Museum of Soviet synthesizers. Aelita Photo Description Electric musical synthesizer Aelita (Murom plant RIP). This monophonic synthesizer with 3 oscillators is a modern musical instrument. Sounding may be changed during the playing as well as timbre: special controls are provided for it. There is a possibility to record sounding on a tape during playing composition. The elegent package made out of aluminium alloy and is covered with artificial leather. Specifications: Sounds Aelita | Manuals | Schemes | Maps Online : Hardware Software Synthesizer 2 I really like the sounds that Gijs is able to produce with his Hardware Software Synthesizer 2, aka the HSS2. It’s all based on a single Arduino, making this version easier to build compared to the HSS1. Check out the link for the complete code and schematics so you can make you own. This is a trimmed down version of the hard soft synth 1. More about the Hardware Software Synthesizer 2 In the Maker Shed: Make: Arduino Marc de Vinck I’m currently working full time as the Dexter F. Related
Synth Secrets The skilful articulation of a synthesized string patch can improve it no end, even one created using very basic building blocks, as we saw at the end of last month. But we can take this approach much further... This is the 51st article in a 63-part series. Read all parts. Gordon Reid Nowadays, when people talk about synthesizers and synthesis, they invariably talk about keyboard instruments. yboards or modules controlled via CV and Gate signals or MIDI from a keyboard. The Tyranny Of Discrete Notes It wasn't always like this. Unfortunately, far from being the dawn of a new age of music, the 1970s proved to be the end of this fascinating era of synthesis. counterpoint, but 200 year-old central European music scholars would probably find no difficulty comprehending the form of today's popular music. This is stranger than it might seem. Now, you could point out that many modern synths offer alternative temperaments such as Pure Major, Pure Min . Another Way To Play Synths ike articulation.
Oberheim OB-Mx The OBMx is a modern synthesizer module with an audio path that is entirely analog. It has an intuitive and powerful interface which makes it easy for anyone to program their own unique sounds. The OBMx claims to deliver the classic Oberheim and Minimoog sounds while being completely programmable and midi compatible. One historical point is that the OB-Mx is, at present, the last synthesizer designed by Don Buchla. Buchla has sort of disowned this unit, though. The OB-Mx was one of the few real analog synths, however, available with completely modern features. Check Oberheim OB-Mx Prices on eBay The link above will take you to a search for this synth to see active listings with more images, specs and information. Related forum topics Comments Are you looking to buy or sell a Oberheim OB-Mx?
eric archer . net » mini space rockers Bass drop synthesized with C1,C2 = 0.47uF and C3=100uF C1,C2 = 0.47u C3 = 100u Blip sound with C1 = 100nF, C2 = 22nF, and C3=1.0uF C1 = 100n, C2 = 22n, C3 = 1.0u Here are over 80 electro drum / noise samples from the mini space rockers circuit… but you should build it because its analog and its cheap, so no excuses. mini space rockers samples mini space rockers samples (zipped 16 bit .wav files) The .zip file is raw recordings. These instructions explain how to hand-build the circuit on a piece of perfboard, also known as protoboard. First choose which sound you’re going to build. parts list Solder all the parts into their correct places, using the following two illustrations as a guide. The dotted lines show where your off-board wires will attach. After you have all the parts in place, start making connections. And finally, there are a few more connections to be made with additional wire. Ok… If you build it I’d like hear a recording!
20 Tips On Synth Programming We've all experienced the burst of creativity that getting hold of new sounds can bring about - but not being able to afford new synths and sound modules is also a familiar feeling. Simon Lowther offers some tips for creating inspirational new sounds without spending money. Using the same old tired sounds again and again is frustrating, but it's all too easy to assume that the only way to get out of the rut is to open your chequebook, when it may be that you're not exploiting the programming opportunities your existing equipment offers. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. Slow LFO to filter cutoff giving a slow cyclical timbre change - great on basses and pads. 13. 14. 15. 16. 17. 18. 19. 20.
