CreativePeople Understanding Content Curation July 7, 2012 Come to my session at ISTE 2016: “Personalize Learning With Student Curation” 6/28 4:00 – 5:00 CCC 113, Table 2 There are many buzzwords and phrases prevalent in education today. “21st Century Learning”, “Blended Learning”, “Personalized Learning”, “Flipped Classroom” – just to name a few. The one that has recently caught my attention and curiosity is “content curation.” I manage a grant project in my district designed to assure students acquire “21st century skills” A current strategy for this is using backwards design, formative assessments of 21st century skills, and “blended-learning.” New for next school year: teachers are being asked to “curate resources” to accompany the backwards-planned, inquiry-based units of instruction. This curiosity led to further questions: Why curate? Collecting vs. I set out to read as much as possible of what others have written on the subject, (see my Scoop-It on Curating Learning Resources) to help with my understanding. Thinking Level
Curator Curator responsibilities[edit] In smaller organizations, a curator may have sole responsibility for the acquisition and care of objects. The curator will make decisions regarding what objects to take, oversee their potential and documentations, conduct research based on the collection and history that provides proper packaging of art for transportation, and shares that research with the public and community through exhibitions and publications. In larger institutions, the curator's primary function is as a subject specialist, with the expectation that he or she will conduct original research on objects and guide the organization in its collecting. In the United Kingdom, the term curator is also applied to government employees who monitor the quality of contract archaeological work under Planning Policy Guidance 16: Archaeology and Planning (PPG 16) and are considered to manage the cultural resource of a region. In France, the term curator is translated as conservateur. See also[edit]
5 Tips for Great Content Curation Steven Rosenbaum is the CEO of Magnify.net, a real-time video curation engine for publishers, brands, and websites. He's also the author of Curation Nation. You've heard the buzz word — curation — being thrown around like it's a gadget we all know how to work. In reality, good content curation isn't as simple as pushing a share button. It's actually a combination of finding great content and following some simple best practices on how to successfully share that content. If you're a curator looking for some boundaries in what feels like the Wild West, here are five best practices to consider. 1. Be part of the content ecosystem, not just a re-packager of it. 2. Audiences expect some regularity, and they'll reward you for it. 3. It used to be that your audience came to you. 4. Having a voice as a curator means more than creating and curating your own work. 5. Take the time to give attribution, links back, and credit. Image courtesy of iStockphoto, JamesBrey
Column Five: Infographics, Data Visualization and Motion Graphics Developing Future Workskills Through Content Curation July 27, 2012 Come to my session at ISTE 2016: “Personalize Learning With Student Curation” 6/28 4:00 – 5:00 CCC 113, Table 2 The response to my previous post on Understanding Content Curation has been incredible. This definitely is a topic people are passionate about. Perhaps part of the reason for this is the tools and technology available provides an easy pathway to curate and follow our individual learning passions. I have enjoyed exploring the many links and sources that were shared via Scoop-It, Pinterests, blogs, and other connections to my post. One link in particular has helped move my thinking forward regarding the benefits for students who curate: the Apollo Research Institute Future Workskills 2020 study conducted last year that identifies critical workforce skills that our students will need to be prepared for future jobs. A closer look suggests that critical workforce skills identified in this \ study can be easily aligned with the skills practiced with content curation.
Beth Kanter's Blog 5 Tips for More Efficient and Effective Content Curation | Uberflip Content curation is the icing on the cake of your content strategy. It can help fill out and bind together your content mix in your content hub, while increasing your brand’s visibility. Similarly, when you curate from credible sources, it increases your brand’s credibility and gives you a strong voice in industry conversations. Like the process of icing a cake, content curation can also take a lot of time. When rushed, your curation strategy can look sloppy and be ineffective in achieving your content goals. I’ve read a few posts recently that chalk up content curation as an easy, offhand way to keep your Buffer or Hootsuite queues full. I wanted answers for how content marketers could be more effective and efficient with their content curation, so I turned to the best in the biz. Peg Fitzpatrick, author of The Art of Social Media, is one of the most passionate social media experts I’ve had the pleasure of speaking with. 1. Organization almost entirely depends on process. 2. 3. 4. 5.
Interactivity - Marketing Interactivo Curation School Library Monthly/Volume XXIX, Number 1/September-October 2012 Curation by Joyce Kasman Valenza Joyce Kasman Valenza, Ph.D., is a teacher librarian at Springfield Township High School in Erdenheim, PA. Email: joycevalenza@gmail.com The Internet firehose analogy rings even truer today, twenty years after Internet access saw its beginning. Human Filters Help Digital curators can prevent oversaturation by filtering and diverting the onslaught and by directing what is worth sharing into more gentle and continuous streams. Blogger, author, and NYU professor Clay Shirky, in Steve Rosebaum’s Mashable post, "Why Content Curation Is Here to Stay" on May 10, 2010, describes the problem with traditional search and identifies the issue of filter failure: Curation comes up when search stops working. Human filters make a difference. Curators make sense of the vast amounts of content that are continually produced. Perhaps Albert Barnes was the ultimate curator for the pre-digital world. Conclusion
Content Curators Are The New Superheros Of The Web Yesterday, the ever-churning machine that is the Internet pumped out more unfiltered digital data. Yesterday, 250 million photos were uploaded to Facebook, 864,000 hours of video were uploaded to YouTube, and 294 BILLION emails were sent. And that's not counting all the check-ins, friend requests, Yelp reviews and Amazon posts, and pins on Pintrest. The volume of information being created is growing faster than your software is able to sort it out. What's happened is the web has gotten better at making data. While devices struggle to separate spam from friends, critical information from nonsense, and signal from noise, the amount of data coming at us is increasingly mind-boggling. In 2010 we frolicked, Googled, waded, and drowned in 1.2 zettabytes of digital bits and bytes. Which means it's time to enlist the web's secret power--humans. If you want to understand how fast curation is growing on the web, just take a look at Pinterest. 1. How will curation evolve?