Active Voice Versus Passive Voice
Today's topic is active voice versus passive voice. Here's a question from Brian in Iowa. He writes, “It drives me crazy when people write in passive voice. How can I teach people how to tell the difference between passive and active voice and to stay away from passive voice?” Well, Brian is right, the first step is to help people understand the difference between active and passive voice, because many people believe they should avoid the passive voice, but fewer people can define it or recognize it. What Is Active Voice? I'll start with active voice because it's simpler. Another example is the title of the Marvin Gaye song “I Heard It through the Grapevine.” What Is Passive Voice? In passive voice, the target of the action gets promoted to the subject position. If you wanted to make the title of the Marvin Gaye song passive, you would say “It was heard by me through the grapevine,” not such a catchy title anymore. Next: Is "To Be" a Sign of Passive Voice? Is Passive Voice Always Wrong? 1.
25 Things You Should Know About Word Choice
1. A Series Of Word Choices Here’s why this matters: because both writing and storytelling comprise, at the most basic level, a series of word choices. Words are the building blocks of what we do. They are the atoms of our elements. They are the eggs in our omelets. 2. Words are like LEGO bricks: the more we add, the more we define the reality of our playset. 3. You know that game — “Oh, you’re cold, colder, colder — oh! 4. Think of it like a different game, perhaps: you’re trying to say as much as possible with as few words as you can muster. 5. Finding the perfect word is as likely as finding a downy-soft unicorn with a pearlescent horn riding a skateboard made from the bones of your many enemies. 6. For every right word, you have an infinity of wrong ones. 7. You might use a word that either oversteps or fails to meet the idea you hope to present. 8. Remember how I said earlier that words are like LEGO, blah blah blah help define reality yadda yadda poop noise? 9. 10. 11. 12. 13. 14.
Free English Grammar Lessons and Tests
Finding your voice - making your writing sound like YOU
Finding your voice by Christopher Meeks Developing a voice in your writing is a notion that passes over me every now and then like the "thung" sound of an error message on my computer. "I should develop a voice," I think. "My voice is off today," I think. "Maybe I should work on that voice thing," I think. To some people, the image of "voice" may be akin to a rotund person belting something out in Italian in front of a lot of penguin-suited people paying big bucks waiting for the crystal to shatter. Or, if that metaphor's a bit too extreme, think of "voice" as simply like your own voice. Since most of the information on the Web is text, you want your text to have a real voice, like your own. I can recognize voice in other people's work. One of the great voices of the century is Ernest Hemingway. Is there a way to work on "voice"? OK, we aren't Hemingway... We all want to change the way the next few generations speak, write, and think. How do we do that? Most days I don't worry about voice.
Citing Yourself - Citations - Academic Guides at Center for Student Success
If you cite or quote your previous work, treat yourself as the author and your own previous course work as an unpublished paper, as shown in the APA publication manual. For example, if Marie Briggs wanted to cite a paper she wrote at Walden in 2012, her in-text citation might look like this: Briggs (2012) asserted that previous literature on the psychology of tightrope walkers was faulty in that it "presumed that risk-taking behaviors align neatly with certain personality traits or disorders" (p. 4). And in the reference list: Briggs, M. (2012). If your original work contained citations from other sources, you will need to include those same citations in the new work as well, per APA. According to Briggs (2012), recent psychologists such as "Presley and Johnson (2009) too quickly attributed risk-taking to genetic factors, ignoring the social family issues that often influence the decision to explore pursuits such as tightrope walking" (p. 5).
Questionnaires for Writing Character Profiles
Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. The one thing I love, you take everything apart and give examples." - Katlen Skye "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. "Thanks very much for this course. "I'm learning so much. "Thank you so much!!
The Science of Scientific Writing | Style for Students Online
"The Science of Scientific Writing" is a thoroughly detailed and important article about scientific writing from the journal American Scientist. You will find practical advice on how (literally) to put sentences together and walk along with the authors as they methodically generate seven practical maxims for good science writing. In the article, the authors, George D. Gopen and Judith A. Swan, develop seven maxims that will aid you as you write and revise your work. To open the article "The Science of Scientific Writing" within this page, click here. "The Science of Scientific Writing," by George D. This article, downloaded from Style for Students Online, originally appeared in American Scientist, journal of Sigma Xi, copyright © 1990 by Sigma Xi, The Scientific Research Society. Science is often hard to read. The fundamental purpose of scientific discourse is not the mere presentation of information and thought, but rather its actual communication. Subject-Verb Separation Bibliography
Unique Plots
