Michael Haneke In 2013 Haneke won the Prince of Asturias Award for the arts. Life and career[edit] Haneke was born in Munich, Germany, the son of the German actor and director Fritz Haneke and the Austrian actress Beatrix von Degenschild. Haneke says that films should offer viewers more space for imagination and self-reflection. His next film will be entitled Flashmob. Stage work[edit] Haneke has directed a number of stage productions in German, which include works by Strindberg, Goethe, and Heinrich von Kleist in Berlin, Munich and Vienna. Quotes[edit] "My films are intended as polemical statements against the American 'barrel down' cinema and its dis-empowerment of the spectator. —From "Film as catharsis".[15] "Pornography, it seems to me, is no different from war films or propaganda films in that it tries to make the visceral, horrific, or transgressive elements of life consumable. "Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth." Filmography[edit]
François Truffaut François Roland Truffaut (French: [tʁyfo]; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave.[1] In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows came to be a defining film of the French New Wave movement. Early life[edit] Truffaut was born in Paris on 6 February 1932. Truffaut would often stay with friends and try to be out of the house as much as possible. Truffaut frequented Henri Langlois' Cinémathèque Française where he was exposed to countless foreign films from around the world. Career[edit] After starting his own film club in 1948, Truffaut met André Bazin, who would have great effect on his professional and personal life. Truffaut joined the French Army in 1950, aged 18, but spent the next two years trying to escape. Personal life and views[edit]
Bill Hicks William Melvin "Bill" Hicks (December 16, 1961 – February 26, 1994) was an American stand-up comedian, social critic, satirist, and musician. His material, encompassing a wide range of social issues including religion, politics, and philosophy, was controversial, and often steeped in dark comedy. At the age of 16, while still in high school, he began performing at the Comedy Workshop in Houston, Texas. During the 1980s, he toured the United States extensively and made a number of high-profile television appearances; but it was in the UK that he amassed a significant fan base, filling large venues during his 1991 tour.[1] He also achieved a modicum of recognition as a guitarist and songwriter. Hicks died of pancreatic cancer on February 26, 1994, in Little Rock, Arkansas, at the age of 32. In subsequent years his work gained a significant measure of acclaim in creative circles—particularly after a series of posthumous album releases—and he developed a substantial cult following.
Werner Herzog Werner Herzog Stipetić (German: [ˈʋɛɐ̯nɐ ˈhɛɐ̯tsoːk ˈstɪpɛtɪt͡ʃ]; born 5 September 1942), known as Werner Herzog, is a German film director, producer, screenwriter, author, actor and opera director. Herzog is considered one of the greatest figures of the New German Cinema, along with Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff, Werner Schröter, and Wim Wenders. Herzog's films often feature heroes with impossible dreams,[1] people with unique talents in obscure fields, or individuals who are in conflict with nature.[2] French filmmaker François Truffaut once called Herzog "the most important film director alive."[3] American film critic Roger Ebert said that Herzog "has never created a single film that is compromised, shameful, made for pragmatic reasons or uninteresting. Early life[edit] Herzog was born Werner Herzog Stipetić in Munich, to a German father, Dietrich Herzog, and a Croatian mother,[5] Elizabeth Stipetić. Career[edit] Film theory[edit] Cast[edit]
Film Socialisme Film Socialisme (2010), alternative French title Socialisme, English: Socialism but often referred to as Film Socialism, is a film directed by Jean-Luc Godard. The film was first screened in the Un Certain Regard section at the 2010 Cannes Film Festival,[1] to a widely varying reception, and released in France two days later, on 19 May 2010. It screened at the 48th New York Film Festival in 2010, the 27th film that Godard has shown at the festival.[2] Plot[edit] According to the synopsis on the film's official website,[3] the film is composed of three movements: The first movement, Des choses comme ça ("Such things") is set on a cruise ship, featuring multi-lingual conversations among a medley collection of passengers. The cruise ship is the Costa Concordia,[4] sailing around the Mediterranean Sea. Production[edit] The film is Godard's first in HD video and the 16:9 aspect ratio, as well as his first in several decades not be photographed with an intended aspect ratio of 4:3. Cast[edit]
