Max (Wikipedia) Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. During its 20-year history, it has been used by composers, performers, software designers, researchers, and artists for creating recordings, performances, and installations. The Max program itself is modular, with most routines existing in the form of shared libraries. An API allows third-party development of new routines (called "external objects"). Miller Puckette originally wrote Max at IRCAM in the mid-1980s, as the Patcher editor for the Macintosh to provide composers with an authoring system for interactive computer music. In 1989, IRCAM developed and maintained a concurrent version of Max ported to the IRCAM Signal Processing Workstation for the NeXT (and later SGI and Linux), called Max/FTS (FTS standing for "Faster Than Sound", and being analogous to a forerunner to MSP enhanced by a hardware DSP board on the computer).[3][4]
Millumin :: create audiovisual shows Understanding Merit to Optimize Playback - andy vt's blog I’m going to assume some familiarity with DirectShow and how it works, but if miss that mark and don’t explain something that isn’t common knowledge please let me know and I’ll dig into it further. There is a ton of really good information about DirectShow on MSDN and other places, so I don’t want to spend too much time explaining topics that have already been covered. DirectShow uses graphs (where the graph in GraphEdit comes from) to control playback, applications add filters to the graph to actually render the content. Filters do all the work in a graph; extracting data from the container (mkv, asf, dvr-ms, etc), decoding it, and rendering it. They can do much more complex things, but in a simple playback graph that’s pretty much all there is too it. When an application builds the playback graph, it can explicitly add all the filters, rely completely on DirectShow’s Intelligent Connect (IC) feature, or a little of both. Simply, merit is a number.
Max: Cycling 74 Collega e Crea Max ti dà gli strumenti per creare suoni unici, grafica e video stupefacenti, interazioni multimediali affascinanti. Questi strumenti si chiamano ‘objects’ (oggetti): piccoli elementi grafici programmati per svolgere un compito specifico. In Max puoi aggiungere gli oggetti su una “tela virtuale” e connetterli tra loro con dei cavi. Oggetti che Connettono Con il supporto nativo per un’ampia gamma di controller e dispositivi, Max ti consente di mettere in connessione tutto quello che vuoi. Max nella tua Attività Creativa e Professionale La grande quantità di funzioni e l’interfaccia accessibile ha reso Max uno strumento indispensabile in una grande varietà di discipline dove è richiesta interattività e manipolazione di media in tempo reale. Max nelle Scuole e nelle Università Gli studenti che conoscono altri linguaggi di programmazione troveranno in Max il supporto nativo per JavaScript, Java e C. Risorse Forum su Max/MSP in italiano (Virtual Sound)
10 Best Software VJ 10 Best Software for Visual Performance Artist The task of selecting software for live audio-visual performances can become overwhelming, given the wide variety of solutions that are available. As is true of choosing anything, you need to understand what you need. You then take a look at what is available. VJamm VJamm made by Camart Ltd., described by the software publisher as a “piano for sound and vision.” Providing a comprehensive audio-visual solution, VJamm is reputed among VJ’s as having one of the most accurate time-bases which make it highly suitable for professional presentations – clip stretching and other clip calisthenics. There are add-ons that can be downloaded such as VJamm Blueprint which is an intuitive tool for creating attractive visual improvisations on-the-fly. But VJamm is for Windows PCs only. AVmixer Pro A good choice for starters, Neuromixer’s AVmixer Pro fits somewhere midway between VJamm and VJamm Pro. The interface is attractive as well as intuitive. Resolume
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