47 Sites Every Recording Musician Should Visit
In a recent “Open Mic” we asked you, “Which music-related sites do you visit regularly?” This article is a summary of the great suggestions given in the comments to that article. You can make the list even longer by commenting on this article. As you’re reading this article, Audiotuts+ needs no introduction. This is a great Flash site with many resources to help you learn music theory. The site content is split up as follows: Lessons, including topics that cover notation, chords and scalesTrainers, that teach you notes, keys, intervals, triads, keyboard, guitar and brass. Michael comments: “I have found very helpful. This is a site that helps you with scales and chords. The charts are guitar-based, and there are options for various alternate tunings and other stringed instruments. A website that helps you learn musical scales and chords. Subtitled “Learn music technology”, this site is all about learning audio. Joe comments: “Great Ableton/sound design videos.”
How to Use a Noise Gate to Get Rid of Unwanted Noise in Your Audio Recordings
Unfortunately, for musical composition you are going to have to pay for things if you want real quality. I'm not exactly sure what you want though; For notation you really need Finale or Sibelius, other free or shareware programs might be workable, but for full control over anything you are going to have to pay for the program. For real sounding instrument samples, I suggest either Reason or Logic. Both are going to cost a pretty penny, but the sheer amount of samples that comes with something like logic is astounding (Over 50 Gb of real instrumental samples and things) I would also suggest looking into an M-Audio box, for microphone capture, and a Midi controller for direct inputs from an electric piano. You can find basically all of that at M-Audio's website: [www.m-audio.com] Hope it helps! Are you looking for shareware/freeware or are you willing to pay? Try REAPER. I'm willing to pay something reasonable.
Ear Training WebSite - StumbleUpon
- Tracking : Resource Library and More Information
Look here for articles on applied recording techniques and mic placement. It all starts here! Acoustic Guitar Tracking the acoustic guitar is a huge subject, because so much contributes to the final sound—player, instrument, room acoustics, mic choice and placement, effects, and more. Here are some timeless articles with solid advice to get you started on developing your own acoustic recording toolbox. Electric Guitar The electric guitar is the central sound of rock music, and has influenced everything from blues and country to electronica. Bass Recording the bass can be as straightforward as a simple DI to the console or as complex as multiple mics on an acoustic bass fiddle or giant amp stack. Other Guitars The archtop, the dobro, the parlor guitar, the pedal steel—scary to the newcomer, each with its own challenges. Drums & Percussion Miking drums is an art form. Vocals The human voice is the most recognizable sound to the human brain. Horns & Woodwinds Piano Strings Psychology & Coaching
make music together
let's get started making music... 1draw on the grid with your mouse to make a beatshow me2 save your track and share it with friends. show me3 out of ideas? roll the dice and start remixing. show me4 explore the beatlab community show me For more tips, tutorials vidoes, and FAQs, check out our community wiki. You can use the following keyboard shortcuts while composing a track. spacebar Press to start or stop playback. commandcontrol key Hold down the commandcontrol key while drawing notes to create "loud" notes. optionalt key Hold down the optionalt key while drawing notes to create "soft" notes. shift Hold down the shift key to select a region of notes. Playback starting point By default, playback always starts from the beginning of a track. You can change where playback begins by setting the playback start marker. Clicking on the arrow icon again will remove it. show me Column volume There is a speaker icon to the left of each row on the grid.
Making a Cello
As I showed in the previous posting, the top and back have different archings – the top has a pronounced saddle, or flattening, in the middle. To understand why we have to take a brief detour into the land of acoustics. But one as seen through the eyes of a violinmaker – which is the difference between an engineer explaining the airplane you’re sitting in, cruising over the Atlantic four miles up, versus the guy with the tuna sandwich who was sitting out on the wing with a screwdriver an hour before you took off. Let's begin with the basics: sound is the displacement of air. The cello string looks like this when you pluck or bow it: A pretty simple oval, right? A simple oval produces simple harmonic motion: a fundamental note (an A440, for example) with no overtones. As I said, a vibrating string by itself, much like a tuning fork, doesn’t displace enough air to be heard. First, through acoustical resonance. This is where the phenomenon of slip-stick (see below) becomes so important.
Audio Recording: Levels
NOTICE: If you don't want to read any this or just don't care to understand it, there's a "dumbed down" version at the bottom. Let me get something out of the way here - I'm going to try to keep this very "fool proof" - I'm not trying to sound or present this very scientifically - This is just the rantings of hundreds and hundreds of posts on a dozen or more audio forums exploding like a volcano recorded with lots of headroom. I just hope to instill a basic understanding of why certain trends and common beliefs are just plain bad. And by the time you're done reading, and perhaps doing a little experimentation based on this, you won't need me to prove it. You'll know it yourself. Is this a "miracle cure" for bad recordings? So, if you've been struggling with recordings that sound "weak" or "small" or too dense or "just not 'pro' enough" then please, read on. As a mastering engineer, I work on recordings from pretty much every level of experience. You're probably recording too hot.
Glossary of Technical Terms for Sound and PA Engineers
DIY Recording Studio Acoustic Panels
Acoustic treatments are often used to help improve the acoustics of a room by taming "flutter echoes," "room modes," and other problems which arise from a room's dimensions and construction. Although a variety of treatments are available for commercial use, they tend to be quite expensive. After some research both online and in print, we came across several sources for DIY acoustic treatments using rigid fiberglass panels and simple frames. These are often referred to as "bass traps," although the ones that we're focusing on have a fairly wide rage of absorption. We can not take credit for this design, but have combined several people's ideas into a step-by-step guide. For more information, check out the good folks in the acoustics forum at recording.org
Stereomood (Playlist by Emotion)