Georg Wilhelm Friedrich Hegel The birthplace of Hegel in Stuttgart, which now houses The Hegel Museum Georg Wilhelm Friedrich Hegel (German: [ˈɡeɔɐ̯k ˈvɪlhɛlm ˈfʁiːdʁɪç ˈheːɡəl]; August 27, 1770 – November 14, 1831) was a German philosopher, and a major figure in German Idealism. His historicist and idealist account of reality revolutionized European philosophy and was an important precursor to Continental philosophy and Marxism. Life[edit] Early years[edit] Childhood[edit] Hegel was born on August 27, 1770 in Stuttgart, in the Duchy of Württemberg in southwestern Germany. At age of three Hegel went to the "German School". In 1776 Hegel entered Stuttgart's Gymnasium Illustre. Tübingen (1788-93)[edit] At the age of eighteen Hegel entered the Tübinger Stift (a Protestant seminary attached to the University of Tübingen), where two fellow students were to become vital to his development - poet Friedrich Hölderlin, and philosopher-to-be Friedrich Wilhelm Joseph Schelling. Bern (1793–96) and Frankfurt (1797–1801)[edit]
Stanley Kubrick Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, cinematographer and editor who did much of his work in the United Kingdom. Part of the New Hollywood film-making wave, he is regarded as one of the greatest and most influential directors of all time. His films, typically adaptations of novels or short stories, are noted for their "dazzling" and unique cinematography, attention to detail in the service of realism, and the evocative use of music. Kubrick's films covered a variety of genres, including war, crime, literary adaptations, romantic and black comedies, horror, epic, and science fiction. Kubrick was also noted for being a demanding perfectionist, using painstaking care with scene staging, camera-work and coordinating extremely closely both with his actors and his behind-scenes collaborators. Early life[edit] Kubrick as an infant with his father, Jack Photographic career[edit] Film career[edit] Short films[edit] R. A.I.
Breathless (1960 film) Breathless (French: À bout de souffle; "out of breath") is a 1960 French film directed by Jean-Luc Godard. It was his first feature-length work, and one of the earliest, most influential of the French New Wave.[1] At the time, the film attracted much attention for its bold visual style and the innovative use of jump cuts. Breathless, together with François Truffaut's The 400 Blows and Alain Resnais's Hiroshima, Mon Amour, both released a year earlier, brought international acclaim to the French nouvelle vague. A fully restored version of the film was released in the U.S. for the 50th anniversary of the film in May 2010. Michel (Jean-Paul Belmondo) is a young petty criminal who models himself on the film persona of Humphrey Bogart. Michel's death scene is one of the most iconic scenes in the film, but the film's final lines of dialogue are the source of some confusion for English-speaking audiences. MICHEL: C'est vraiment dégueulasse. MICHEL: It's disgusting, really.
Friedrich Nietzsche Friedrich Wilhelm Nietzsche (/ˈniːtʃə/[1] or /ˈniːtʃi/;[2] German: [ˈfʁiːdʁɪç ˈvɪlhɛlm ˈniːt͡sʃə]; 15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, poet, composer and Latin and Greek scholar. He wrote several critical texts on religion, morality, contemporary culture, philosophy and science, displaying a fondness for metaphor[3] and irony. Nietzsche's key ideas include perspectivism, the will to power, the death of God, the Übermensch and eternal recurrence. One of the key tenets of his philosophy is "life-affirmation", which embraces the realities of the world in which we live over the idea of a world beyond. Nietzsche began his career as a classical philologist—a scholar of Greek and Roman textual criticism—before turning to philosophy. In 1869, at age 24, he became the youngest-ever occupant of the Chair of Classical Philology at the University of Basel. As his caretaker, his sister assumed the roles of curator and editor of Nietzsche's manuscripts.
Kim Jee-woon Kim Jee-woon (born May 27, 1964) is a South Korean film director and screenwriter.[1] Kim Jee-woon has a history of successfully tackling a wide range of film genres, garnering a cult following among fans of Asian cinema.[2] Career[edit] Summary[edit] Kim started out directing theater, but has worked with increasing levels of success in cinema, showing accomplished acting and a detailed stylization in his films.[3] Kim also pays careful attention to the release of his films on DVD and goes to greater than usual lengths to package them with extensive documentary materials and revealing commentary tracks.[4] Kim is growing substantially both as a director and a visual stylist as demonstrated by two of his most recent films A Tale of Two Sisters and A Bittersweet Life both of which were received as critical and commercial successes.[4] The Quiet Family[edit] The Foul King[edit] In 2000, Kim directed and wrote his second feature film, The Foul King (2000), re-uniting again with Song Kang-ho.