http://philosophynow.org/issues/58/The_Death_of_Postmodernism_And_Beyond
Related: Ambito teoricoCategory:P2P State Approaches This section will be further developed: Hilary Wainwright: Co-Creative Labor, Productive Democracy and the Partner State; a very important text to reset government policies for the p2p age. The 3 parts cover: 1 A value revolution in labor; 2 Re-constituting industrial strategies based on co-creative labor; 3 The Co-Creative Economy needs a Partner State Michel Bauwens: Tommaso Fattori: Vasilis Kostakis: At the Turning Point of the Current Techno-Economic Paradigm: Commons-Based Peer Production, Desktop Manufacturing and the Role of Civil Society in the Perezian Framework. tripleC 11(1): 173-190, 2013.
Postmodernism: What is Truth? Postmodernism – A Description Postmodernism is difficult to define, because to define it would violate the postmodernist's premise that no definite terms, boundaries, or absolute truths exist. In this article, the term “postmodernism” will remain vague, since those who claim to be postmodernists have varying beliefs and opinions on issues. Are nationalism, politics, religion, and war the result of a primitive human mentality? Is truth an illusion? How can Christianity claim primacy or dictate morals? The list of concerns goes on and on especially for those affected by a postmodern philosophy and lifestyle. Postmodern philosophy Postmodern philosophy is a philosophical direction which is critical of the foundational assumptions and universalizing tendency of Western philosophy. It emphasizes the importance of power relationships, personalization and discourse in the "construction" of truth and world views. Postmodern philosophy is often particularly skeptical about simple binary oppositions characteristic of structuralism, emphasizing the problem of the philosopher cleanly distinguishing knowledge from ignorance, social progress from reversion, dominance from submission, and presence from absence.[1][2] Postmodern philosophy has strong relations with the substantial literature of critical theory.[3] Definitional issues[edit] Philosopher John Deely has argued for the contentious claim that the label "postmodern" for thinkers such as Derrida et al. is premature.
Postmodern art Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as Intermedia, Installation art, Conceptual Art and Multimedia, particularly involving video are described as postmodern. There are several characteristics which lend art to being postmodern; these include bricolage, the use of words prominently as the central artistic element, collage, simplification, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between fine and high arts and low art and popular culture.[1][2] Use of the term[edit]
The Welfare State Is Committing Suicide by Artificial Intelligence Everyone likes to talk about the ways that liberalism might be killed off, whether by populism at home or adversaries abroad. Fewer talk about the growing indications in places like Denmark that liberal democracy might accidentally commit suicide. As a philosophy of government, liberalism is premised on the belief that the coercive powers of public authorities should be used in service of individual freedom and flourishing, and that they should therefore be constrained by laws controlling their scope, limits, and discretion.
Understanding Modernism & Postmodernism A Crash Course in Modernism & Postmodernism Modernism, as a literary style, emerged after WWI, beginning in Europe and then progressing into American literature by the late 1920s. After the First World War many people questioned the chaos and the insanity of it all. The world’s “universal truths” and trust in authority figures began to crumble, and Modernism was a response to the destruction of these beliefs. The modernist movement in fictional writing broke through in the U.S. with William Faulkner's The Sound and the Fury (1929), which had a mixture of raving and ranting reviews. The Death of Postmodernism and Beyond The essay has been criticized for its vague reference to the 'banality' of current texts- Kirby defines pseudo-modernism as text which is created by the audience, for the audience, but then he places a wide range of texts under this category that seem not to belong- such as The Blair Witch Project and The Office. These texts, Kirby says, lack the self-aware irony that postmodernism was known for. Kirby's essay forms part of a growing movement that emerged in the late 2000s and seeks to chart cultural developments in the aftermath of postmodernism, such as Nicolas Bourriaud's Altermodern (an exhibition at Tate Britain in 2009) and Raoul Eshelman's performatism. See also[edit]
Post-postmodernism Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Another similar recent term is metamodernism. Periodization[edit] Most scholars would agree that modernism began in the late 19th century and continued on as the dominant cultural force in the intellectual circles of Western culture well into the mid-twentieth century.[1] Like all epochs, modernism encompasses many competing individual directions and is impossible to define as a discrete unity or totality. However, its chief general characteristics are often thought to include an emphasis on "radical aesthetics, technical experimentation, spatial or rhythmic, rather than chronological form, [and] self-conscious reflexiveness"[2] as well as the search for authenticity in human relations, abstraction in art, and utopian striving. Definitions[edit]
Postmodernism 1. Precursors The philosophical modernism at issue in postmodernism begins with Kant's “Copernican revolution,” that is, his assumption that we cannot know things in themselves and that objects of knowledge must conform to our faculties of representation (Kant 1787). Ideas such as God, freedom, immortality, the world, first beginning, and final end have only a regulative function for knowledge, since they cannot find fulfilling instances among objects of experience. With Hegel, the immediacy of the subject-object relation itself is shown to be illusory. The Roots — and Replacement — of Colonization “To understand the root causes of the pathologies we see today, which impact all of us but affect Brown, Black and Poor people more intensely, we have to examine the foundations of this society which began with COLONIZATION…. Colonization was the way the extractive economic system of Capitalism came to this land, supported by systems of supremacy and domination which are a necessary part to keep wealth and power accumulated in the hands of the colonizers and ultimately their financiers.” — Dr. Rupa Marya
Complexity Rising: From Human Beings to Human Civilization, a Complexity Profile — New England Complex Systems Institute Since time immemorial humans have complained that life is becoming more complex, but it is only now that we have a hope to analyze formally and verify this lament. This article analyzes the human social environment using the "complexity profile," a mathematical tool for characterizing the collective behavior of a system. The analysis is used to justify the qualitative observation that complexity of existence has increased and is increasing. The increase in complexity is directly related to sweeping changes in the structure and dynamics of human civilization—the increasing interdependence of the global economic and social system and the instabilities of dictatorships, communism and corporate hierarchies.
Wicked problem A wicked problem is a problem that is difficult or impossible to solve because of incomplete, contradictory, and changing requirements that are often difficult to recognize. It refers to an idea or problem that can not be fixed, where there is no single solution to the problem. The use of the term "wicked" here has come to denote resistance to resolution, rather than evil.[1] Another definition is "a problem whose social complexity means that it has no determinable stopping point".[2] Moreover, because of complex interdependencies, the effort to solve one aspect of a wicked problem may reveal or create other problems.
“Wicked” problems: What are they, and why are they of interest to NNSI researchers? – Network for Nonprofit and Social Impact by: Katherine Cooper Not too long ago, I sat in on a meeting of local leaders as they wrestled with an education initiative that they were trying to implement in the community. Although the group’s goal sounded simple enough – introducing literacy programming into existing school and community projects – the conversation soon became complicated. There is a clear link between improving literacy and improving educational outcomes, but what else poses a problem to educational achievement?