Proko
Full Access to Figure Drawing Videos - miss new tutorials, signup for my mailing list - Let's get into shading a drawing! We'll explore form, planes and light on form. I'll guide you through making an object feeling 3 dimensional by indicating the elements of light on form - highlight, center light, halftones, core shadow, reflected light, cast shadow and occlusion shadow. In this Premium Lesson I describe my complete process of drawing a figure, step by step. Art Model Photos - Follow Proko:Facebook - - - - - Newsletter- *Music used with permission Intro Tune - Sound effects -
Draw Mix Paint
I filmed this video in 2010 and originally released it as a four-disc DVD set for $129. It covers in detail everything you need to know about painting portraits using a photo as your source, including tips on photographing the subject. Now you can get all 8 hours for $20. This downloadable version is in high definition (the DVD was lower quality) and has completely new material covering penciling and color group selection. Watch the PreviewBuy with a Credit Card or PayPal Account (US $20)Need help? You do not need to purchase this video to learn how to paint.
Arts & Design
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ARTiful, painting demos and tutorials
Secrets to Painting Realistic Faces in Watercolor: Book | NorthLightShop.com
Paint Lively, Expressive Watercolor Portraits You’ll Love this Watercolor Book If: You want to master creating realistic faces in your portraits You want to unlock the secrets of working with watercolor paints You want to learn how to paint portraits in watercolor You want to know what painting supplies & materials are best for painting portraits Want to unlock the secrets of painting with watercolor? Detailed demonstrations and lots of tips and sidebars help you avoid mistakes, stay loose and have fun! In This Watercolor Book You’ll Learn: How to handle watercolors with confidence using washes, masking, underpainting and a "less-is-more" approach How to map out great compositions by using grids, transferring the drawing, choosing colors and applying masking in the right places How to paint beautiful hair in all styles, colors and textures by building tones gradually (Please note: This event took place in the past, and we apologize that the coupon codes are no longer applicable.
Ravenna Method Described — MK Mosaics
The Ravenna Method This feature originally appeared in Groutline, Summer 2014, Volume 15 Number 3, the quarterly journal of SAMA, the Society of American Mosaic Artists. Reprinted with permission. Materials: Temporary Binder: lime paste or clay (regular water- based potter’s or sculptor’s clay, not oil-based clay like Plasticine)Heavy-gauge plasticTracing paperWater-soluble marker or tracing inkSpray bottleBrush for glueBone Glue Pearls : an animal glue made from bone and hide that’s very strong yet water soluble: has been used for centuries in the Ravenna method. Also used by oil painters, woodworkers, and museum restorationists. I use and teach the ancient Ravenna method in much the same way it was taught to me at The Mosaic Art School di Luciana Notturni in Ravenna, Italy. Some advantages to using the Ravenna method: it allows you to make
“O PODER DO MITO”, de Joseph Campbell (1988, 360 min) [Assista/Baixe a Série Completa, Legendas em Português] | A CASA DE VIDRO.COM
O PODER DO MITOJoseph Campbell & Bill Moyers 1º EPISÓDIO – A Mensagem do Mito[DOWNLOAD] [LINK ALTERNATIVO] 2º EPISÓDIO – A Saga do Herói[DOWNLOAD] [LINK ALTERNATIVO] 3º EPISÓDIO – Os Primeiros Contadores de Histórias[DOWNLOAD] [LINK ALTERNATIVO] 4º EPISÓDIO – Sacrifício e Felicidade[DOWNLOAD] [LINK ALTERNATIVO] 5º EPISÓDIO – O Amor e a Deusa [DOWNLOAD] [LINK ALTERNATIVO] 6º EPISÓDIO – Máscara da Eternidade [DOWNLOAD] [LINK ALTERNATIVO] by Maria Popova at Brain Pickings In 1985, mythologist and writer Joseph John Campbell (March 26, 1904–October 30, 1987) sat down with legendary interviewer and idea-monger Bill Moyers for a lengthy conversation at George Lucas’s Skywalker Ranch in California, which continued the following year at the American Museum of Natural History in New York. But Moyers and the team at PBS felt that the unedited conversation, three quarters of which didn’t make it into the television production, was so rich in substance that it merited preservation and public attention.
