bajó al sótano de su casa, agarró una escopeta Boss de dos cañones y una caja de balas, volvió al salón, cargó la escopeta y apoyó la culata en el suelo y luego apoyó la frente en los cañones. El día mismo de su suicidio, uno de sus miles de admiradores, un joven escritor caribeño, llegaba a Ciudad de México con veinte dólares en los bolsillos y una cantidad de proyectos para el futuro, y quedó tan impresionado con la noticia que escribió de inmediato una de las celebraciones más legítimas que habrá recibido, vivo o muerto, el viejo Hemingway. El escritor era, por supuesto, García Márquez, que no hubiera podido escribir El coronel no tiene quien le escriba sin las lecciones aprendidas de El viejo y el mar; el artículo llevaba por título una mentira más verdadera que todas las verdades: “Un hombre ha muerto de muerte natural”.

The Love of One's Own and the Importance of Place If you are a current subscriber, log in here. Stratfor - the leader in Geopolitical Analysis: Political Economic Military Our readers get: Situational Awareness - real-time reports of key events - no fluff. We will never sell or share your information. Andrew Gough's Arcadia History is rife with lost knowledge and traditions whose meaning has blurred with the passage of time. I believe the ‘Bee’ is one such tradition, and that its symbolism was important to civilizations of all ages. Inexplicably, the Bee is dying and nobody is quite sure why. Legend asserts that when the Bee dies out, man will shortly follow. Anatomy of a female Honey Bee Thanks to fossilisation, Bees over 100 million years old have been discovered in amber, frozen in time, as if immortalised in their own honey. "The bee inclos'd, and through the amber shewn, Seems buried in the juice, which was his own. A Bee fossilized in amber over 100 hundred million years old - from Southeast Asia Bees accompanied Adam and Eve in the Garden of Eden and during the mythical Golden Age, honey dripped from trees like rain water. Honey Hunting in Spain – approximately 13,000 BC Veneration of the Bee continued in Neolithic Spain, as the highly stylised rendering of a dancing Bee below illustrates.

L'illusion qui nous frappe. Proust et Dostoïevski Karen Haddad-Wotling, L'illusion qui nous frappe. Proust et Dostoïevski. Une esthétique romanesque comparée. Les moyens auxquels cette étude fait appel pour justifier le rapprochement des deux auteurs passent, dès le début, par l'opposition entre ce que Haddad-Wotling appelle l'oeuvre unique - celle de Proust, et l'oeuvre multiple - celle de Dostoïevski. Malgré l'utilisation abondante de termes comme théorie de l'art, principe esthétique, loi esthétique, structure, composition, vision, etc., ces concepts ne sont jamais explorés dans le sens où un travail en littérature comparée l'exigerait, justement. Une importante partie de l'analyse est dédiée aux "principes de composition" de la théorie de l'art que Proust aura découverte et énoncée à partir de l'oeuvre de Dostoïevski. Qu'en est-il donc des études en littérature comparée en France? Angela Cozea Université de Western Ontario

“Beirut Photographer”: An Ode to Memory What does it mean to bear witness to events? What responsibility does the act of witnessing carry? These are the central questions evoked by George Azar and Mariam Shahin’s documentary film “Beirut Photographer.” Released on Al Jazeera English in part to remember the thirtieth anniversary of the 1982 Israeli invasion of Lebanon–and more particularly of Beirut–the film is a multi-layered and fascinating portrayal of the often contradictory aspects of battles that would become subsumed under the label of the “Lebanese civil war,” as well as of the process, and cost, of documenting conflict. The film initially centers on photographer and filmmaker George Azar. He introduces himself as having Lebanese heritage and explains his interest and fascination with the Middle East: “Like a lot of Arab-American kids, […] the Middle East was a mystery to me” until, he states, the Palestinian liberation struggles of the 1970s put the region at the forefront of people’s consciousness in new ways.

Gabriel García Márquez: a critical ... - Rubén Pelayo Winner of the Nobel Prize for Literature in 1982 for his masterpiece "One Hundred Years of Solitude," Gabriel Garc DEGREESD'ia M DEGREESD'arquez had already earned tremendous respect and popularity in the years leading up to that honor, and remains, to date, an active and prolific writer. Readers are introduced to Garc DEGREESD'ia M DEGREESD'arquez with a vivid account of his fascinating life; from his friendships with poets and presidents, to his distinguished career as a journalist, novelist, and chronicler of the quintessential Latin American experience. This companion also helps students situate Garc DEGREESD'ia M DEGREESD'arquez within the canon of Western literature, exploring his contributions to the modern novel in general, and his forging of literary techniques, particularly magic realism, that have come to distinguish Latin American fiction.

