Choosing a Viewpoint Character | Novel Writing Help In most cases, the viewpoint character of a novel (the one whose eyes we witness the events through) is the same person as the novel's protagonist (the central character, or the one the whole novel is "about"). (You will find an article on choosing the protagonist in the section on Creating Characters. For most novels, though, the choice is an obvious one. In fact, the central character is often the spark that ignites the novel in the first place.) And so, given that you know who your novel's protagonist is, and given that the protagonist is also the viewpoint character in most novels, the question of who to choose has conveniently resolved itself. Well, mostly... There is still the issue of choosing viewpoint characters who are not the novel's protagonist. There are two circumstances under which lesser characters - that is, non-protagonists - will become viewpoint characters... 1. The question is: Which of your lesser characters should you choose to be a viewpoint character? 2. 1. 2.
How to Build Subplots From Multiple Viewpoints Multiple viewpoints provide diversion from, and contrast to, the protagonist’s perspective. They can deepen conflict, enlarge a story’s scope and add to a novel the rich texture of real life. Subplots carry those effects even further. In our workaday world, we do not live in isolation. Subplots and multiple points of view are often linked by their very natures. Of course, subplots and multiple points of view make novels longer and more work, but rewards for that effort are there for writer and reader alike—that is, if they are successful. —By Donald Maass, author of The Breakout Novelist Choosing a subplot begins with choosing characters with which to work. If none are to be found, it might be worthwhile to grow some of your secondary characters, depending on the nature of your novel. Subplots will not have the desired magnification effect unless there are connections between them. A second requirement of subplots is that they each affect the outcome of the main plotline.
The 7 Narrator Types: and You Thought There Were Only Two! - bekindrewrite Photo by Charles Hutchins There are all kinds of narrators–going way beyond simple first or third person. Here’s a little study of the different types. First Person 1. Relatively straightforward, this is a story the hero narrates. …I take up my pen in the year of grace 17–, and go back to the time when my father kept the “Admiral Benbow” inn, and the brown old seaman, with the saber cut, first took up his lodging under our roof. 2. Someone close to the protagonist, but not the main hero. “Dr. Third Person Third person omniscient This type knows all, peeking into the lives of major and minor characters, reading everyone’s thoughts. Third person limited This type knows only what the main character, or characters, know. The following types can fall into either omniscient or limited: 3. A detached third person narrator sticks to telling the story, and never inserts his own opinions—never slips in an “I” or a “me” except in direct dialogue. 4. Somewhere in Between 5. 6. “Lemony?” 7. Example:
Plot Development: How to write the climax and ending of your novel. by Glen C. Strathy* Plot development is something you should think about after you have written a brief plot outline (Part 3). In this article, we're going to consider how to make sure the plot of your novel incorporates a satisfying climax and resolution. Many writers, especially pantsers, don't like to think about how their plot develops until they've written most of the first draft, preferring to let the ending evolve organically out of what comes before. I believe, however, that you can save yourself a lot of time and effort in the long run by making a few decisions about how your plot develops and the nature of your story early on. Of course, your ending must make emotional and logical sense. Will Your Novel End Happily, Unhappily, Or Somewhere In Between? You may find this hard to believe, but – without at all becoming formulaic – story endings generally fall into four different categories. If the answer is no, then in classical terms, your novel will be a tragedy. 1. 2. 3. 4. 1. 2.
Empowering Writers "Teaching Voice in Writing" - Empowering Writers We’ve all heard teachers talk about “voice” – how a piece of writing somehow has it – or doesn’t. Often referred to as “author’s voice, it is a frequently misunderstood concept, an illusive quality that often seems difficult, if not impossible to teach. In fact, some people feel that authors are either blessed with the gift of “voice” or not, or they believe that writers can only discover their voice through writing a lot. Download – “Teaching Voice in Writing” Lesson Download – “Setting the Tone” Lesson Download – “Setting the Mood” Lesson Let’s begin with a definition of “voice”. The term “author’s voice” has no place in narrative writing. This is precisely why “author’s voice” does not apply to narrative writing. And, voice involves not only what the main character says and thinks – the “voice” of this character might better be thought of as a lens through which the reader experiences every aspect of the story. Let’s look at an example of “voice” in a fictional setting.
yWriter5 - Free writing software designed by an author, not a salesman Download yWriter5 5.6.2.7 as a self-installing EXE file (recommended) yWriter5 exe installer (9.3mb) Download yWriter5 5.6.2.7 in a zip file yWriter5 zip file (3.9mb) Requires the Windows .Net 3.5 SP1 framework (Runtime) or newer. Installing on Windows: 1) Download the installation file. Click Yes to proceed or No to cancel. Instead of the above, Windows may throw up a warning similar to the one below: At this point you either trust me (and my company, Spacejock Software) and click 'Yes', or you click 'No' and delete the installer. 2) Follow the prompts to set it up. You can run my programs from a memory stick.
How Do You Teach Voice in Writing: It's Easier Than You Think written by: Trent Lorcher • edited by: SForsyth • updated: 4/2/2012 Out of all the writing traits, voice presents the biggest challenge for students and teachers. Not anymore! How Do You Teach Voice in Writing? References Teaching experience. Lesson Plans: Fine Tune Your Writing Focus Writing that lacks focus confuses readers. Best free software for writing: 10 programs to unleash your creativity The best free writing apps don't just let you work on your projects - they also let you organize and manage all your writing. Whether it’s work documents, essays, or your creative stories, free writing apps - like the best free word processors - let you organize your thoughts on the page without breaking the bank. These days they will also make it even easier to save, share, and sync documents online. Some of the best choices offer distraction-free interfaces and gamification-style challenges to keep you in the zone. Our picks cover the best free writing apps and software on the web and across Windows, Mac, Linux, Android, and iOS. To help you find the right tool, we've tested the best free writing app for all types of writers, whether you’re at a desk or writing on the go. We’ve also rounded up the best note-taking apps to make sure you can keep on writing wherever you are. Best free writing apps of 2023 Best distraction-free writing app Specifications Reasons to buy Distraction-free design
Writability: Voice: You Are Not Your Characters For much of my journey as a writer, I was aware of this thing called voice. I knew what it was, for the most part, and the theory behind how to develop it (that is, write and read a lot). I knew that an author's voice was different from a character's voice, but it wasn't until I started writing in first person that I came to realize that one can overpower the other. In my case, my writer voice was way overpowering my character's voice (a problem, especially in first person) and this revelation forced me to stop and rethink how I view voice. You see, your writer voice develops naturally over time—it's something that threads together with every word you write and every sentence you read. It evolves gradually, naturally into something that is you, into your mark on the page. But the character voice — that's an entirely different battle, because your character's voice is not the same as your voice. What he's hitting on here is golden advice for any writer: we are not our characters.
Edgar the storyteller Finding Your Character’s Voice - The Loft Literary Center During a summer workshop I recently taught, a student lamented that all the characters in her short story were too similar. “No matter how hard I try to make them different they all sound just like me,” she said. This is one of the most common questions I’m asked. Finding a character’s voice can be tricky. First, let’s talk about what we mean by “voice.” Here are seven elements of voice that can help make your characters sound unique. Style: This is what people think of first when they mention voice. Tone: To me, tone is similar to style, but contains the overarching feeling of a story. Personality: I often think of memorable classic characters like Holden Caulfield from The Catcher in the Rye or Scout in To Kill a Mockingbird as having unique personalities. Perspective: Speaking of outlook, a character’s voice is reflected in his or her perspective. Authenticity: A character’s voice should always ring true. Consistency: A good voice is consistent throughout a story.