Anagrama | Brand Intelligence Group Artist Vladimir Arkhipov About Vladimir Arkhipov You could say that Vladimir Arkhipov is one of the most versatile figures in Russian photography today, whose diversity of styles and genres never ceases to amaze. His preference for the classical … Read Moreframe composition and lighting often earns his pieces comparisons to Dutch painters' artwork. Russians rightfully call him Russia's Helmut Newton, a master of the scandalous who spares neither his health nor his equipment to incarnate his fearless vision in all sorts of extreme locations and weather conditions.
Mitsuko Nagone Photography | Inspiration Now Article collected from Fubiz™. Visit source. Mitsuko Nagone, a Japanese photographer, tried with her series New Self, New to Self to ‘create herself artistically instead of finding an identity. Hiding her face in various situations, discover wacky and successful shots in the article. Phoebe | Ellen Rogers Photography I originally shot these for mother’s day, and wrote a very neurotic blog post to accompany it. It was neurotic by my standards which quite frankly frightened me. I got rid of it. I intended to mix these with images by my ever inspiriting sister and mother to be Annie. In time I hope we merge them to make a wholly suitable tribute to our mothers. The little girl in the images is called Phoebe, and she is wonderful, so inquisitive and playful.
CHOOSE FOREVER Designed with the LEO BURNETT Department of Design Team: Alisa Wolfson, Peter Ty, Casey Martin, Kelly Dorsey, Andy Luce Retail Ticket — Designed at Leo Burnett DOD Outfield — Designed at Leo Burnett DOD with DOD team Letterhead — Designed at Leo Burnett DOD Bill Murray at bat — Designed at Leo Burnett DOD with DOD team Celebrity Tickets — Designed at Leo Burnett DOD Booklet — Designed at Leo Burnett DOD Fans — Designed at Leo Burnett DOD Collateral — Designed at Leo Burnett DOD Kerry Wood — Designed at Leo Burnett DOD Designed at Leo Burnett DOD Pennant — Designed at Leo Burnett DOD Bill Murray — Designed at Leo Burnett DOD Designed at LB Department of Design, Alisa Wolfson Creative Director Cy's Tavern / co-op design with Matt George Materiel Magazine / co-op design with Michael Freimuth
claudia rogge's human body photography looks like baroque art ‘lost in paradise -paradise lost IV‘all images courtesy of claudia rogge german artist and photographer claudia rogge uses the human form as the study for her imagery influenced by the elaborate ornamentation of baroque style paintings. the specific arrangement and composition of the bodies often bring about visual illusions and complex patterning. her work often describes themes of mortality, beauty, lust, and sin. images from rogge’s recent series ‘lost in paradise’ sees variations of classical heavenly panoramas, translating the theme of baroque ceiling frescoes into photographic form. a hand-painted impression is achieved, represented by dramatic chiaroscuro and ornate motifs. the posing of the models strips them of their 3dimetionally, enhancing the optical trick. ‘lost in paradise – paradise lost 1′ ‘lost in paradise – paradise lost III’ ‘everafter purgatory III’ ‘everafter inferno I’ ‘foam city I’ ‘foam city II’ ‘hiob’ ‘camouflage I’ nina azzarello I designboom
Top 100 des plus belles affiches de festivals français 2013 Né sur feu Fm-r en 2012, le Top 100 des plus belles affiches de festivals français revient en 2013 sur Konbini. Se basant sur trois critères (originalité, idée et sens, performance graphique), voici donc le classement de 265 affiches de l’année écoulée. Clairement, le niveau s’est élevé. Et c’est tant mieux ! Il est bien entendu question de dissocier illustration (art) et communication (stratégie). Illustrateurs, graphistes, peintres, photographes, dessinateurs : place aux artistes ! #1 : la claque de l’année. #4 : on avait oublié l’affiche 2012 (pourtant superbe) dans notre top l’an dernier. #7 : un homard qu’on croirait échappé de La Marche du Crabe. #14 : il y a comme une douce “rebellitude” qui émane de ce visuel : typo verticale, texture, sweat à capuche, tête baissée, yeux cachés, allumette au bec…#15 : Picasso période cubisme vs années 50. #17 : le corbeau & le rhino sur un arbre perché. #20 : là aussi, on était déjà passé à côté de l’affiche en 2012 : une perle.
you can fly ☼ You do not die all at once. Some tissues live on for minutes, even hours, giving still their little cellular shrieks, molecular echoes of the agony of the whole corpus. 1er syndicat du design : Alliance française des designers AFD, défendre et promouvoir tous les métiers du design Dossier Journal: Look » GL Wood – Kawirnera no. 1-8 « Venice Beach Oil Fields Robots with Human Beings » GL Wood – Kawirnera no. 1-8 GL Wood is a photographer and artist based in Astoria, Queens. This entry was written by Jeff Kinkle, posted on October 26, 2009 at 4:54 am, filed under Art, Photography and tagged GL Wood. Post a Comment
Zola et la Typographie | le lettrage comme acteur militant Via la Société Emile Zola, voici une série d'affiches des œuvres théâtrales, littéraires et cinématographiques issues de l'œuvre d'Emile Zola. Tout le monde se souvient bien entendu de son célèbre J'Accuse parue dans le Figaro du 13 janvier 1898. Mais si vous voulez revivre cette affaire Dreyfus, rien de tel que de vous replonger dans le timeline édité par la Emile Zola Society. Je me suis plus particulièrement attaché à vous montrer ces quelques affiches de l'époque qui témoignent de plusieurs choses. Typographie Foisonnante: Chacune des affiches laisse paraître l'utilisation de nombreux caractères sauf peut-être celle de NANA ci-dessous mais il s'agit là certainement d'un teasing et non d'une affiche complète. Expressivité graphique: Chaque ligne, chaque mot typographié par le peintre en lettre devait hurler un message, un sens. La couleur et les manuaires, amplificateurs de messages: Biographie Centres d'intérêt Hermann Zapf.
Dossier Journal: Look » Lauren Semivan Originally from Detroit, Lauren Semivan is currently preparing for her upcoming solo show at Bonni Benrubi Gallery this September. Her recent works are beautifully haunting still lifes, evoking notions of subtle narratives through their pictorial charcoal-like physicality.
Le site officiel de Vincent Perrottet.