Designspiration - Design Inspiration

Self-taught designer builds a secret studio under a bridge in Valencia posted Categories: Construction Methods Self-taught designer Fernando Abellanas has installed a covert studio beneath a graffiti-covered bridge in the Spanish city of Valencia, making use of the concrete infrastructure to form a roof and walls for the hideaway. Abellanas, who designs furniture and lighting under the studio name Lebrel, created the small timber- and metal-framed hut in just two weeks. He prefers not to reveal its exact location within the city, but said he is often drawn to design huts for neglected spaces. "I feel a great attraction for this type of place and sometimes I make interventions in them. "It is a personal intervention that tries to put value in these type of spaces. The parasitic structure makes use of a pair of concrete beams beneath the bridge deck as the runners for a set of wheels that allow the studio to be moved using a hand crank. The studio is designed as an urban cabin, offering retreat from the bustle of the city while being directly below a busy road.

Design Spartan : Art digital, digital painting, webdesign, ressources, tutoriels, inspiration | Tutoriels, ressources et inspiration sur l'art digital, l'illustration, le digital painting et le webdesign FPO: For Print Only About FPO (For Print Only), is a division of UnderConsideration, celebrating the reality that print is not dead by showcasing the most compelling printed projects. FPO uses Fonts.com to render Siseriff and Avenir Next. FPO is run with Six Apart’s MovableType Syndicate / RSS Feed All comments, ideas and thoughts on FPO are property of their authors; reproduction without the author’s or FPO’s permission is strictly prohibited Contact us by e-mail Twitter @ucllc Sign-up for Mailing List Mailing list managed by MailChimp Thanks to our advertisers About UnderConsideration UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. blogs we publish Brand New / Displaying opinions and focusing solely on corporate and brand identity work. Art of the Menu / Cataloguing the underrated creativity of menus from around the world. products we sell Flaunt: Designing effective, compelling and memorable portfolios of creative work.

30 affiches avec un travail typographique original - Inspiration graphique #12 - Blog Du WebDesign La typographie tien une place majeure dans le graphisme et devient un véritable jeu de mise en page pour la conception d’affiche. Nous avons sélectionné une série de 30 affiches qui ont retenu notre attention pour leur qualité graphique. L’affiche une base pour la communication. La création d’affiche fait partie des premiers supports de communication pour véhiculer des informations pour les marques, les associations ou des festivals. Nous avions réalisé au début du BlogDuWebdesign un article retraçant des affiches de 1910 à 2010, n’hésitez pas à consulter l’article pour voir les évolutions des styles graphiques : 25 affiches retraçant la culture graphique en France de 1910 à 2010 Ces 30 affiches entrent dans notre collection des inspirations graphiques pour trouver des idées hors du web design afin de découvrir de nouveaux horizons. Nous espérons que cette sélection pourra vous donner des idées et vous faire découvrir des projets originaux sur la typographie ! YOROKOBU par Marti Serra

Behance :: Best of Behance Welcome to Dinovember — Thoughts on creativity Every year, my wife and I devote the month of November to convincing our children that, while they sleep, their plastic dinosaur figures come to life. It began modestly enough. The kids woke up to discover that the dinosaurs had gotten into a box of cereal and made a mess on the kitchen table. The next morning, the dinos had climbed onto the kitchen counter to raid the fruit bowl. The morning after that, they had managed to breach the refrigerator and help themselves to a carton of eggs. Things quickly escalated from there. To be fair, they did clean up after themselves from time to time. Usually, though, the dinosaurs are just like anybody else—looking to have a good time. Why do we do this? Childhood is fleeting, so let’s make sure it’s fun while it lasts.

Access to This Page Has Been Blocked Don't worry - you're one click away from continuing your normal visit. We're dedicated to keeping Fiverr safe from malicious visitors. Something in your behaviour has triggered our protection systems - We apologise for any inconvenience this process may have caused. Ad blocking or ad filtering software may interfere with our ability to identify you as human. You may be asked to provide the following details: Author of “Design for Motion” talks industry, education and the state of design I remember a long time ago, back in the days of Tween, before Motionographer, I posted a character-driven CG spot by Psyop and off-handedly remarked that it was impeccably designed. A few hours later, a comment popped up from an anonymous reader. (It’s always the anonymous readers.) “Design? What design!? I grumbled to myself and probably wrote a passive aggressive response. From both a business and a creative perspective, design — in the form of style frames, concept art, character design and design boards — is what makes or breaks work. So when SCAD professor Austin Shaw approached me to write the forward for his recently released book, “Design for Motion: Motion Design Techniques and Fundamentals,” I leaped at the chance. As our interview below shows, Austin’s professional experience and commitment to the craft of design — in all its forms — primed him to write an practical, authoritative book on the way that design and motion work together. What exactly is this book about?

David Pearson – Index Grafik « En seulement dix ans de carrière. David Pearson s’est forgé une solide réputation internationale grâce à son travail pour les éditions Penguin Books et Zulma. Sur son terrain de prédilection, les couvertures de livres de poche, le designer typographe londonien a développé une approche radicale d’où transparait une grande sensibilité. A sa sortie de Central Saint Martins, David Pearson n’a que 23 ans, lorsqu’il rejoint la maison d’édition britannique Penguin Books. Entretiens entre Morgan Prudhomme et David Pearson publié dans le magazine étapes N°220 J’aimerais vous laisser vous présenter, décrire votre travail… Je suis un book designer. Pour Zulma. vous travaillez avec des formes très minimales, pourquoi ce choix ? Laure Leroy, des éditions Zulma, vous envoie de très courts résumés des livres en anglais, qui servent de tremplin à votre dessin et vous lancent dans une direction. En 2009. vous lancez White Books, quel est le projet, sa vision ? – cit. magazine étapes N°220 –