Kobagi, part 1: "Angga suara", Janvier 2013 Décor Sonore Accueil » La Compagnie Dirigée par le compositeur Michel Risse, la compagnie Décor Sonore est un outil de composition et de réalisation unique en son genre, dédié à la création sonore en espace libre. Dans des formes extrêmement intimes ou pouvant rassembler des milliers de spectateurs, ce « théâtre de sons » plein de poésie et d’émotion métamorphose les objets quotidiens et les espaces urbains en instruments de musique, et les passants ordinaires en mélomanes exigeants. Décor Sonore est une compagnie aidée par le Ministère de la Culture et de la Communication / Direction Régionale des Affaires Culturelles d’Ile-de-France, au titre de l’aide aux compagnies conventionnées, ainsi que par la Ville de Paris, la Région Ile-de-France et la SACEM. Numéro de licence: 753142 - 6ème catégorie Télécharger
TabCrawler.Com® - 940,000+ Guitar Tabs, Bass Tabs, Lyrics, Keyboard and Drum Tabs Archive Le Bon Accueil – Lieu d'art contemporain- Sound Art Biography - Diego Dall’Osto Diego Dall'Osto studied Organ, Composition and Electronic music and obtained a PhD in Psychology at the UAB (Autonomous University of Barcelona, in Spain). His activity as a composer of instrumental and electronic music ranges over several areas: concert, theater, opera, ballet, sound installation and video art. His music has been awarded and has been performed at international level. At the moment he teaches 'Harmony and analysis' at the Conservatory of music of Mantova (Italy). studies Diploma in Organ, Vicenza Diploma in Composition, Vicenza Composition course G.A.M.O., Firenze Three years course of Analysis and Composition, at the Musical Academy of Città di Castello. Electronic music course at the "C.S.C." Electronic music course at the "Istituto Benvenuti di Conegliano Veneto" Diploma in "Electronic music" at the Conservatory of Venezia awards and grants "Rassegna nazionale giovani compositori", Milano 1st prize at the "IV internationa competition I.C.O.N.S
Michael Andrews (musician) In early 2000, Nancy Juvonen's brother Jim Juvonen gave Andrews a copy of the script for the as-yet-unmade feature film Donnie Darko. As had happened across Hollywood, Andrews was blown away by Richard Kelly’s idea. He recalled "[e]veryone knew Donnie Darko was going to be a cool movie. Everyone knew it was interesting." Kelly, for his part, was aware of Andrews's work with The Greyboy Allstars, and he also knew that Andrews made music under the name Elgin Park. Kelly was confident that Michael Andrews could do the job: "I met with Michael and I just knew right away that he was really, really talented and that he could come up with a really original score. Andrews considers himself primarily a guitar player, but Kelly told him he didn't want any guitar in the movie. The music was not available on a soundtrack album until Andy Factor, a friend of Andrews, released it on his Everloving Records independent label in 2002. Donnie Darko spotlight at everloving.com
Lalo Schifrin Biography[edit] Schifrin was born Boris Claudio Schifrin in Buenos Aires to Jewish parents.[2] His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades.[1] At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz. Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention.[1] At age 20, he successfully applied for a scholarship to the Paris Conservatoire. After returning home to Argentina, Schifrin formed a jazz orchestra, a 16-piece band that became part of a popular weekly variety show on Buenos Aires TV. Awards[edit] Discography[edit]
Michael McCann (composer) Michael McCann (also known as Behavior) is a Canadian composer for television, video games, and film. He is best known for composing the scores to the video games Tom Clancy's Splinter Cell: Double Agent , Deus Ex: Human Revolution and XCOM: Enemy Unknown McCann's music incorporates elements of electronic, orchestral and traditional acoustic instruments, and often includes the use of world, choral, and solo vocals (primarily female, and primarily lyric-less). McCann has received award nominations for his work in television, games & film, from the British Academy of Film and Television Arts, Academy of Interactive Arts & Sciences, IGN, Spike TV Video Game Awards, G.A.N.G.,[1] Hollywood Music In Media Awards (2008 / 2011),[2] and G4TV X-Play. Official Website for Michael McCann
Clint Mansell Clinton Darryl "Clint" Mansell, (born 7 January 1963) is an English musician, composer, and former lead singer of the band Pop Will Eat Itself. Career[edit] Pop career[edit] Soundtrack composer[edit] Film trailers[edit] The trailer for The Lord of the Rings: The Two Towers contained a re-arranged version of the track "Lux Æterna", using a full orchestra and choir.[3] The piece, named "Requiem for a Tower", was recorded especially for the trailer.[3] The orchestration was arranged by Simone Benyacar, Dan Nielsen, and Veigar Margeirsson.[3] Scoring credits[edit] See also[edit] Trailer music References[edit] External links[edit]
Trevor Jones (composer) Trevor Alfred Charles Jones (born 23 March 1949) is a South African orchestral film score composer. Although not especially well known outside the film world, he has composed for numerous films and his music has been critically acclaimed for both its depth and emotion. At the age of five, Jones already had decided to become a film composer. In 1967 he attended the Royal Academy of Music in London with a scholarship and afterwards worked for five years for the BBC on reviews of radio and television music. In 1974 Jones attended the University of York from which he graduated with a Masters Degree in Film and Media Music. At the National Film and Television School Jones studied for three years on general film-making and film and sound techniques. Jones followed Excalibur with scores for films like The Sender (1982) and the pirate adventure Nate and Hayes (1983). Cooper, David, Christopher Fox & Ian Sapiro (eds.), CineMusic?