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Creative Commons Kiwi This short and fun animation video by Creative Commons Aotearoa New Zealand explains the CC licenses. A Shared Culture A high-level overview of the goals of Creative Commons and how we are “saving the world from failed sharing.” Created by Jesse Dylan, director of the “Yes We Can” video. Wanna Work Together? Wanna Work Together? Building on the Past The winner of our Moving Images Contest, Justin Cone created a short, succinct “commercial” that demonstrates what Creative Commons is, and how it works, in a slick package. Reticulum Rex This film describes some of CC’s success stories and gives insight into where we’re headed. CC Brasil In the spring of 2004, a documentary film crew followed Creative Commons staff to Brazil. Mix Tape Sheryl Seibert’s video about found art and remix culture was the second place winner of the Moving Images Contest. Berkman Panel (Dec 2008) Sharing Creative Works This isn’t a video, but it fits the spirit of this section.

everystockphoto - searching free photos 14 Websites To Find Free Creative Commons Music There are lots of times you might need to get hold of royalty-free, Creative Commons music. You could be putting together a short film, designing a video game, or recording a podcast; with the right license, you can use CC music for all of that. You can find plenty of free music across the sites in this list, whether you plan to share it, remix it, or use it commercially. When it comes to Creative Commons music, there's no shortage of options. Creative Commons Licenses With Creative Commons music, you still need to check the specific license for each track. The Creative Commons organization uses easily recognizable symbols for each of its licenses. 1. SoundCloud is a great resource for anyone who wants to share music, podcasts, and more. There are a few ways to find CC-licensed music on SoundCloud. Other users also upload royalty-free music, which you can find by filtering your SoundCloud search results. 2. That's right, all the music on Audionautix is created by one person. 3. 4. 5. 8.

Your Paintings Tagger 2012 Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab James Smithies, King's College London; Carina Westling, King's College London; Anna-Maria Sichani, King's College London; Pam Mellen, King's College London; Arianna Ciula, King's College London Modelling Medieval Hands: Practical OCR for Caroline Minuscule Brandon W. Hawk, Rhode Island College; Antonia Karaisl, Rescribe Ltd; Nick White, Rescribe Ltd Towards 3D Scholarly Editions: The Battle of Mount Street Bridge Costas Papadopoulos, Maastricht University; Susan Schreibman, Maastricht University Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology Timothy C. DH2018: A Space to Build Bridges Molly Nebiolo, Northeastern University; Gregory J. Velvet Evolution: A Review of Lev Manovich's Software Takes Command (Bloomsbury Academic, 2013) Alan Bilansky, University of Illinois Curating Crowds: A Review of Crowdsourcing Our Cultural Heritage (Ashgate, 2014)

CDRH Articles and Resources | Best Practices Recommendations for Digital Humanities Projects The Center for Digital Research in the Humanities (CDRH) recommends that digital research projects be based on international standards. Standards-based projects stand a greater chance of interoperating with similar sites, and are more likely to migrate successfully into new computing environments as file formats and standards change. A common early phase of digital research may involve building a Hypertext Markup Language (HTML) prototype to serve as an illustration or proof of concept. XML is an internationally adopted encoding standard that describes data. Another advantage of XML is that it facilitates the separation of content from design. If XML is beyond the reach of a small project, the Extensible Hypertext Markup Language (XHTML) may be an appropriate interim solution. TIFF and JPEG image file formats are advantageous in that they are not proprietary and are widely supported in many applications. Overviews of basic principles.

Computational Culture National Jukebox LOC.gov WARNING: Historical recordings may contain offensive language. Read the disclaimer Now Playing... Elk's reunion march Le parlate d'amor El teléfono a larga distancia At the jazz band ball Everybody's jazzin' it Pack up your troubles in your old kit bag and smile, smile, smile! View This Playlist 1919 Victrola Book of the Opera Stories of the operas with illustrations and descriptions of Victor opera records. More about Victrola Book of the Opera News The National Jukebox debuts featuring more than 10,000 78rpm disc sides issued by the Victor Talking Machine Company between 1900 and 1925. Imagine your computer as a new Gramophone purchased for family and friends to enjoy in your home parlor. Victor Advertisements The success of the Victor Talking Machine Company is often attributed to its aggressive and comprehensive print advertising campaigns. Coming Soon to the National Jukebox New recordings are added to the Jukebox periodically.

Icon Archive - Search 400,182 free icons, desktop icons, download icons, social icons, xp icons, vista icons Welcome to Open Book Publishers - Open Book Publishers #cc10 Creative Commons Tenth Anniversary About Ars Electronica Ars Electronica holds one of the world’s largest archives of digital media art covering the last 30 years. It consists of documentations of the Ars Electronica Festival since 1979, the archive of Prix Ars Electronica with submissions of artists since 1987, as well as documentation of projects of the Ars Electronica Futurelab and of exhibitions in the Ars Electronica Center and worldwide. Beside thousands of video- and audio recordings, numerous photographs, negatives, and slides are stored, as well as an extensive collection of print material including publications, posters, folders, and press material. Ars Electronica Archive goes public! The Prix Ars Electronica Showcase is a collection where all the artist submissions for the Prix since 1987 can be searched and viewed. The Pic Archive contains an extensive collection of pictures of Festival, Prix, Center, Futurelab and Export. Due to the ongoing events of Ars Electronica the archive grows continuously.

Roman Architecture About the Course This course is an introduction to the great buildings and engineering marvels of Rome and its empire, with an emphasis on urban planning and individual monuments and their decoration, including mural painting. While architectural developments in Rome, Pompeii, and Central Italy are highlighted, the course also provides a survey of sites and structures in what are now North Italy, Sicily, France, Spain, Germany, Greece, Turkey, Croatia, Jordan, Lebanon, Libya, and North Africa. The lectures are illustrated with over 1,500 images, many from Professor Kleiner's personal collection. View class sessions » Course Structure This Yale College course, taught on campus twice per week for 75 minutes, was recorded for Open Yale Courses in Spring 2009. Course Materials Download all course pages [zip - 10MB] Video and audio elements from this course are also available on: About Professor Diana E. Diana E. Roman Architecture: A Visual Guide is available from Apple iBooks. Syllabus Professor

Gapla - Galeria plakatu filmowego GAPLA – Galeria Plakatu Filmowego – to kolejny po Fototece www.fototeka.fn.org.pl serwis internetowy, prezentujący zcyfryzowaną kolekcję materiałów okołofilmowych ze zbiorów Filmoteki Narodowej. Na starcie prezentujemy ponad 2 500 plakatów i afiszów filmowych wraz z krótką ich charakterystyką. W planach mamy sukcesywne powiększania tej kolekcji. Cele serwisu GAPLA to: edukacja i upowszechnianie kultury filmowej zgodnie z Ustawą o kinematografii z dnia 30.06.2005 r. W GAPLI pragniemy prezentować cały – zachowany w zbiorach Filmoteki - dorobek polskiej grafiki filmowej: najstarsze zabytki grafiki użytkowej reklamujące pokazy kinematografu braci Lumière w Krakowie, przedwojenne afisze i plakaty, powojenne plakaty do filmów polskich i zagranicznych, a także zagraniczne plakaty do produkcji światowych, jak i polskich. Digitalizacja plakatów i afiszów w Filmotece Narodowej realizowana jest od roku 2008, z wykorzystaniem skanerów Colortrac SmartlF GxT42 oraz Epson Expression 10000 XL.

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