Medieval Names - List of Medieval Names Character Trait Cheat Sheet - Kris Noel In order to create a relatable character, you must think about them as having several layers. Knowing and choosing character traits is important because you don’t want them to be one dimensional. It’s all not as simple as saying “this person is mean” or “this person is kind”. Think about the people you know in real life. They all have some sort of defining trait that makes them different from everyone else. You usually know more than just one thing about them and they most likely have many interests. I’ve listed some examples of character types: Adventurer: high levels of energy, bold, dominant, competitive, fickle, leader. Bossy: confident, competitive, stubborn, close minded, serious, lacks shame or guilt, wants a high status. Creator: artistic, observant, persistent, sensitive, introverted, becomes easily absorbed, enthusiastic, likes his or her own company. Extrovert: outgoing, talkative, not easily intimidated, expressive, enjoys being with others, seeks social situations. -Kris Noel
Character and Characterisation in the Novel How to write convincing characters Characterisation - the task of building characters - isn't easy. But if you're struggling to build characters with real life and vigour, just follow these rules. Know what kind of character you are writing There are roughly two types of protagonist in fiction. The second type of character (rather less common, in fact) is the genuinely extraordinary character who would make things happen in an empty room. Either type of character is fine - don't struggle to equip your ordinary character with a whole lot of amazing skills, or try to 'humanise' your James Bond character by making him nice to old ladies and interested in baking. Empathy is about story and good writing Likewise, don't worry too much if your character is likeable. A) you write well enough that your reader is drawn in to your protagonist's world, whether they like it or not; and B) the story you're writing forces that character to encounter big risks and mounting jeopardy. Checking your work
Character Flaw Index To make characters realistic and relatable they are given flaws, because if there is anything a writer can be sure of it is that no one in their audience will be perfect. Flaws are character traits that have a negative impact in the narrative, unless they are simply informed. They can also be exploited. See Good Flaws, Bad Flaws for a scale of flaw acceptability. Compare Seven Deadly Sins, Ego Tropes. Abusive Parents: Habitually violent and cruel to their own children, often because that's how they themselves were raised.
Physical Descriptions - List of Hair Colors Hair Color List (Note: an updated and expanded version of this list appears in my 15K-word book How to Describe Hair and Skin. See below.) [First, my profound apologies to the vast majority of readers who don't steal content, but I have to state the following. This article and all content on this website belongs to Val Kovalin, copyright © Obsidianbookshelf.com, except where noted. I'll admit it – hair colors are fun, even for someone like me who advocates keeping description to a minimum. Natural human hair color comes in these basic shades: blond(e), red, light brown, dark brown, black, gray, white. Don't forget about highlights! What are the nouns that apply to people with certain hair colors? Also, sometimes words pick up additional shades of meaning over time that are irrational but exist, and you won't find these connotations listed in the dictionary. Please check for frequent updates to this list! Blond – ash Blond – bronze.
Sleep learning is possible: Associations formed when asleep remained intact when awake Is sleep learning possible? A new Weizmann Institute study appearing August 26 in Nature Neuroscience has found that if certain odors are presented after tones during sleep, people will start sniffing when they hear the tones alone -- even when no odor is present -- both during sleep and, later, when awake. In other words, people can learn new information while they sleep, and this can unconsciously modify their waking behavior. Sleep-learning experiments are notoriously difficult to conduct. Prof. In the experiments, the subjects slept in a special lab while their sleep state was continuously monitored. The next day, the now awake subjects again heard the tones alone -- with no accompanying odor. The team then asked whether this type of learning is tied to a particular phase of sleep. Although Sobel's lab studies the sense of smell, Arzi intends to continue investigating brain processing in altered states of consciousness such as sleep and coma.
Creating Stunning Character Arcs, Pt. 1: Can You Structure Characters? What if there were a sure-fire secret to creating stunning character arcs? Would you be interested in discovering it? If you care about connecting with readers, grabbing hold of their emotions, and creating stories that will resonate with them on a level deeper than mere entertainment, then the answer has to be a resounding yes! But here’s the thing about character arcs: they’re way too easy to take for granted. On the surface, character arcs seem to boil down to nothing more than a simple three-step process: 1. 2. 3. That’s character arc in a nutshell. Turns out: a lot. (Featured in the Structuring Your Novel Workbook.) The Link Between Character Arcs and Story Structure Too often, character and plot are viewed as separate entities—to the point that we often pit them against each other, trying to determine which is more important. We often think of plot as being about structure, but our notions of character and character arc tend toward the more airy-fairy. Surely, right? Wrong, actually.
Character Questionnaires - Get to Know Your Characters Receive more writing tips and advice (along with special offers and other Gotham news). One of the best ways to get to know your characters is to ask questions about them. Many writers do this as a kind of homework before they actually start writing a story. The more you know your characters, the fuller they will be. This might also make your story easier to write. Character Questionnaire 1 This questionnaire is found in Gotham Writers Workshops Writing Fiction. You might start with questions that address the basics about a character: What is your characters name? What is your characters hair color? What kind of distinguishing facial features does your character have? Does your character have a birthmark? Who are your characters friends and family? Where was your character born? Where does your character go when hes angry? What is her biggest fear? Does she have a secret? What makes your character laugh out loud? When has your character been in love? Look at your characters feet.
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Character Creation - www.fiction-writers-mentor.com Character creation is one of the biggest challenges facing fiction writers. Well, let me rephrase that. Character creation is one of the biggest challenges facing most fiction writers! The fiction writers who don’t have to care so much about writing characters are those who are writing plot-driven novels. Having said that: no agent or publisher ever turned down a novel because the character creation was too believable, too rounded, too well-written, and too compelling and interesting. The solely-plot-driven novels get published in spite of the bad characterization, not because of it. However, you'll appeal to a much wider range of readers if you have a fully-rounded story - with a compelling plot and compelling characters. The pages on plot aim to help you with the former; this section is about assisting you with the latter. How To Create Characters So, how do you write memorable characters? There are a few techniques which assist you in writing great characters. Opinion is divided on that.
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.
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