Korg Volca Keys - Cyberstore France 10 évaluation(s) client: Jusqu'à présent, seules des évaluations dans une autre langue ont été écrites pour ce produit. Vous devez être connecté afin de pouvoir évaluer un produit. Note: Afin d’éviter que les évaluations de notre site soient polluées par des “ouï.dire”, des approximations ou encore de la publicité clandestine, nous autorisons uniquement nos clients à évaluer les produits achetés chez nous. Une fois connecté, vous trouverez dans votre compte client, via le lien "Évaluer des produits", tous les articles que vous pouvez évaluer. Évaluer un produit Cher client, Afin d’éviter que les évaluations de notre site soient polluées par des “ouï.dire”, des approximations ou encore de la publicité clandestine, nous autorisons uniquement nos clients à évaluer les produits achetés chez nous. Evaluations des clients pour Korg Volca Keys
Reader (1000+) 8 Quick Tips on Designing Synth Basses If you create dance music, it's important to know how to create and tweak synth bass sounds. Here's a collection of eight short sound design tips about how to make better, stylish, and more versatile synth bass sounds. 1. To make my synth bass sound fatter, I use a polyphonic bassline and play two notes at once, spaced an octave apart. A similar technique is to add a second oscillator tuned an octave below. 2. With subtractive (analogue) synthesis, try combinations of different oscillators to achieve the character that you want. For a more pronounced effect, turn on oscillator sync, which will also increase the preceived amplitude of the sound. Here are some ideas to try: square for low and square for highsquare + sawtriangle + squaretriangle + sawsine + squaresine + saw. You can also use wavetables (with synths like Massive, Dune, Thor, Synthmaster, Zebra, Largo, PPG Wave), which are custom-made (custom harmonic content), unique waves. 3. 4. White and pink are the common types of noise.
$150 Korg Volca Analog Synth, Bass, Drum Grooveboxes, with MIDI: Official Details, Pics, Video Beats, Bass, Keys – a drum machine, a bass synth, and a lead synth, analog and $150 each. Now with MIDI. All images courtesy KORG; click for biggie versions. The rumors are true: Korg has not one, but three pint-sized, $150 analog groove boxes – two analog synths and a PCM/analog drum machine. Korg established a bit of a formula with the Monotron and Monotribe: pack some vintage sound and quirky personality into a small box, make it all self-contained (with speaker, batteries, simple touch strips), and then make it affordable. The result is cute, little analog boxes that only Korg could make – and at a price only a big maker could pull off. Volca keeps to that formula, with new synthesis and drum adding step sequencing features and MIDI that make these into bona fide groove boxes. $149.99 for an analog groove box, and these things should sell like candy. Adding MIDI to me is a pretty significant improvement. Video, so you can hear them: Korg isn’t pitching this as a toy, either.
Lab3 - Laboratory for Experimental Computer Science Arduino Sine wave Generator using the direct digital synthesis Method Here we describe how to generate sine waves with an Arduino board in a very accurate way. Almost no additional hardware is required. The DDS Method (digital direct synthesis) To implement the DDS Method in software we need four components. MT-085: Fundamentals of Direct Digital Synthesis (DDS) Software implementation To run this software on an Arduino Diecimila or Duemilenove connect a potentiometer to +5Volt and Ground and the wiper to analog 0. Results In the upper part of the picture you see PWM signal on pin 11 and in the lower part what the filter makes out of it. The spectrogram shows a surprisingly good result. DDS Spreadsheet dds_calc A little worksheet around the DDS formula to calculate the tuning word. PWM Output lowpass Filter For a start you can just connect the output pin 11 to active speakers. PWM DDS dedicated Hardware WSPR Application wspr_beacon_dds_dcf_f4 Forum Contact Martin Nawrath, nawrath@khm.de
Sound Synthesis Theory Contents[edit] Introduction A Foundations 1. 2. 3. 4. B Synthesis 5. 6. 7. 8. 9. 10. 11. 12. 13. C Appendices i. ii. Special Pages[edit] Authors[edit] Damien Karras