HandHealth | Maximize the Physical Capabilities of Your Hands Sculpture tutorial for Starters - Part 1 by =Feyrah on deviantART Singer - Singing Teachers Resource PSG Art tutorial Foreword I believe there is logic behind why a picture works or not. I also believe that humans are meat machines, and that one day computers will be able to emulate humans and what we do. Since logic can be formulated into rules, guidelines and theories, these can be shared. I will attempt to do so here. Note that I have just empirically deduced the theories I present here, and that I'm a highly fallible meat machine. Many rules also play against each other and may cancel each other out, or become invalidated because of a stylistic approach . The far most useful critique I can give developing artist is: Practice. Updates 2012 May02: Clarified stuff in the Terminology section. Table of contents Licence This tutorial is, in its current form, free to translate and 'mirror' in that form. Because I may be updating it and new versions are generally better, I'd rather not have it mirrored too much. I guess this licence comes pretty close: Terminology (Upd. 2012) Seeing (Upd. 2012) Light stuff Exposure
Music Portal : Melbourne Graduate School of Education : The University of Melbourne This site aims to provide highlights of music education resources available on the internet. It has been developed in consultation the with the Australian Society for Music Education (ASME) in particular the ASME Victorian Chapter. This is a developing resource for music educators. If you have any suggestion, addition or amendment, please e-mail Andrew Swainston: swaa@unimelb.edu.au Websites of the month International Society for Music Education (ISME) African Drum Beat – Shiko Anime Style Background Tutorial » mclelun Anime Style Background Tutorial This is a follow up to my last painting tutorial for noob like us. I have found out a few things that I like to share with peoples that have great interest in making their own anime/manga. Disclaimer: I suffer from partial colorblindness and never went to any art school. Technique and theory in this tutorial might not be correct. The Artwork “Bus Stop” This is the finish artwork I did yesterday. Sky Start painting the sky by using the gradient tool. Clouds Not the best clouds here, but a quick way to paint clouds. 1) Select the chalk style brush for both paintbrush and eraser.2) Start painting the clouds with this chalk brush and erase part of the clouds when needed. Trees, Bushes 1) Select the Chalk brush. NOTE: You can use custom leaf and bush brush to get a better result. Atmospheric Effect, Haze, Fog, Shadow One of the area we always see in Makoto Shinkai artwork is the beautiful blue, purple, grey color everywhere. Sunlight, Glow, Glare The character
Drum Charts Transcriptions Tabs and Tips for the Gigging Drummer 50 Free Animation Tools And Resources For Digital Learners 50 Animation Tools & Resources For Digital Learners by Lisa Chesser, opencolleges.edu.au A purple monster with wild curls spiraling out of control explains the economics of oil production in the Sudan to students in Los Angeles, Sydney, Berlin, Jerusalem, and Riyadh. That is education and animation working together to teach students everywhere, everything they ever wanted to know. Educators need only utilize the tools available, most of them for free. Some of the animation links catalogued here will give educators very basic tools and histories of animation while others have the animation already created and set in motion, it’s just a matter of sharing it with students. Educators need to decide which tool is best for them. One of the easiest ways to animate, however, isn’t with your own camera and modeling clay, it’s with your links to sites that hand you everything within their own forums. 1. 2. 3. 4. 5. 6. 7. 8. For those who prefer to draw, there’s Make It Share It. 9. 10. 11. 12. 13.
Mind For Music - Free Online Jazz And Music Transcriptions/Sheet Music - Home Essonnes Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre. It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like many typefaces, Essonnes started after falling in love with a piece of history. These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.