Thomas P. 'Tip' O'Neill - Biography BEES, HONEY AND HEALTH IN ANTIQUITY | Cilliers | Akroterion The PDF file you selected should load here if your Web browser has a PDF reader plug-in installed (for example, a recent version of Adobe Acrobat Reader). If you would like more information about how to print, save, and work with PDFs, Highwire Press provides a helpful Frequently Asked Questions about PDFs. Alternatively, you can download the PDF file directly to your computer, from where it can be opened using a PDF reader. To download the PDF, click the Download link above. Fullscreen Fullscreen Off Refbacks There are currently no refbacks. This work is licensed under a Creative Commons Attribution 3.0 License.

Gabrielle Althen / Dostoïevski. Le meurtre et l'espérance Gabrielle Althen Dostoïevski. Le meurtre et l'espérance P. Léon Robert Paris, Éd. du Cerf, coll. « Cerf Littérature », 2006. - 192 p., 20 €. Esprit & Vie n° 191 - Avril 2008 - 1re quinzaine, p. 34. Seule une lecture chrétienne de Dostoïevski est cohérente. Intitulé « Le roman et le prêche », le premier chapitre de l'étude met en évidence l'importance de la référence évangélique : deux préceptes ; celui de ne pas juger (Mt 7, 1-3) et celui de pardonner (Mt 22, 37-40), énoncés au début des romans et rappelés fréquemment par des personnages relais, donnent la clé de l'interprétation de l'œuvre. Le second chapitre dont le titre est « La relève par le meurtre » étudie l'univers de l'absence de Dieu ; celui du mal et du péché, dont le meurtre est le symbole. Le dernier chapitre intitulé : « Au-delà du bien et du mal » propose une solution au mal. Il fallait le crime pour faire naître l'espérance, laquelle a changé le meurtre en expiation, la solitude en communion. [1] Universitaire, G.

Your brain on pseudoscience: the rise of popular neurobollocks An intellectual pestilence is upon us. Shop shelves groan with books purporting to explain, through snazzy brain-imaging studies, not only how thoughts and emotions function, but how politics and religion work, and what the correct answers are to age-old philosophical controversies. The dazzling real achievements of brain research are routinely pressed into service for questions they were never designed to answer. This is the plague of neuroscientism – aka neurobabble, neurobollocks, or neurotrash – and it’s everywhere. In my book-strewn lodgings, one literally trips over volumes promising that “the deepest mysteries of what makes us who we are are gradually being unravelled” by neuroscience and cognitive psychology. Happily, a new branch of the neuroscienceexplains everything genre may be created at any time by the simple expedient of adding the prefix “neuro” to whatever you are talking about. Shades of grey So, instead, here is a recipe for writing a hit popular brain book.

Beekeeping beekeeping in Serbia Beekeeping (or apiculture, from Latin: apis "bee") is the maintenance of honey bee colonies, commonly in hives, by humans. A beekeeper (or apiarist) keeps bees in order to collect their honey and other products that the hive produces (including beeswax, propolis, pollen, and royal jelly), to pollinate crops, or to produce bees for sale to other beekeepers. A location where bees are kept is called an apiary or "bee yard". Depictions of humans collecting honey from wild bees date to 15,000 years ago, efforts to domesticate them are shown in Egyptian art around 4,500 years ago. Simple hives and smoke were used and honey was stored in jars, some of which were found in the tombs of pharaohs such as Tutankhamun. History of beekeeping[edit] At some point humans began to attempt to domesticate wild bees in artificial hives made from hollow logs, wooden boxes, pottery vessels, and woven straw baskets or "skeps". Origins[edit] Wild honey harvesting[edit] Study of honey bees[edit]

Markowicz sur remue.net réflexions sur l'Idiot de Dostoievski (extraits) notes par André Markowicz Il me semble que la traduction est aussi une façon de faire de la littérature. D’un côté, c’est une béquille, et je n’ai aucune imagination. Dans L’Idiot, on est tout le temps dans l’indéfini entre le rêve et la réalité. La structure de L’Idiot, c’est l’épilepsie. Tant que le prince n’était pas là, finalement ça se passait bien ; mais le prince apparaît, il ne dit rien, il est.