Guillaume Ménant | Photographe Amateur | Rennes How to green screen: create great video effects | Video production Green screens have become an essential tool for film makers, and how to green screen is one of the first things people working in video will tackle. They can transport a subject anywhere, limited only by the imagination. But if you thought that this movie-making technique was reserved just for the big shots in Hollywood, then think again. Also read: Create movie-style horror effects Setting up your green screen A common question is ‘does the screen have to be green?’ Green and blue can both be used as they differ the most in hue from human skin colour; this enables the filmmaker to easily differentiate between the background and the subject of the film. Once you have your green screen, you need to think about lighting. Five top tips for lighting Use softbox lights as they cover the green screen really evenly. Editing your green screen video What is the best software for a beginner to use for editing their green screen video? Three top tips for editing 1. 2. 3. Words: From our friends at Vimeo
Stay in my brain - Strobist: Travaux & Références (11 votes, Moyenne: 4,64 sur 5, Prenez 2 secondes pour voter) Loading ... J’aime de temps en temps dénicher des jeunes talents dont le nom commence à bien circuler sur la toile. Direction Bordeaux (oui j’avoue que je ne vais pas trop loin cette fois-ci) où nous avons rencontré Félix Barjou (aka The Cat). Comme toujours, je donne les liens indispensables: son site officiel ainsi que sa page Facebook. Salut Félix! Bonjour je m’appelle Félix Barjou, j’ai 23ans et j’habite a Bordeaux. La Technique Strobist : Depuis quand ? Depuis plus ou moins le début. Quel matériel utilises-tu principalement? Je travaille avec un Nikon D300, un 18-70 transtandard (rarement) un 50mm f1.4, un 60mm f2.8 macro et un fisheye 8mm samyang. Quels logiciels utilises-tu pour retoucher tes photos ? Photoshop CS5 et aussi le très bon plugin Color Efex Pro Quel genre de photo aimes-tu faire en général ? J’aime beaucoup le style décalé, jouer sur la mise en scène, la lévitation, donner un sens a mon image. 1. 2. 3. 4. 5.
Lighting Basics Series I: Where to place your KEY LIGHT We got wonderful feedback from our survey and wanted to write a post based on your wishes ASAP. One of the most popular requests was for lighting instruction. In the HD world and film, lighting is king. Knowing how to light and not just rely on available light is what being a cinematographer is all about. I thought I would do a series of posts that will address the basics in lighting and use my film “The Greatest Game Ever Played” as an example for all of them. The key light is the most important light you can place. Once you block the scene with the actors, it’s time to think about the best way to light the scene, and where the key light should come from. I look at the actors blocking and how best to let them move within a space when deciding where that key light should go. Marking actors is a great idea to get them in the ball park for camera line ups but after that, I try to lose them so that they feel natural and organic in a space and not worry about the marks.
Strobist Lighting Basics: Going With What is Available The exciting thing about the Arri Alexa, F-3 and the new wave of DSLRs is their high ISO range to minimum noise ratio. This has opened up a whole new way to light as a cinematographer. Whether it be daylight interior or exterior, dawn, dusk, night exterior or interiors the option now exist to use available light in new ways, as well as working with less. On the films that I shot prior to Act of Valor, our lighting package fit into a 48’ semi truck along with multiple 10-ton truck drop loads to expose film. Here is a perfect example. The building on the left that has a coolish tone was smoking hot. Here are the units that lit the Plaza: My lighting package now is pretty much everything you can either purchase from Home Depot or out of a Grainger catalog. 4-Single bulb shop fluorescents w/ cool white tubes, with daylight & tungsten bulbs. 4-Dbl Bulb shop fluorescents w/ cool white tubes, with daylight & tungsten bulbs. 6-MR-16 50 Watt Flood screw in household socket 4-50’ 12 Gauge Stingers