untitled
The John H. and Elisabeth A. Hobbs Professor of Cognition and EducationAdjunct Professor of Psychology, Faculty of Arts and Sciences Howard Gardner is the John H. and Elisabeth A. Hobbs Professor of Cognition and Education at the Harvard Graduate School of Education. The Good Project Please see thegoodproject.org for further information. Medal of the Presidency of the Italian Republic, International Scientific Committee of the Pio Manzu Centre,(2001) Guggenheim Fellowship,(2000) Grawemeyer Award in Education,(1990) MacArthur Prize Fellowship,(1981) Laureate Member, Kappa Delta Pi, International Society in Education National Psychology Award for Excellence in the Media of the American Psychological Association for the book Frames of Mind Liberal arts and sciences in the 21st century (2015-2016) Carnegie Corporation In the summer of 2013, we launched an ambitious national project, Liberal Arts and Sciences in the 21st Century (LAS21). The Family Dinner Project (2014-2015) Poses Foundation 1.
Is the Universe a Simulation?
Photo Gray Matter By EDWARD FRENKEL IN Mikhail Bulgakov’s novel “The Master and Margarita,” the protagonist, a writer, burns a manuscript in a moment of despair, only to find out later from the Devil that “manuscripts don’t burn.” While you might appreciate this romantic sentiment, there is of course no reason to think that it is true. Nikolai Gogol apparently burned the second volume of “Dead Souls,” and it has been lost forever. But there is one area of human endeavor that comes close to exemplifying the maxim “manuscripts don’t burn.” What kinds of things are mathematical entities and theorems, that they are knowable in this way? This question has divided thinkers for centuries. Many mathematicians, when pressed, admit to being Platonists. We don’t know. This may strike you as very unlikely. Very clever. Indeed, there may be. But these computer simulations, Professor Beane and his colleagues observe, generate slight but distinctive anomalies — certain kinds of asymmetries.
20 tips for when you have 5 minutes left in a lesson....
You have a few minutes to go before the bell goes, and you’ve managed to get everything done. What next? Teacher and #PedagooCurator Rachel Jones gives her top 20 tips on what to do with this time. We have all been there. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. Personally, I have always wanted one of those machines that has plastic eggs in, which I could refill with challenge activities to use in just such a circumstance! What do you do when you have a few minutes left during a lesson?
Ten Tips to Indie Filmmaking : Indie Film & Documentary
John Steinbeck once wrote that a lie is often more believable than the truth, and that telling the truth sometimes gets you into trouble. A well-crafted lie, he says, will make you seem more liked, more respected, and require less explanation than the truth. That is the reason I'm often tempted to lie and say that we shot our film, Cement Suitcase, on the Red, or perhaps the Alexa, or some other sexy camera. But in truth, the technology of making movies is coming down so quickly in price that it will soon be comparable to purchasing paper and a pencil. When I tell people that we actually shot the film on the Canon 7D, I often see a flinch of disdain. What I should really tell people when they ask, is that we shot on the Jeffrey Waldron. But that is just a preface. We are craftsmen, and we love the hammers and chisels of our trade. ONE: KNOW EVERYTHING It is not necessary for a director to know every single facet of filmmaking, but I believe it is truly beneficial. What does this mean?
building.pdf
Dark Arts
17inShare Jump To Close We’re in a weird time for the way the future looks; somehow House of Cards can slyly introduce a floating text-message interface to their present-day political drama without so much as blinking, but most of our iconic near- and far-future worlds run on tracks laid down well before the ’90s. And it’s not just the recycling of every franchise from Star Trek to RoboCop: Avatar’s and Prometheus’ huge budgets couldn’t hide their indebtedness to the grandiose sci-fi storyboards of the ’70s. Which isn’t even to mention Oblivion. It’s an odd misalignment, considering that cyberpunk outran these operatic, alien worlds more than three decades ago. Save for a few exceptions — Neill Blomkamp’s biotech-heavy District 9, the straight-up horrifying Black Mirror — technophilic dystopias kind of fell off around the time of the last Matrix. Cyberpunk was assimilated, yes, but these days potent ideas go through a different process. He also happens to mention Otaku Gangsta.
20% Project Grading Rubric and Presentation | Writing the "American" Self
Grading Rubric I will grade your 20% projects in terms of three broad categories. (1) Framing: It will be important to frame your project within concepts and genres of autobiography (RA will be a handy tool for your once again here). If you are making a cookbook, embodiment seems like an important concept. Each project will reflect either on one’s own autobiographical self, or the autobiographical self of some other person, place or thing. (2) Presentation, ~6 minutes (more details below): It will be important to present your topic successfully for your various audiences. (3) Effort: This category includes both creative/intellectual effort and good old fashioned labor. Online Presentation: You should all by now have “tagged” your 20% projects using precisely that tag (“20% Project.” As many of your projects have changed since their initial conception, you should over-write / re-write your original 20% post. Also, please be sure to include a record of your work at the very end.
Screenwriting and Screenplay reviews: Top 100 Loglines for the Scriptshadow Logline/Screenplay Contest
It’s finally here. The Top 100 loglines for the Scriptshadow Logline/Screenplay Contest. If you see your logline below, that means you were selected from nearly 1000 loglines and have until Monday, November 30th, 11:59pm, to send me either the first ten pages of your screenplay, a one-page synopsis (a general rundown of the first, second and third acts), or both. If you want to send me the entire screenplay, that’s fine also, and I’ll only read to page 10. If you’re wondering why your logline wasn’t selected (or screaming because you know yours is better than the ones below), here’s a quick list of the possible reasons why I didn’t select you. 1) Spelling and grammar – My experience has been that if someone can’t submit a single sentence without making a spelling or grammar mistake, their script is going to be a chore to get through. All that said, I made at least one exception to every one of those points. Anyway, blah blah blah. Title: Oh Never, Spectre Leaf! Title: Got Heart?
