17 Ejemplos de Video Mapping Espectaculares Hace unos años el video mapping, el arte de proyectar video en superficies como edificios, para crear la ilusión de arte en 3D, era algo joven y poco reconocido. En la actualidad, es típico ver este tipo de proyecciones en el curso de cualquier festival de música, publicidad de algún producto o algún show. Agrégale un edificio famoso (tal vez el Palacio de Buckingham) a todo esto, y te vas a encontrar a una técnica totalmente novedosa. El video mapping tiene la capacidad de transformar cualquier objeto en una pantalla. Los mejores proyectos video mapping tuvieron éxito al realzar la arquitectura en la que son proyectados. La escala puede ser impresionante, y la ilusión de objetos cotidianos volviéndose animados es realmente algo emocionante. Simplemente mira la expresión de la gente en la audiencia durante una proyección y vas a notar que les brillan los ojos de la felicidad. Qué es Video Mapping y Cómo Usarlo en Eventos Lo Que Necesitas Saber Sobre Video Mapping Software para Video Mapping
Significado paisajes | intolight Eine umlaufende 360°-Wandprojektion ermöglicht ein immersives Erleben und erstaunliche sensorische Illusionen. Die Besucher werden in Sinneslandschaften im Raum erfasst und können durch ihre Präsenz und ihre Bewegungen den Raum gestalten. Eigenheiten von historischen Stilrichtungen in Kunst und Design werden visuell und akkustisch aufgegriffen und können nun vom Besucher kontempliert und spielerisch interpretiert werden. Das Leipziger Museum für Angewandte Kunst und Design hat eine bewegte Geschichte. 1874 gegründet, 1926 Umzug in ein neues Gebäude namens Grassimuseum, 1943 stark zerstört, ab 2001 umfangreich saniert. Die Wiedergeburt des Museums begann 2007 mit der Fertigstellung der ersten von drei Dauerausstellungen und wurde am 4.März 2012 mit der feierlichen Eröffnung der dritten abgeschlossen. Es ist etwas Besonderes, wenn noch lebende Künstler und Designer schon zu Lebzeiten prominent in einem Museum ausgestellt werden.
Animated GIFs Overlay Surreal Scenes On Historic Images [Pics] Visual artist and filmmaker Bill Domonkos’ most recent work sees posts of GIFs to his Tumblr that combine scenes and imagery using special effects and editing. Domonko places animated imagery on top of static archival images and film footage ensuring it comes from a refreshingly different angle using manipulation to experience a whole new form of GIF art. Inspired by the obscure world of cinema, his mostly black and white work includes a still X-ray with a man doing pull-ups off its ribs and a jockey guiding his race horse through a bathroom sink. Click through the gallery to experience more of his brilliantly dark work: Bill Domonkos
Lo scultore Byles vive per un anno nei boschi e “scolpisce” la foresta incantata. Il video Onion Skin by @AntiVJ - Re-composition of time and space using perspective Created by Olivier Ratsi, an artist on the ANTIVJ visual label, Onion Skin is a new immersive installation comprised of two walls, positioned at right angles and augmented by a projection and a 5.1 sound broadcast. The experience of the installation is based on a very specific point of view, a precise position from which a new dimension is revealed to the audience by anamorphosis. Onion Skin is a graphical work about the re-composition of time and space through a game of perspectives, both of the exhibition space itself and that of the projection canvas. Built around a progressive structure, made up of 4 parts lasting 14 minutes in total, the piece plays on the principle of repetition and scale to create a physical and hypnotic experience that opens doors onto the hidden and untouchable. Olivier used mainly After Effects for this project. Concept & visual content: Olivier Ratsi Music: Thomas Vaquié Management & production: Nicolas Boritch Project Page | AntiVJ
VERTEX ‘Vertex’ experiments with the combination of digital and physical processes. Designed in a CAD environment, the work departs from the more formal geometric structures of my previous installations. Pursuing my interest in the relationship of spatial complexities, the main goal with this sculpture was to develop a shape that is clearly non-linear and apparently structurally unsound in its form. Protruding into its surrounding space, the piece aims to redefine its environment and create a sense of spatial convolution. The sculpture seems to exist in a way that does not clearly position it within its space in a formal context. The work is shaped in a way so it can be fully illuminated with just two projectors. ‘Vertex’ expresses my interest in the deep abstraction of form through the combination of 2D and 3D elements, and digital and physical dimensions, and how these realities are situated in relation to consciousness.
MIMPI credits stain, lazyfish, alg, alexander stavtsev MIMPI /mobile interactive multiparametric image/ is an experiment with abstract generative image and simple multiuser interactivity. Everyone can have an influence on the image with tilting an iOS or Android device connscted to the gallery wireless network. may 2012, MEL gallery,
Tate Gallery Unleashes Night Robots To Livestream Art London art gallery Tate Britain, in partnership with design studio The Workers, will soon be giving art enthusiasts a chance to access the gallery at night via a team of remote-controlled robots that will roam the gallery at night and livestream the art pieces. Art enthusiasts can skip the crowds of gallery visitors during the day and book a time slot for them to access the art gallery at night through the remote-controlled robots. The robots are fitted with lights and a camera and are connected to a website where users will be able to view the art work displayed at the gallery. Users will be able to steer the robots and direct them around the paintings and exhibits — enabling the users to view and appreciate the gallery’s collection without any obstruction. The project was created by The Workers as their entry into the inaugural IK Prize, a Tate-sponsored competition for digitally innovative projects that can “enhance public enjoyment of art.” Tate Britain
See Your Favorite Literary Classics Made Over As Pulp Fiction You can't necessarily judge a book by its cover, but you can tell a lot about the content from it. For instance, when a certain font is paired with an illustrated character portrait featuring a dangling cigarette and/or a dangerous dame, clearly you are holding a pulpy detective novel from the 1930s. Judging by a new imprint, however, it might also be Robinson Crusoe. Pulp the Classics is a recent line of books that retrofits literature's best-known works with covers of pulp novels, some of them featuring recognizable actors of different eras. "It was a way to appeal to fans of the old pulp cover art, but also to use humor to engage with a new audience for great literature," Mann says. The selection process for the books is an evolving philosophy. "The sort of uptight, haughty Englishness of the period and genre is easy and fun to subvert," the artist says. In order to make the covers, Mann first finds a visual reference online. Have a look through more of the covers in the slides above.