Keane Art

Rigging « circe-characterWorks In this article I will talk about a really common procedure that can be found in today character rig: space switching or dynamic parenting. All the following story started after reading a post on maulik blog. His attempt at writing a group Constraint made me want to see if I would be able to came up with a stable implementation in order to use less nodes and provide a more streamlined workflow . 1) Once upon a rig…: At its core , space switching or dynamic parenting is rooted on animation constraint: the basic idea is to link an object to several “parent” and to be able to transfer this child between parent over time. This system is usually build to keep track over which driver takes precedence in controlling an object by: My first encounter with this concept was from maya meister Alex Alvarez’s gnomon legacy DVD, and Chris Landreth’s no Sensei material( maya techniques: Ryan making off). In Maya a joint hierarchy can be split by function: (image from Javier Solsona tutorial) ee e

Saskia Gutekunst The Animator´s Corner - NEWS flowerzz 去年为罗永浩画的罗永浩。Smartisan海报。大图2000×1145像素 以下摘自冰与火之歌中文维基： 提利昂非常喜爱读书，善于思考，富有谋略。 提利昂是一个侏儒，双腿粗短畸形，头大得不合比例，前额突出，容貌丑陋，两只眼珠一黑一碧，一头长直头发几乎金亮成白，下巴上长着褐色和金黄色交错的胡须。 由于我对这个角色的偏爱，并没有把他画得很丑，反而有些可爱。 同时对于剧集中Peter Dinklage的演技我个人认为是无可挑剔的。 Francesco Giroldini's Blog Chapter 56 Mental Ray » 5/6 » Computer Graphics Introduction: In this ‘Making Of’, find out how to create the character, Tiny, from the old school cartoon classic: “Battle of the Planets”.. Created In: 3D Studio Max, ZBrush and Photoshop.Concept: From my childhood memories I can remember watching Battle of the Planets after school, and as I grew up I thought about these characters, and they are now cooler than ever – amazed by their strong colours, bold designs and iconic silhouettes. So, I decided to create a character from the G-force team, choosing Tiny, simply because I think he’s probably the last choice people would make out the 5 members, yet he has one of the most unique designs and forms. Fig.01 Fig.02 Fig.03 Fig.04 Fig.05Texturing: Apart from the face (Fig.05), textures for this character were very simple. Fig.05 Fig.06a Fig.06b Lighting: I find fashion photography very good for lighting and posing references for character work, and have used it as reference in my own lighting.

Visual-Poetry