The Thirty-Six Dramatic Situations
The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance. To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history[edit] “Gozzi maintained that there can be but thirty-six tragic situations.
9 Editing Tips that Make Your Writing Sparkle
It’s often said that writing is rewriting. Banging out a quick first draft can be fun, but the real grunt work comes in revising your work. Here are nine editing tips that can help you polish your writing until it sparkles: 1. Read aloud When you become too familiar with a piece of writing, suddenly it’s more difficult to spot weaknesses and errors.
How to play with words
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10 Creative Block Breakers That Actually Work
Doesn't matter what you call it: writer's block or creative block or simply "Where is my inspiration when I need it?!" All creative individuals find their work coming less easily at some times than others. That's when you need strategies, and plenty of them.
Writer’s Digest - Writing Prompts
Write a scene that includes a character speaking a different language, speaking in a thick accent, or otherwise speaking in a way that is unintelligibe to the other characters. (Note: You don't necessarily need to know the language the character is speaking—be creative with it!) Describe a character's reaction to something without explaining what it is.
Questionnaires for Writing Character Profiles - Creative Writing Help - StumbleUpon
Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new.
The Ultimate Guide to Writing Better Than You Normally Do.
Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts.
50 Strategies For Making Yourself Work
Written by Jerry Oltion Copyright © 2001 by Jerry Oltion Work avoidance is one of the major paradoxes of the writing profession. Generally, writers want to write (or want to have written), but all too often we find ourselves doing anything else but.
5 Ways Not to Write a Novel
Writing a novel? There's first-draft flow, and there's editing flow. And then there comes a time when you think you might be done, yet the manuscript is still not quite "there." To sell your work to an agent, and then to a publisher, and finally to a great many readers, put thoughts of flow aside now, and consider the following advice. Each of the guides mentioned is worthy of your careful attention. , such as "Danielle was a woman of medium height with brown hair and brown eyes."
How to Write Thousands of Words Every Single Week
How much do you write every week? It’s probably not as much as you’d like. A few years ago, I had all day, every day to write – but I’d still end up spending the whole of Monday writing a couple of pages for my critique group.
Create paintings from photos
Did you ever wanted to be a great artist? But unfortunately you are really bad at it? Well that's ok because now with Psykopaint you can be a great artist with no skills. But how does it work? Open a photo you like and paint it using a variety of tools like brush, spraycan, ribbon, knife, Psykopaint will choose the colors automatically for you So you don't need to worry about it and focus on a style you like. Impressionist, cubist, abtract or classic, or something totally unique.
20 Common Grammar Mistakes That (Almost) Everyone Makes
I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward. If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery. As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes. But experience has also taught me that readers, for better or worse, will approach your work with a jaundiced eye and an itch to judge. While your grammar shouldn’t be a reflection of your creative powers or writing abilities, let’s face it — it usually is. Who and Whom