The acid humor of Mexican illustrator Eduardo Salles Eduardo Salles, aka Sallesino, is a young illustrator, copywriter and designer with an acid style and humor. He has a formula which encapsulates his ironic commentary on the internet, politics, TV and daily habits: Design + humor + social critique. We already published one selection of Eduardo's illustrations on Awwwards. You can see it here: Cynicism Humorously Illustrated by Eduardo Salles. Enjoy! Like slaves Apple with worm Visual Acuity Test Something to say? Free Pictures - Wylio.com Feng Zhu Design FREE -- Teaching Resources and Lesson Plans from the Federal Government TOYOTA — GLASS ORGANS on Behance THUMS (Total Human Model for Safety) is simulation software, which represents actual humans in detail, including the outer shape, but also bones, muscles, ligaments, tendons, and internal organs. Therefore, THUMS can be used in automotive crash simulations to identify safety problems and find their solutions. The technology then helps Toyota build safer cars across the entire range. The aim of the campaign was to highlight the notion of 'human fragility'. The commercial launched as a 60 second commercial and appeared as 45s and 30s. 'Glass Organ' won 6 awards at Australian Writers & Art Directors awards, Australia's most prestigious advertising awards. Credits: Advertising Agency: Saatchi & Saatchi, Sydney, Australia Creative Director: Steve Jackson Copywriter: Yanni Pounartzis Art Director: Adam Whitehead, Simon Cox Production Company: The Sweet Shop
Open Culture Particle Deathmatch: Arnold vs. Vray for Maya! | MAXDEPTH ***UPDATED 11/16/2013*** Link to scene files at the bottom of the article! Today we settle once and for all which render engine will reign supreme over the world of non traditional particle renderers! Exciting, I know. We began this journey a few weeks back when the question was raised, “Why not render our particle simulations in Vray/Arnold?”. Spec of render machine: Intel 3GHZ 32 thread 64 bit PC with 64 gigs of ram and a Quadro 6000 video card. Graphic 1a represents: Arnold Sampling 4/4/2/0 Motion Blur value of 1.5, with a Step of 3 Particles rendered as Spheres with a radius of .01 Total Render Time: 13 minutes Graphic 1b represents: Vray Adaptive DMC, Min 1 Max 4, Threshold .01 Motion Blur 1.5, Subdivisions 20 Particles rendered as Spheres with a radius of .01 Total Render Time: 22 minutes As you can see in graphic 1a the Arnold particles look a bit more sandy or granular, but Arnold is faster at smaller motion blur levels than Vray by almost half. Graphic 2a represents: You!!! PS. Vray
(Solved) How to Remove “Ads not by this site” Ads (Removing Help)Tech Support All Question How to Remove “Ads not by this site” Ads Popups from my browsers, it is appears in below of google search bar, please help me some it. Ads not by this site removal Guide Solved Answer “Ads not by this site” is an Adware, once it is installed it’s very hard to remove it. In order to fix that issue please follow below step by step instructions carefully. Steps 1. 2. Open Internet Explorer then go to Tools menu (press “alt” key once to active menu bar) and then click on Internet Option a configuration page will be opened, then click on Programs tab, click on manage addons then disable all unwanted addons from thereNow Restart Internet explorer Reset Internet Explorer 3. Reset Mozilla Firefox Open “Troubleshooting information” page into Firefox.Open Firefox and then go the Help menu (Press “alt” key once to active Menu bar)Note: you can also open this page in this ways, open Firefox then type this command in the address bar “about:support” (without quote) and then hit enter or OK. 4. 5.
Liquid Experiments Produce Hypnotizing Swirls of Color New York-based artist Kim Keever experiments with colorful tinted paints and water to create these beautifully abstract, hypnotizing formations. As a former thermal engineer for NASA projects, Keever tends to veer his work towards the scientific and experimental. To produce this particular style, the artist drops various amounts of color into water and documents the swirling liquids as they mix and mingle. He uses an enormous 200-gallon fish tank as the setting for much of his work, which offers plenty of space for the incredibly unpredictable reactions to emerge. Staring at the mesmerizing photographs is a similar experience to pointing out shapes among the clouds. Kim Keever's website via [This Isn't Happiness], [Juxtapoz]