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mirrorpix | Life in Pictures: 1903 - 2013 Alain Pons: Photographe animalier www.mnftiu.cc | David Rees and his various projects Alexander Street, a ProQuest Company Created as a sample of what one might hear on a typical summer day in New York City, Tony Schwartz’s 1952 soundscape features the street games and songs of children of West Midtown Manhattan. The distinctive variety of rhythms and melodies are demonstrative of the nationalities represented in one of the many ethnically-diverse neighborhoods in the city. Many of Schwartz’s recordings, such as this album, as well as Music in the Streets (see F... Created as a sample of what one might hear on a typical summer day in New York City, Tony Schwartz’s 1952 soundscape features the street games and songs of children of West Midtown Manhattan. The distinctive variety of rhythms and melodies are demonstrative of the nationalities represented in one of the many ethnically-diverse neighborhoods in the city. Show more Show less
001 Fragrances of the World .:: Catálogo - 18 lustros ::. En esta serie producida por la Universidad, se da cuenta en períodos de cinco años y un último de diez, del desarrollo económico, político, social y cultural de México con imágenes que van desde la Revolución Mexicana, el nacionalismo en el gobierno de Lázaro Cárdenas, el movimiento estudiantil de 1968, la catástrofe del terremoto de 1985 en la Ciudad de México, entre muchos otros. Son obras hechas a partir de fragmentos de archivo que la Filmoteca ha rescatado y preservado, materiales de ficción, documental y también hechos sociales, culturales y políticos filmados por la propia institución. Y el cine llegó... Los sueños perdidos Y vino el remolino Se está volviendo gobierno Vieja modernidad Sé que es imposible El que manda... vive enfrente Cuando la sombra de la duda se cruza en el camino Tiempos de guerra Humanidad, hasta dónde nos vas a llevar Perdón, investidura Recordar es vivir
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HOLO The thrill of wrapping up! As HOLO 2 nears completion, a world of detail falls into place. Excited yet? Here are ten (more) reasons why we are. The restless (color coded) loop of featured artist Jürg Lehni’s Flood Fill – Clock (2009) shown above couldn’t capture the current, final, stage of magazine production any […] Learn more about the making of HOLO 2. By publishing (and many other) standards, HOLO just took its first steps. Drawing on his expansive knowledge of the history of representation, artist and scholar Pablo Garcia ruminates on the significance of the selfie in response to the ‘New Perspectives’ theme of HOLO 1’s PERSPECTIVE section. With HOLO 1 being in the world for a little more than two months, the conversations about the first issue of CAN’s 226-page magazine are beginning to shift. After more than a year of work, CAN’s print-spin off is now headed around the world! Over the last 4 weeks you’ve served us a potent cocktail of enthusiasm, affirmation and disbelief.