Vincent van Gogh Gallery - Welcome! Gustave Doré Parcours pédagogique : Nicolas de Staël Le Centre Pompidou vous propose de nombreuses visites, parcours et ateliers pour découvrir le bâtiment, les collections, les expositions temporaires, la création des 20e et 21e siècles. L'ensemble des visites, générales ou thématiques, offrent la possibilité d'établir des liens avec les programmes scolaires, adaptés à chaque niveau. Parcours, ateliers et événements de la Galerie des enfants permettent aux plus jeunes dès 2 ans, de se familiariser à l'art moderne et contemporain par la manipulation ou l'expérimentation. Le programme d’activités Visites des collections permanentes et des expositions temporaires Les visites s'adressent à tous les niveaux scolaires. Elles permettent d'aborder les œuvres à partir de notions fondamentales dans l'apprentissage du langage de la création et sont associées aux thèmes d'enseignement abordés dans les programmes scolaires. Parcours Histoire des arts dans « Modernités plurielles » Ateliers Les ateliers pour le jeune public se déroulent en deux temps.
Banksy Paul Klee Art Institute of Chicago NEW!Dallas Museum of Art, Texas NEW!(There is a "Download" link for zooming in on some works, but confusingly this may take a while to become active)Paul Klee at the Detroit Institute of Arts, Michigan2 works onlineFine Arts Museums of San Francisco NEW!Guggenheim Museum, New York CityClick "View all" to see a total of 41 works onlineMetropolitan Museum of Art, New York City NEW! Electrifying Photography Robert Buelteman uses high voltage photography Forget the notion of a reverent nature photographer tiptoeing through the woods, camera slung over one shoulder, patiently looking for perfect light. Robert Buelteman works indoors in total darkness, forsaking cameras, lenses, and computers for jumper cables, fiber optics, and 80,000 volts of electricity. This bizarre union of Dr. Buelteman’s technique is an elaborate extension of Kirlian photography (a high-voltage photogram process popular in the late 1930s) and is considered so dangerous and laborious that no one else will attempt it-even if they could get through all the steps. Buelteman begins by painstakingly whittling down flowers, leaves, sprigs, and twigs with a scalpel until they’re translucent. Because there’s no lens to distort the colors, Buelteman’s work replicates natural hues far better than traditional photographs. Via Wired
:: John William Waterhouse :: Bridget Riley Loss (1964) Black to White Discs (1961-62) Ease (1987) Pause (1964) ?? Drift No. 2 (1966) partial B/W image of Orient 1 or 2 (1969) ?? Kiss (1961) Acrylic on Linen, 48"x48" Movement in Squares (1961) Tempera on board, 48"x47" Going Along (1999) Oil on linen, 121.9 x 197.5 cm Study '74 Colour/Space Sequence (1974) Gouache on paper, 29"x28" Balm (1964) Oil on canvas, 6'4 3/4" x 6'4 3/4" Orphean Elegy I (1978) Esoteric medium (?) "Blaze 4" (1964) Serigraph(?) Catarct 3 (1967) PVA on canvas, 88 1/2" x 87 1/2" Paean (1973) Acrylic on canvas, 114" x 113" Rêve (1999) Oil on linen, 227.3 x 237.5 cm Zambezi (1999) Oil on linen, 221 x 175.3 cm Britannia ?? Start (2000) Silkscreen, 18 3/4" x 19 1/2" Sylvan (2000) Silkscreen, 35"x24" Carnival (2000) Silkscreen, 28 3/4" x 36" Echo (2000) Silkscreen, 27 1/2" x 28 1/2" Fete (1999) Screenprint, 26 x 34 3/8" Composition with Circles (1998) Silkscreen, 27 5/8" x 39 1/2" Left to right: Blue Dominance. Ra2 (1981) Silkscreen, 42" x 36 3/4"
Gustav Courbet : History of Erotic Art Gustav Klimt (1862 - 1918) was an Austrian artist from Vienna who was one of the pioneers of Symbolism and Art Nouveau who is best known for his paintings though was also an incredibly prolific draftsman. "All art is erotic" — Gustav Klimt We usually use self portraits of the artists on ErotiCart, however Klimt famously has no self portrait and is popularly quoted saying "I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women...There is nothing special about me. Gustav Klimt was one of the founding members of the Vienna Secession, a group of Austrian artists who had resigned from the Association of Austrian Artists in protest of their restrictive attitudes towards art. Klimt, as well as many other artists, left the Secession in 1905 due to an ongoing dispute with the Naturalist within the Vienna Secession, who refused to let go of the realist influence in their art.
Andy Goldsworthy Digital Catalogue: Home Arthur Ganson's Machines / Kinetic Sculpture