Accueil Musique Libre, pourquoi, comment ? L'archive musicale Dogmazic.net propose plus de 55 000 titres musicaux, tous téléchargeables gratuitement "en toute quiétude et en toute légalité".Les musiciens publiant sur Dogmazic ont tous choisi de placer leur musique sous licence de libre diffusion. Selon la licence choisie, de nombreux droits peuvent être accordés d'emblée aux auditeurs. La licence la plus permissive, la CC-BY, autorise tout type d'usage sous réserve que l'auteur et la licence soient mentionnés, y compris les usages commerciaux sans contrepartie (ce qui peut être utile pour sonoriser une vidéo monétisée). À l'autre extrémité du spectre, la plus restrictive des licences dites ouvertes, la CC-BY-NC-ND, n'autorise que la copie sans modification ou la diffusion en dehors de tout cadre commercial. L'association Dogmazic.net existe depuis 2004 grâce aux bénévoles de l'association Musique Libre qui édite le site, sans but lucratif. Adhérer à l'asso Dogmazic a besoin de vous !
Bilan de l’expérimentation autour de la borne Automazic à Gradignan. > Bilan de l’expérimentation autour de la borne Automazic à Gradignan. Bilan de l’expérimentation autour de la borne Automazic à Gradignan. Article de Sylvette Peignon publié le jeudi 31 mars 2011, vu par 4772 visiteurs Bilan de notre expérimentation autour de la borne Automazic à Gradignan et autour du partenariat avec « CD1D » (Fédération de labels indépendants) par Sylvette PEIGNON, Responsable Musique de la Médiathèque de Gradignan 1. 2. 3. 4. 5. 6. La médiathèque de Gradignan expérimente depuis quelques années différentes actions autour de la musique numérique dans le cadre d’écoute et de téléchargement. Nos différentes démarches répondent toujours à une volonté clairement affichée à la médiathèque de Gradignan de mener des actions de valorisation et de défense de la diversité musicale et culturelle. 1. Depuis notre ouverture en décembre 2006 nous avons beaucoup travaillé autour de la musique libre en menant un partenariat avec l’association « Musique libre/Dogmazic » et « Pragmazic ».
Bibliothèques musicales hybrides Liste de références et d'adresses de bibliothèques, et de bibliothécaires qui, dans le domaine de la musique, proposent des ressources, des services numériques et des accès en ligne. [modifier] Bibliomédias / voXmédias Le service Bibliomédias ne semble plus disponible. La société est désormais fournisseuse d'accès à la plateforme MusicMe et développe le service voxMédias Bibliomédias est un service de la société CD Consulting, en place depuis 2008. Le nombre de lecteurs inscrits Une maintenance pour la plate-forme Un bouquet de base Un prix par connecteur, le connecteur permet l'interopérabilité entre Bibliomédias et le SIGB de la bibliothèque. 250 000 soniels disponibles. [modifier] Plus d'informations "Plateforme numérique des distributeurs indépendants et du libre de droits" : Catalogues : Believe, Naïve, Jamendo [modifier] Instances locales Alençon Dieppe Pleurtuit Clamart BDP24 Dordogne BDP39 (Jura -Jumel) Epinal APHP Limoges Boissy St Leger [modifier] Ithèque [modifier] CVS
Ebooks libres et gratuits Histoire et histoires Full screen distraction free text editor, increase your creativity in writing The Most Badass Alphabet Ever Sometimes I find things on the internet that leave me speechless with their awesomeness. And considering it’s my job to find crazy stuff all day long, that’s actually saying something. But today I am bowing down to “The A-Z of Awesomeness,” a series of illustrations by Neill Cameron, where he takes each letter of the alphabet, crafts an absurd sentence around it, then brings it to life with an excellent drawing as you can see above. There are 25 more epic letters to go, and you must check them all out below:
The Five Greatest Mysteries Of Human History The Lost City of Atlantis is one of the oldest and greatest mysteries of the world. Since ancient times, people have been trying to locate Atlantis, which is believed to have submerged after an earthquake or tsunami. Greek philosopher Plato described Atlantis as a large island located near the Rock of Gibraltar, home of the most advanced civilization and being of unrivaled refinement with a glorious palace. Among its other traits, Atlantis was filled with beautiful citizens, a Poseidon temple and concentric walls and canals. To date, nobody has been able to find the city – underwater or otherwise – though this hasn’t discouraged numerous theories about its possible location. Countless historians and explorers have attempted expeditions to find the underwater island, but whether in South America (as recently reported), off the Greek Islands, or near Antarctica, Atlantis has remained elusive and one of the greatest mysteries of human history.
Feeling creatively drained? Let this letter from Pixar inspire you. 8 September '11, 12:52pm Follow Pixar animator Austin Madison penned a wonderful handwritten open letter to aspiring artists and creative professionals everywhere as part of an Animators Letters Project back in May this year. Madison advises budding and experienced animators alike to work through the times when they are feeling uninspired and down in the dumps—because it happens with everyone, including the best people at Pixar—and work through them. As he so eloquently puts it, “the art will be well worth the work”. Titled “Persist”, the two-page letter is reproduced in full below: Head on over to Letters of Note for a full transcript if you have trouble reading the scanned images.
Six Of The World's Most Famous Misquotes “Let them eat cake” – Marie Antoinette Much celebrated and oft repeated, the infamous statement of “Let them eat cake” is in fact a mistranslation. French monarch Marie Antoinette is falsely believed to have uttered the famous lines when she heard about French people starving due to lack of bread. “One small step for man…” – Neil Armstrong The iconic phrase, “That’s one small step for man, one giant leap for mankind,” is flawed for one simple reason: it makes no grammatical sense. Most Famous Misquotes: “Nice guys finish last” – Leo Durocher The phrase, which has through time been lifted from its original sports context and applied to the difficult world of dating, was in fact not even uttered in the sporting field.
Engineering electronic music, from oddity to ubiquity Sumit Paul-Choudhury, online editor There aren't many lampshades on display in a museum because of their contribution to musical history. But there is one showcased at London's Science Museum at the moment: though unremarkable in aspect, it once belonged to the pioneering electronic musician Delia Derbyshire, who used a tape-recorded snippet of the resonant sound it made when struck as an ingredient in her proto-techno. Sampling is run-of-the-mill stuff today, but it was all but unheard of when Derbyshire was working at the BBC's Radiophonic Workshop back in the 1960s - as were many of the other music-making techniques she and her colleagues pioneered. (Image: Chris Ware/Hulton Archive/Getty) Her words are well chosen: the Workshop started out by scoring arty radio dramas, but in the words of Workshop member Dick Mills, achieved little more than to produce "sound that nobody liked for plays that nobody understood". Perhaps the last truly totemic device released (Images: Science Museum)