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Nervous System – explorations in generative design and natural phenomena

Nervous System – explorations in generative design and natural phenomena
Have you ever done a puzzle that has no beginning or end? Where you don’t know up from down? Get lost in the infinite galaxy puzzle. The infinity puzzles are […] Read Article → Ever wanted to get a closer look at what goes into making one of our 3D-printed Kinematics dresses? Read Article → The Museum of Applied Arts & Sciences in Sydney, Australia commissioned Nervous System to create a new Kinematics Dress for their exhibit, Out of Hand: Materializing the Digital, which runs […] Read Article → Our Cell Cycle and Kinematics apps don’t only give you the ability to design your own Nervous System jewelry–they also allow you to order those designs in a variety of […] Read Article → We’ve continued to enjoy collaborating with clients on custom engagement rings during the first half of 2016. Read Article → This winter, we found out about a kickstarter for new 3D-printable ceramic called Porcelite by Tethon3D. Read Article →

La morfología experimental puede definirse como aquel espacio vivencial en cual el diseño hace uso de herramientas de tipo experimental para el desarrollo de la forma tridimensional de la materia Morfología experimental: esquema de formación en diseño industrial Andrés Hernando Valencia Escobar Introducción La experimentación formal es actualmente uno de los referentes de trabajo más vigente y con más proyección del cual los diseñadores toman elementos para el desarrollo de nuevos productos, ver figura 1 y figura 2. Con el proceso de transferencia del conocimiento que se presenta en este artículo, se busca dar a conocer la manera como se han puesto en las manos de los futuros diseñadores las herramientas documentadas de procesos de experimentación formal obtenidas de proyectos de investigación desarrollados por la Línea de Investigación de Morfología Experimental, para que se interioricen y comiencen a hacer parte inherente del quehacer de éstos en su proceso proyectual. La generación y transferencia del conocimiento Dentro del proceso experimental se utilizan una serie de herramientas, las cuales pueden catalogarse de dos clases: las físicas y las digitales. Biónica Figura 13. 1.

Short and sweet OP centric lessons - Education 'danylyon', on 25 Feb 2013 - 6:10 PM, said: What I'd love to see more, as somebody who swichted from another app (not a "newbie").. is an indepth explenation of how houdini works "under the hood". There's bits and pieces everywhere.. but most Tutorials center around an effect they want to achief. There is no mystery as to how Houdini works. Anything that gets done in Houdini can be expressed by a node. The nodes in Houdini are the lowest level atomic routine/function/programme. To generalize the cooking structure of a SOP network, for every cook (frame change, parm change, etc), the network starts at the Display/Render node and then walks up the chain looking for nodes with changes and evaluates dependencies for each node also querying those nodes for changes until it hits the top nodes. You can set a few options in the Performance Monitor to work in the older H11 way and see this evaluation tree order if you wish. A new Houdini file is an unread book, full of interesting ideas. Quote

BIODeLab BIODesign Research Laboratory Ultimate Exposure Computer Imagine an exposure computer so advanced that it uses your eyes as a sensor. The processing unit is as powerful as your brain. The computer is accurate over a light range from reflected starlight through the light produced in a hydrogen fusion reaction. This computer weighs nothing and operates without batteries. It comes with instructions to allow you to implant the capabilities of the computer directly into your own memory so you can accurately judge a correct exposure by simply looking at the type of light that the subject is in. You are using this computer right now! Everything I've said above is true. The fact is that the concept of photographic exposure is extremely simple. Knowledge of photographic exposure is essential to controlling the creative side of the photographic process. But first, a word about copyright. WHY YOUR LIGHT METER LIES TO YOULight meters can be less accurate than you might imagine. How do you compensate for the fact that your meter is lying? So it goes.

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