Bio – Marius Watz Marius Watz (NO) is an artist working with visual abstraction through generative software processes. His work focuses on the synthesis of form as the product of parametric behaviors. He is known for hard-edged geometrical forms and vivid colors, with outputs ranging from pure software works to public projections and physical objects produced with digital fabrication technology. Watz has exhibited at venues like the Victoria & Albert Museum (London), Todaysart (The Hague), ITAU Cultural (Sao Paulo), Museumsquartier (Vienna), and Galleri ROM (Oslo). In a curating capacity, he founded Generator.x in 2005 as a platform for a series of events related to generative art and computational design. In 2010 he co-curated the exhibition “abstrakt Abstrakt: The Systemized World” with Eno Henze at the Frankfurter Kunstverein.
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ISO 9660 ISO 9660 (also known as ECMA-119), also referred to as CDFS (Compact Disc File System) by some hardware and software providers, is a file system standard published by the International Organization for Standardization (ISO) for optical disc media. It aims at supporting different computer operating systems such as Windows, classic Mac OS, and Unix-like systems, so that data may be exchanged. History[edit] ISO 9660 traces its roots to the High Sierra Format file system. High Sierra arranged file information in a dense, sequential layout to minimize nonsequential access by using a hierarchical (eight levels of directories deep) tree file system arrangement, similar to UNIX and FAT.
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How DriveSavers Got My Data Back DriveSavers data recovery engineers working in one of its secure clean rooms. Photo: Mat Honan After getting epicly hacked and having my computer wiped remotely, I was left with the world’s saddest MacBook Air. My useless machine came back to me from the Apple Store with a new OS installed on a 6GB partition, and what appeared to be a locked 250GB big blank slate on the other. 7 simple facts for understanding color theory Color is everywhere – in nature, in cities, in stores, online. We’re so used to it we often don’t notice it’s even there, until we suddenly come across a black and white movie on TV. Then we remember how good it is that we have such a colorful world.
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